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Greeley

Ms. Museum Estate Sales

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Part 2 of HUGE Greeley Estate Sale

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Sale Details
346 Online Auction Items

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24"x29" ... Caesar Monturano Caesar Monturano, originally from Philadelphia, has lived and worked in Williamsburg, Virginia since 1985. At his studio in Williamsburg he paints a broad variety of subjects, concentrating primarily on American landscape and architectural studies. His deep interest in history has led to many paintings of historic landmarks throughout the United States and Europe. He has painted commissions for the National Archives, The Kennedy Center, Christ Church, Alexandria, VA and for many private collectors. He has done many paintings of Colonial Williamsburg and, since 1986, the Foundation has featured an extensive line of his prints of Colonial Williamsburg. He also did a series of prints of Puerto Rico, which are shown through the National Parks in Puerto Rico. His line of prints of Washington, D.C. were featured for many years, at the National Archives and many of the major historical sites in the capital city. Caesar Monturanoâ€™s early training, starting at the age of nine, was at the Fleischer Institute. He later studied privately with George Imhoff of Philadelphia, and Izthak Sankowsky and Martin Jackson at the Philadelphia Museum School. For several years, his work and studies took him all across Europe and the United States. From 1968 until 1977, he was director of the Blue Grass Art Center in Philadelphia. During this time the school developed into one of the largest privately operated art centers in the east, and turned out many students who went on to achieve successful careers in the fine arts. In 1977 Caesar stopped teaching in order to devote all of his time to his own work. Essentially a representational painter, Mr. Monturano adheres to traditional aesthetic values in his work. However, each piece is developed from a subjective premise, using nature as a starting point in developing a unique interpretation. His paintings, especially his pastels, are noted for their spontaneous, yet sensitive use of broken color, creating an ethereal, impressionistic effect. This kind of image allows the viewer to use his imagination and join in the creative process with the artist. Using a highly sophisticated palette, derived from Spanish influences, he achieves rich color effects through the skillful application of mostly muted colors. All of our giclee prints on canvas are printed here in our studio in Williamsburg, VA, using all archival canvas and fade resistant archival inks. Most of our matted prints are giclee prints on acid free paper and our lithographs are printed locally by one of Virginiaâ€™s foremost color lithographers.

917 / 1486 sold
24"x29" ... Caesar Monturano Caesar Monturano, originally from Philadelphia, has lived and worked in Williamsburg, Virginia since 1985. At his studio in Williamsburg he paints a broad variety of subjects, concentrating primarily on American landscape and architectural studies. His deep interest in history has led to many paintings of historic landmarks throughout the United States and Europe. He has painted commissions for the National Archives, The Kennedy Center, Christ Church, Alexandria, VA and for many private collectors. He has done many paintings of Colonial Williamsburg and, since 1986, the Foundation has featured an extensive line of his prints of Colonial Williamsburg. He also did a series of prints of Puerto Rico, which are shown through the National Parks in Puerto Rico. His line of prints of Washington, D.C. were featured for many years, at the National Archives and many of the major historical sites in the capital city. Caesar Monturanoâ€™s early training, starting at the age of nine, was at the Fleischer Institute. He later studied privately with George Imhoff of Philadelphia, and Izthak Sankowsky and Martin Jackson at the Philadelphia Museum School. For several years, his work and studies took him all across Europe and the United States. From 1968 until 1977, he was director of the Blue Grass Art Center in Philadelphia. During this time the school developed into one of the largest privately operated art centers in the east, and turned out many students who went on to achieve successful careers in the fine arts. In 1977 Caesar stopped teaching in order to devote all of his time to his own work. Essentially a representational painter, Mr. Monturano adheres to traditional aesthetic values in his work. However, each piece is developed from a subjective premise, using nature as a starting point in developing a unique interpretation. His paintings, especially his pastels, are noted for their spontaneous, yet sensitive use of broken color, creating an ethereal, impressionistic effect. This kind of image allows the viewer to use his imagination and join in the creative process with the artist. Using a highly sophisticated palette, derived from Spanish influences, he achieves rich color effects through the skillful application of mostly muted colors. All of our giclee prints on canvas are printed here in our studio in Williamsburg, VA, using all archival canvas and fade resistant archival inks. Most of our matted prints are giclee prints on acid free paper and our lithographs are printed locally by one of Virginiaâ€™s foremost color lithographers.

