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low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height 2 / 422 -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height 3 / 422 -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height 4 / 422 -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height 5 / 422 -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height 6 / 422 -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height 7 / 422 -
low reserve and offers welcome 404-431-7249 White Wooden Garden Bench with High Back - Excellent Condition This Solid Wood Bench is in Excellent condition - very sturdy and shows only minor signs of wear. Dimensions: 41.5" Across Top x 35.5" Across Back Height to Seat 18" Total Bench 38" Wide x 16.75" Deep x 55" Height 8 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 9 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 10 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 11 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 12 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 13 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 14 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 15 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 16 / 422 -
reserve and offers welcome 404-431-7249 Mid-Century August 1951 General Fireproofing Company Industrial Green Adjustable Tanker Chair - Great Condition. These chairs retail online for $2,250 Machine-age industrial tanker desk chair with 4-star aluminum propeller base. Design originally by Gio Ponti in 1936 for the Montecatini Building, Milano, Italy, a symbol of modernity. Since then, the model has been updated and was manufactured by GoodForm for the U.S. market in the 1950s. Steel tube frame, aluminum 4-prong propeller base, vinyl seat, and back. Signed, made in Youngstown, Ohio by GoodForm, for General Fireproofing Company, circa 1976. Disclosures: This chair had one owner who bought it new. She is downsizing her home; thus, the chair is available for sale. The chair has grime and some obvious rust on the undercarriage and bottom of the seat. The chair works perfectly, and the vinyl has no tears or rips. Normal retail without rust is $2,800; we reduced our price due to the rust. Dimensions: 33.5" Height (Adjustable) x 17" Width x 17.5" Deep Height to Seat: 17.5" (Adjustable) About the Designer (Giò Ponti:) An architect, industrial furniture designer, and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps, and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in modern art and design. The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged. After the conflict, Ponti and designers such as Carlo Mollino, Franco Albini, and Marco Zanuso found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, colorful, equally elegant, and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo, and others. His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum, and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956. Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic. 17 / 422 -
low reserve and offers welcome 404-431-7249 Vintage Wooden with Black Leather, Wooden Adjustable Piano Stool 16" with Steel Coil Spring Disclosure: This beautiful stool had one owner! The wood has a few scratches from loving use; however, the leather remains perfectly intact with no rips or tears. The mechanism works perfectly. These stools date back to pre WW2 Era. Dimensions: Height Adjustable x 16" Seat Circumference 18 / 422 -
low reserve and offers welcome 404-431-7249 Vintage Wooden with Black Leather, Wooden Adjustable Piano Stool 16" with Steel Coil Spring Disclosure: This beautiful stool had one owner! The wood has a few scratches from loving use; however, the leather remains perfectly intact with no rips or tears. The mechanism works perfectly. These stools date back to pre WW2 Era. Dimensions: Height Adjustable x 16" Seat Circumference 19 / 422 -
low reserve and offers welcome 404-431-7249 Vintage Wooden with Black Leather, Wooden Adjustable Piano Stool 16" with Steel Coil Spring Disclosure: This beautiful stool had one owner! The wood has a few scratches from loving use; however, the leather remains perfectly intact with no rips or tears. The mechanism works perfectly. These stools date back to pre WW2 Era. Dimensions: Height Adjustable x 16" Seat Circumference 20 / 422 -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open 21 / 422 -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open 22 / 422 -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open 23 / 422 -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open 24 / 422 -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open 25 / 422 -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open 26 / 422 -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open 27 / 422 -
reserve and offers welcome text 404-431-7249 Mid-Century Modern Flip Top Black Leather Serving Cart Bar Cabinet Wheels - beautiful piece in person. Very sturdy piece. Features - Two smooth opening drawers, hinged extensions, bottom shelf, and working wheels. Dimensions: 32" Tall x 18" Depth 45.75" Long when folded closed 67.75" Long when extended open 28 / 422 -
no reserve and offers welcome text 404-431-7249 Antique Industrial The New Jersey Co Wire Stitching Machine LB1S with Serial Number 4606 Disclosures: This machine gets power but has not been tested to ensure it stitches. (Please see the pictures for details.) New Jersey Wire Stitching Machine Company: Founded in 1890, the Camden, New Jersey company has built cost-effective Wire Stitchers and Bag Closing Machines for over 130 years. 37 / 422 -
no reserve and offers welcome text 404-431-7249 Antique Industrial The New Jersey Co Wire Stitching Machine LB1S with Serial Number 4606 Disclosures: This machine gets power but has not been tested to ensure it stitches. (Please see the pictures for details.) New Jersey Wire Stitching Machine Company: Founded in 1890, the Camden, New Jersey company has built cost-effective Wire Stitchers and Bag Closing Machines for over 130 years. 38 / 422 -
no reserve and offers welcome text 404-431-7249 Antique Industrial The New Jersey Co Wire Stitching Machine LB1S with Serial Number 4606 Disclosures: This machine gets power but has not been tested to ensure it stitches. (Please see the pictures for details.) New Jersey Wire Stitching Machine Company: Founded in 1890, the Camden, New Jersey company has built cost-effective Wire Stitchers and Bag Closing Machines for over 130 years. 39 / 422 -
no reserve and offers welcome text 404-431-7249 Antique Industrial The New Jersey Co Wire Stitching Machine LB1S with Serial Number 4606 Disclosures: This machine gets power but has not been tested to ensure it stitches. (Please see the pictures for details.) New Jersey Wire Stitching Machine Company: Founded in 1890, the Camden, New Jersey company has built cost-effective Wire Stitchers and Bag Closing Machines for over 130 years. 40 / 422 -
