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Hermes scarf, Pony Express by Kermit Oliver, released in 1993, The Pony Express was one of 17 designs that Oliver made for Hermes. Oliver was a well known African-American artist in Texas and came to Hermes on the recommendation of Lawrence Marcus of Neiman Marcus in 1980. Oliver’s southwestern themed designs are some of the most sought after in the realm of Hermes scarves. A naturally colored landscape is bordered by sage green, silk twill with hand rolled edges, 36â€x36â€, hardly worn, almost new 101 / 150 -
Hermes scarf, Pony Express by Kermit Oliver, released in 1993, The Pony Express was one of 17 designs that Oliver made for Hermes. Oliver was a well known African-American artist in Texas and came to Hermes on the recommendation of Lawrence Marcus of Neiman Marcus in 1980. Oliver’s southwestern themed designs are some of the most sought after in the realm of Hermes scarves. A naturally colored landscape is bordered by sage green, silk twill with hand rolled edges, 36â€x36â€, hardly worn, almost new 102 / 150 -
Hermes scarf, Pony Express by Kermit Oliver, released in 1993, The Pony Express was one of 17 designs that Oliver made for Hermes. Oliver was a well known African-American artist in Texas and came to Hermes on the recommendation of Lawrence Marcus of Neiman Marcus in 1980. Oliver’s southwestern themed designs are some of the most sought after in the realm of Hermes scarves. A naturally colored landscape is bordered by sage green, silk twill with hand rolled edges, 36â€x36â€, hardly worn, almost new 103 / 150 -
Hermes scarf, Pony Express by Kermit Oliver, released in 1993, The Pony Express was one of 17 designs that Oliver made for Hermes. Oliver was a well known African-American artist in Texas and came to Hermes on the recommendation of Lawrence Marcus of Neiman Marcus in 1980. Oliver’s southwestern themed designs are some of the most sought after in the realm of Hermes scarves. A naturally colored landscape is bordered by sage green, silk twill with hand rolled edges, 36â€x36â€, hardly worn, almost new 104 / 150 -
Hermes scarf, Pony Express by Kermit Oliver, released in 1993, The Pony Express was one of 17 designs that Oliver made for Hermes. Oliver was a well known African-American artist in Texas and came to Hermes on the recommendation of Lawrence Marcus of Neiman Marcus in 1980. Oliver’s southwestern themed designs are some of the most sought after in the realm of Hermes scarves. A naturally colored landscape is bordered by sage green, silk twill with hand rolled edges, 36â€x36â€, hardly worn, almost new 105 / 150 -
Hermes scarf, Pony Express by Kermit Oliver, released in 1993, The Pony Express was one of 17 designs that Oliver made for Hermes. Oliver was a well known African-American artist in Texas and came to Hermes on the recommendation of Lawrence Marcus of Neiman Marcus in 1980. Oliver’s southwestern themed designs are some of the most sought after in the realm of Hermes scarves. A naturally colored landscape is bordered by sage green, silk twill with hand rolled edges, 36â€x36â€, hardly worn, almost new 106 / 150 -
Hermes shawl, La Danse du Cheval Marwari by Annie Faivre, elegant Arabians dance across this shawl, all bedecked in North African finery. The rich color palette recalls the spice markets of the east with saffron, chili red, pomegranate, cobalt and emerald green. Silk and cashmere blend with hand rolled edges, 52†x 52â€, hardly worn, almost new 111 / 150 -
Hermes shawl, La Danse du Cheval Marwari by Annie Faivre, elegant Arabians dance across this shawl, all bedecked in North African finery. The rich color palette recalls the spice markets of the east with saffron, chili red, pomegranate, cobalt and emerald green. Silk and cashmere blend with hand rolled edges, 52†x 52â€, hardly worn, almost new 112 / 150 -
Hermes shawl, La Danse du Cheval Marwari by Annie Faivre, elegant Arabians dance across this shawl, all bedecked in North African finery. The rich color palette recalls the spice markets of the east with saffron, chili red, pomegranate, cobalt and emerald green. Silk and cashmere blend with hand rolled edges, 52†x 52â€, hardly worn, almost new 113 / 150 -
Hermes shawl, La Danse du Cheval Marwari by Annie Faivre, elegant Arabians dance across this shawl, all bedecked in North African finery. The rich color palette recalls the spice markets of the east with saffron, chili red, pomegranate, cobalt and emerald green. Silk and cashmere blend with hand rolled edges, 52†x 52â€, hardly worn, almost new 114 / 150 -
Hermes shawl, La Danse du Cheval Marwari by Annie Faivre, elegant Arabians dance across this shawl, all bedecked in North African finery. The rich color palette recalls the spice markets of the east with saffron, chili red, pomegranate, cobalt and emerald green. Silk and cashmere blend with hand rolled edges, 52†x 52â€, hardly worn, almost new 115 / 150 -
Hermes scarf, Ecuries by Hugo Grygkar, 20 horses and in their stables against a strawberry red background wearing royally purple blankets. Originally released in 1947, Écuries, Stables, has, as the name suggests, a very equestrian themes, so popular with many vintage Hermès carrés. Hugo Grygkar, The Father of the Carre, designed this fabulous scarf in 1947, which was reissued in 1993 and both issues are quite sought after by both Hermès aficionados and collectors alike, 26†x 26â€, silk twill with hand rolled edges 126 / 150 -
Hermes scarf, Ecuries by Hugo Grygkar, 20 horses and in their stables against a strawberry red background wearing royally purple blankets. Originally released in 1947, Écuries, Stables, has, as the name suggests, a very equestrian themes, so popular with many vintage Hermès carrés. Hugo Grygkar, The Father of the Carre, designed this fabulous scarf in 1947, which was reissued in 1993 and both issues are quite sought after by both Hermès aficionados and collectors alike, 26†x 26â€, silk twill with hand rolled edges 127 / 150 -