918 / 1486 sold
24"x29" ... Caesar Monturano Caesar Monturano, originally from Philadelphia, has lived and worked in Williamsburg, Virginia since 1985. At his studio in Williamsburg he paints a broad variety of subjects, concentrating primarily on American landscape and architectural studies. His deep interest in history has led to many paintings of historic landmarks throughout the United States and Europe. He has painted commissions for the National Archives, The Kennedy Center, Christ Church, Alexandria, VA and for many private collectors. He has done many paintings of Colonial Williamsburg and, since 1986, the Foundation has featured an extensive line of his prints of Colonial Williamsburg. He also did a series of prints of Puerto Rico, which are shown through the National Parks in Puerto Rico. His line of prints of Washington, D.C. were featured for many years, at the National Archives and many of the major historical sites in the capital city. Caesar Monturanoâ€™s early training, starting at the age of nine, was at the Fleischer Institute. He later studied privately with George Imhoff of Philadelphia, and Izthak Sankowsky and Martin Jackson at the Philadelphia Museum School. For several years, his work and studies took him all across Europe and the United States. From 1968 until 1977, he was director of the Blue Grass Art Center in Philadelphia. During this time the school developed into one of the largest privately operated art centers in the east, and turned out many students who went on to achieve successful careers in the fine arts. In 1977 Caesar stopped teaching in order to devote all of his time to his own work. Essentially a representational painter, Mr. Monturano adheres to traditional aesthetic values in his work. However, each piece is developed from a subjective premise, using nature as a starting point in developing a unique interpretation. His paintings, especially his pastels, are noted for their spontaneous, yet sensitive use of broken color, creating an ethereal, impressionistic effect. This kind of image allows the viewer to use his imagination and join in the creative process with the artist. Using a highly sophisticated palette, derived from Spanish influences, he achieves rich color effects through the skillful application of mostly muted colors. All of our giclee prints on canvas are printed here in our studio in Williamsburg, VA, using all archival canvas and fade resistant archival inks. Most of our matted prints are giclee prints on acid free paper and our lithographs are printed locally by one of Virginiaâ€™s foremost color lithographers.

919 / 1486 sold
24"x29" ... Caesar Monturano Caesar Monturano, originally from Philadelphia, has lived and worked in Williamsburg, Virginia since 1985. At his studio in Williamsburg he paints a broad variety of subjects, concentrating primarily on American landscape and architectural studies. His deep interest in history has led to many paintings of historic landmarks throughout the United States and Europe. He has painted commissions for the National Archives, The Kennedy Center, Christ Church, Alexandria, VA and for many private collectors. He has done many paintings of Colonial Williamsburg and, since 1986, the Foundation has featured an extensive line of his prints of Colonial Williamsburg. He also did a series of prints of Puerto Rico, which are shown through the National Parks in Puerto Rico. His line of prints of Washington, D.C. were featured for many years, at the National Archives and many of the major historical sites in the capital city. Caesar Monturanoâ€™s early training, starting at the age of nine, was at the Fleischer Institute. He later studied privately with George Imhoff of Philadelphia, and Izthak Sankowsky and Martin Jackson at the Philadelphia Museum School. For several years, his work and studies took him all across Europe and the United States. From 1968 until 1977, he was director of the Blue Grass Art Center in Philadelphia. During this time the school developed into one of the largest privately operated art centers in the east, and turned out many students who went on to achieve successful careers in the fine arts. In 1977 Caesar stopped teaching in order to devote all of his time to his own work. Essentially a representational painter, Mr. Monturano adheres to traditional aesthetic values in his work. However, each piece is developed from a subjective premise, using nature as a starting point in developing a unique interpretation. His paintings, especially his pastels, are noted for their spontaneous, yet sensitive use of broken color, creating an ethereal, impressionistic effect. This kind of image allows the viewer to use his imagination and join in the creative process with the artist. Using a highly sophisticated palette, derived from Spanish influences, he achieves rich color effects through the skillful application of mostly muted colors. All of our giclee prints on canvas are printed here in our studio in Williamsburg, VA, using all archival canvas and fade resistant archival inks. Most of our matted prints are giclee prints on acid free paper and our lithographs are printed locally by one of Virginiaâ€™s foremost color lithographers.

