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Colorado
Fort Collins

Ms. Museum Estate Sales

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Liston and Barbara Leyendecker Estate Collection Auction #1

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Sale Details
244 Online Auction Items

The leather string with the turquoise piece is missing one of the sterling tassel ends. Extra Bolo string included. Marked KWXO but not marked sterling.

1101 / 2244
The leather string with the turquoise piece is missing one of the sterling tassel ends. Extra Bolo string included. Marked KWXO but not marked sterling.

1102 / 2244
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1103 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1104 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1105 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1106 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1107 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1108 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1109 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1110 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1111 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1112 / 2244 sold
Sizable/Adjustable Ring featuring a secret "poison" compartment hidden with the Amethyst hinged lid. Marked Sterling, S.B.R. and has the Eagle with #3 mark.

1113 / 2244 sold
Marked H.O.B (House of Bangles), MEX (Mexico) and 925. 24" long necklace

1114 / 2244 sold
Marked H.O.B (House of Bangles), MEX (Mexico) and 925. 24" long necklace

1115 / 2244 sold
Marked H.O.B (House of Bangles), MEX (Mexico) and 925. 24" long necklace

1116 / 2244 sold
Marked H.O.B (House of Bangles), MEX (Mexico) and 925. 24" long necklace

1117 / 2244 sold
Marked H.O.B (House of Bangles), MEX (Mexico) and 925. 24" long necklace

1118 / 2244 sold
Marked H.O.B (House of Bangles), MEX (Mexico) and 925. 24" long necklace

1119 / 2244 sold
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1120 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1121 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1122 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1123 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1124 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1125 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1126 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1127 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1128 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1129 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1130 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1131 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1132 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1133 / 2244
Both Necklace and bracelet are multi hinged. The stone of pieces is a little over 1.25" Marked Mexico, TR-43 and 925

1134 / 2244
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1135 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1136 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1137 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1138 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1139 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1140 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1141 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1142 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1143 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1144 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1145 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1146 / 2244 sold
The onyx stone is 1.5" Ã— 1" The size of the ring is size 8.

1147 / 2244 sold
5 Buttons - Not Marked

1148 / 2244 sold
5 Buttons - Not Marked

1149 / 2244 sold
5 Buttons - Not Marked

1150 / 2244 sold
5 Buttons - Not Marked

1151 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1152 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1153 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1154 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1155 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1156 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1157 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1158 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1159 / 2244 sold
Made in the style of Margot de Taxco. Marked Mexico and Sterling

1160 / 2244 sold
Marked 925 and has a makers Mark/Name. I cannot read the name but have seen examples of this Keychain/ring made by multiple different people/companies including Betancourt.

1161 / 2244
Marked 925 and has a makers Mark/Name. I cannot read the name but have seen examples of this Keychain/ring made by multiple different people/companies including Betancourt.

1162 / 2244
Marked 925 and has a makers Mark/Name. I cannot read the name but have seen examples of this Keychain/ring made by multiple different people/companies including Betancourt.

1163 / 2244
Marked 925 and has a makers Mark/Name. I cannot read the name but have seen examples of this Keychain/ring made by multiple different people/companies including Betancourt.

1164 / 2244
Marked 925 and has a makers Mark/Name. I cannot read the name but have seen examples of this Keychain/ring made by multiple different people/companies including Betancourt.

1165 / 2244
Marked 925 and has a makers Mark/Name. I cannot read the name but have seen examples of this Keychain/ring made by multiple different people/companies including Betancourt.

1166 / 2244
Marked 925 and has a makers Mark/Name. I cannot read the name but have seen examples of this Keychain/ring made by multiple different people/companies including Betancourt.

1167 / 2244
Marked Sterling.

1168 / 2244 sold
Marked Sterling.

1169 / 2244 sold
Marked Sterling.

1170 / 2244 sold
Marked Sterling.

1171 / 2244 sold
Marked Sterling.

1172 / 2244 sold
Marked Sterling.

1173 / 2244 sold
Marked Sterling.

1174 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1175 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1176 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1177 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1178 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1179 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1180 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1181 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1182 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1183 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1184 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1185 / 2244 sold
Gemstones include Onyx, Amethyst and Coral 9" Ã— 1.75"

1186 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1187 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1188 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1189 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1190 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1191 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1192 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1193 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1194 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1195 / 2244 sold
Screw Back. One is missing the back. Excerpt about Spratling: Taller de las Delicias Edit The highly charged political and social environment in Mexico after the revolution influenced Spratling's decision in 1931 to reestablish a silver industry in Taxco.[3][nb 1] Taxco was a traditional site of silver mines, but had no native silverworking industry. Spratling began designing works in silver based primarily on pre-Columbian and traditional motifs, and hired local goldsmiths to produce those designs in Taxco. Spratling was the primary designer for his workshop, Taller de las Delicias, and was insistent on the high quality of the materials and techniques used in production. Talented maestros shared in the creative dialogue with Spratling, transforming his design drawings into prototypes in silver.[citation needed][nb 2] Spratling's use of an aesthetic vocabulary based on pre-Columbian art can be compared to the murals of Diego Rivera, in that both artists were involved in the creation of a new cultural identity for Mexico. Primarily, Spratling's silver designs drew upon pre-conquest Mesoamerican motifs, with influence from other native and Western cultures. To many, his work served as an expression of Mexican nationalism, and gave Mexican artisans the freedom to create designs in non-European forms. Because of his influence on the silver design industry in Mexico, Spratling has been called the "Father of Mexican Silver".[citation needed] The forms that evolved in silver at Las Delicias were admired by visitors to the workshop, who purchased the objects as talismans of a remote and exotic culture.

1196 / 2244 sold
Neither pair are marked.

1197 / 2244 sold
Neither pair are marked.

1198 / 2244 sold
Neither pair are marked.

1199 / 2244 sold
Neither pair are marked.

1200 / 2244 sold

Photos 1101 - 1200 of 2244

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