Hermes scarf, Ecuries by Hugo Grygkar, 20 horses and in their stables against a strawberry red background wearing royally purple blankets. Originally released in 1947, Écuries, Stables, has, as the name suggests, a very equestrian themes, so popular with many vintage Hermès carrés. Hugo Grygkar, The Father of the Carre, designed this fabulous scarf in 1947, which was reissued in 1993 and both issues are quite sought after by both Hermès aficionados and collectors alike, 26†x 26â€, silk twill with hand rolled edges 128 / 150 -
Hermes scarf, Ecuries by Hugo Grygkar, 20 horses and in their stables against a strawberry red background wearing royally purple blankets. Originally released in 1947, Écuries, Stables, has, as the name suggests, a very equestrian themes, so popular with many vintage Hermès carrés. Hugo Grygkar, The Father of the Carre, designed this fabulous scarf in 1947, which was reissued in 1993 and both issues are quite sought after by both Hermès aficionados and collectors alike, 26†x 26â€, silk twill with hand rolled edges 129 / 150 -
Hermes scarf, Ecuries by Hugo Grygkar, 20 horses and in their stables against a strawberry red background wearing royally purple blankets. Originally released in 1947, Écuries, Stables, has, as the name suggests, a very equestrian themes, so popular with many vintage Hermès carrés. Hugo Grygkar, The Father of the Carre, designed this fabulous scarf in 1947, which was reissued in 1993 and both issues are quite sought after by both Hermès aficionados and collectors alike, 26†x 26â€, silk twill with hand rolled edges 130 / 150 -
Hermes stole, Rocabar by Henri d’Origny, inspired by horse blankets, d’fringy created this design in 2012. Ten brightly hued, Art Deco influenced horses line up at each end of the stole in shades of peach, magenta, red, orange, and olive against a subtle lavender ground. But the stole is reversible! On the other side is a bold blue and magenta stripe with the same lavender border. A silk and cashmere blend, it measures 18†x 72â€. There is a small tear at one end (see picture)—tres desole, but it looks like it could be rewoven. 131 / 150 -
Hermes stole, Rocabar by Henri d’Origny, inspired by horse blankets, d’fringy created this design in 2012. Ten brightly hued, Art Deco influenced horses line up at each end of the stole in shades of peach, magenta, red, orange, and olive against a subtle lavender ground. But the stole is reversible! On the other side is a bold blue and magenta stripe with the same lavender border. A silk and cashmere blend, it measures 18†x 72â€. There is a small tear at one end (see picture)—tres desole, but it looks like it could be rewoven. 132 / 150 -
Hermes stole, Rocabar by Henri d’Origny, inspired by horse blankets, d’fringy created this design in 2012. Ten brightly hued, Art Deco influenced horses line up at each end of the stole in shades of peach, magenta, red, orange, and olive against a subtle lavender ground. But the stole is reversible! On the other side is a bold blue and magenta stripe with the same lavender border. A silk and cashmere blend, it measures 18†x 72â€. There is a small tear at one end (see picture)—tres desole, but it looks like it could be rewoven. 133 / 150 -
Hermes stole, Rocabar by Henri d’Origny, inspired by horse blankets, d’fringy created this design in 2012. Ten brightly hued, Art Deco influenced horses line up at each end of the stole in shades of peach, magenta, red, orange, and olive against a subtle lavender ground. But the stole is reversible! On the other side is a bold blue and magenta stripe with the same lavender border. A silk and cashmere blend, it measures 18†x 72â€. There is a small tear at one end (see picture)—tres desole, but it looks like it could be rewoven. 134 / 150 -
Hermes stole, Rocabar by Henri d’Origny, inspired by horse blankets, d’fringy created this design in 2012. Ten brightly hued, Art Deco influenced horses line up at each end of the stole in shades of peach, magenta, red, orange, and olive against a subtle lavender ground. But the stole is reversible! On the other side is a bold blue and magenta stripe with the same lavender border. A silk and cashmere blend, it measures 18†x 72â€. There is a small tear at one end (see picture)—tres desole, but it looks like it could be rewoven. 135 / 150 -
Hermes stole, Rocabar by Henri d’Origny, inspired by horse blankets, d’fringy created this design in 2012. Ten brightly hued, Art Deco influenced horses line up at each end of the stole in shades of peach, magenta, red, orange, and olive against a subtle lavender ground. But the stole is reversible! On the other side is a bold blue and magenta stripe with the same lavender border. A silk and cashmere blend, it measures 18†x 72â€. There is a small tear at one end (see picture)—tres desole, but it looks like it could be rewoven. 136 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 142 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 143 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 144 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 145 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 146 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 147 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 148 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 149 / 150 -
Pair of Louis XV chairs, 40â€h x 28â€w x 22†x 24â€d x 22â€sd x 17â€sh. This beautiful pair of chairs date from the mid 18th century. They feature a fully upholstered camel back, carved and curved arms, cabriole legs tapering into a goat's foot and Rococo carved aprons. The chairs have been re-gilded, and are covered in antique tapestry fabric on the front, and backed with red velvet and nail head trim. They are extremely sturdy and very comfortable, so you can definitely use them. Please examine all the pictures carefully. On this particular item, I am happy to make an appointment with a potential buyer. 150 / 150
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