920 / 1486 sold
24"x29" ... Caesar Monturano Caesar Monturano, originally from Philadelphia, has lived and worked in Williamsburg, Virginia since 1985. At his studio in Williamsburg he paints a broad variety of subjects, concentrating primarily on American landscape and architectural studies. His deep interest in history has led to many paintings of historic landmarks throughout the United States and Europe. He has painted commissions for the National Archives, The Kennedy Center, Christ Church, Alexandria, VA and for many private collectors. He has done many paintings of Colonial Williamsburg and, since 1986, the Foundation has featured an extensive line of his prints of Colonial Williamsburg. He also did a series of prints of Puerto Rico, which are shown through the National Parks in Puerto Rico. His line of prints of Washington, D.C. were featured for many years, at the National Archives and many of the major historical sites in the capital city. Caesar Monturanoâ€™s early training, starting at the age of nine, was at the Fleischer Institute. He later studied privately with George Imhoff of Philadelphia, and Izthak Sankowsky and Martin Jackson at the Philadelphia Museum School. For several years, his work and studies took him all across Europe and the United States. From 1968 until 1977, he was director of the Blue Grass Art Center in Philadelphia. During this time the school developed into one of the largest privately operated art centers in the east, and turned out many students who went on to achieve successful careers in the fine arts. In 1977 Caesar stopped teaching in order to devote all of his time to his own work. Essentially a representational painter, Mr. Monturano adheres to traditional aesthetic values in his work. However, each piece is developed from a subjective premise, using nature as a starting point in developing a unique interpretation. His paintings, especially his pastels, are noted for their spontaneous, yet sensitive use of broken color, creating an ethereal, impressionistic effect. This kind of image allows the viewer to use his imagination and join in the creative process with the artist. Using a highly sophisticated palette, derived from Spanish influences, he achieves rich color effects through the skillful application of mostly muted colors. All of our giclee prints on canvas are printed here in our studio in Williamsburg, VA, using all archival canvas and fade resistant archival inks. Most of our matted prints are giclee prints on acid free paper and our lithographs are printed locally by one of Virginiaâ€™s foremost color lithographers.

921 / 1486 sold
23"x24" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

922 / 1486 sold
23"x24" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

923 / 1486 sold
23"x24" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

924 / 1486 sold
34.5"x29" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

925 / 1486 sold
34.5"x29" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

926 / 1486 sold
34.5"x29" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

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Burberrys Kaiki & Signature Plaid

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Burberrys Kaiki & Signature Plaid

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29"x28.5" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

938 / 1486 sold
29"x28.5" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

939 / 1486 sold
29"x28.5" ... Charles M. Wysocki, Jr., was born in Detroit, Michigan, the son of Charles M. Wysocki and Mary K. Wysocki. His father was born in Poland, while his mother was born in Kansas to Polish-born parents.[1] At Cass Technical High School in Detroit he studied art. In 1950 while working in local art studios, he was drafted into the Army and spent his two-year hitch in West Germany. After his service he went to the Art Center School in Los Angeles under the G.I. Bill, where he studied to be a commercial illustrator. After working in that field in Detroit for four years, he returned to Los Angeles where he helped to form a freelance advertising agency.[2] In 1960, he met Elizabeth G. Lawrence, an art graduate of UCLA,[3] whom he married on July 29 of that year in Los Angeles.[4] Through his wife whose family were early settlers in the San Fernando Valley, Wysocki came to appreciate a simpler, more rural life than that of the big city. Together they made many trips to New England, which served to nurture his interest in early American folk art. For a while, he continued his lucrative commercial art work while developing his primitive art in his spare time. Eventually, though he devoted all of his attention to this new interest. His work was marketed and licensed by AMCAL, Inc. and for a time by the Greenwich Workshop, Ltd.[2] His books include An American Celebration: The Art of Charles Wysocki.[5] Works from his cat collection include Frederick the Literate, a mackerel tabby asleep on a book case.[6] Although An American Celebration met with much success, Publishers Weekly dubbed him a faux naÃ¯ve artist.[7][8] He died a resident of Joshua Tree, California.[9] He was survived by his wife and their three children.[2]

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