no reserve and offers welcome text 404-431-7249 Antique Industrial The New Jersey Co Wire Stitching Machine LB1S with Serial Number 4606 Disclosures: This machine gets power but has not been tested to ensure it stitches. (Please see the pictures for details.) New Jersey Wire Stitching Machine Company: Founded in 1890, the Camden, New Jersey company has built cost-effective Wire Stitchers and Bag Closing Machines for over 130 years. 41 / 422 -
no reserve and offers welcome text 404-431-7249 Antique Industrial The New Jersey Co Wire Stitching Machine LB1S with Serial Number 4606 Disclosures: This machine gets power but has not been tested to ensure it stitches. (Please see the pictures for details.) New Jersey Wire Stitching Machine Company: Founded in 1890, the Camden, New Jersey company has built cost-effective Wire Stitchers and Bag Closing Machines for over 130 years. 42 / 422 -
no reserve and offers welcome text 404-431-7249 Antique Industrial The New Jersey Co Wire Stitching Machine LB1S with Serial Number 4606 Disclosures: This machine gets power but has not been tested to ensure it stitches. (Please see the pictures for details.) New Jersey Wire Stitching Machine Company: Founded in 1890, the Camden, New Jersey company has built cost-effective Wire Stitchers and Bag Closing Machines for over 130 years. 43 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 54 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 55 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 56 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 57 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 58 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 59 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 60 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 61 / 422 -
reserve and offers welcome 404-431-7249 Vintage 1950s Maple Butcher Block Top Student Desk with Black Steel Legs 20” Width x 48” Depth x 21.75” Height This desk is in structural condition with typical signs of wear for a piece of this age. The top of the desk could use sanding, although the wood has no gougers or dings. (Please see the pictures for details.) Refinished pieces retail online for $1,650 62 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 63 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 64 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 65 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 66 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 67 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 68 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 69 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 70 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 71 / 422 -
low reserve and Offers Welcome text 404-431-7249 Mayline Company 8794-8 Steel Adjustable Drafting Table w/ Tool Drawer Table Dimensions: 72" Width x 40" Depth x 2" Thickness of Top • The table has a 1.75" Width x 1" Height recess on the top front • The table is adjustable to height & angle 30 lowered to 45 raised • Locking tool drawer • Electrical plugs on the front right Disclosures: This table is in excellent working condition with typical signs of wear for a used piece. (Please see the pictures for details.) Moves in two sections 72 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 73 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 74 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 75 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 76 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 77 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 78 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 79 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 80 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 81 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 82 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 83 / 422 -
Offers Welcome text 404-431-7249 - low reserve Vintage Dusty Rose Upholstered Cane Back Barrel Chair Dimensions: 25" Width x 19.5" Depth x 29" Height Height to Seat: 17" Disclosures: This chair is in excellent condition with typical signs of wear for a well-used piece of this age. (Please see the pictures for details.) 84 / 422 -
no reserve and offers welcome text 404-431-7249 Mid-Century Modern Utility Formica Top Table with Steel Legs Dimensions: 28.5" height x 30" Width x 18" Depth Disclosures: This sturdy table is in excellent condition with signs of normal wear for a piece of this age. (see photos for details.) 85 / 422 -
no reserve and offers welcome text 404-431-7249 Mid-Century Modern Utility Formica Top Table with Steel Legs Dimensions: 28.5" height x 30" Width x 18" Depth Disclosures: This sturdy table is in excellent condition with signs of normal wear for a piece of this age. (see photos for details.) 86 / 422 -
no reserve and offers welcome text 404-431-7249 Mid-Century Modern Utility Formica Top Table with Steel Legs Dimensions: 28.5" height x 30" Width x 18" Depth Disclosures: This sturdy table is in excellent condition with signs of normal wear for a piece of this age. (see photos for details.) 87 / 422 -
no reserve and offers welcome text 404-431-7249 Mid-Century Modern Utility Formica Top Table with Steel Legs Dimensions: 28.5" height x 30" Width x 18" Depth Disclosures: This sturdy table is in excellent condition with signs of normal wear for a piece of this age. (see photos for details.) 88 / 422 -
no reserve and offers welcome text 404-431-7249 Mid-Century Modern Utility Formica Top Table with Steel Legs Dimensions: 28.5" height x 30" Width x 18" Depth Disclosures: This sturdy table is in excellent condition with signs of normal wear for a piece of this age. (see photos for details.) 89 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 90 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 91 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 92 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 93 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 94 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 95 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 96 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 97 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 98 / 422 -
low reserve and offers welcome by text 404-431-7249 Vintage Lyon Steel Art Brown Wood Top Folding Table with Steel Legs Dimensions: 30” square x 28” height Disclosures: This table is in excellent structural and functional – the top is smooth, although the buyer may elect to refinish, hence the reduced price. (Please see the pictures for details.) 99 / 422 -
no reserve and offers welcome text 404-431-7249 Vintage Mid-Century Modern Walnut End Table with Decorative Legs Dimensions: 23" Height x 28" Width x 18" Depth Disclosures: This table is structurally excellent, with normal signs of wear for a piece this age. (Please see the pictures for details.) 100 / 422
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