Register Sign In List a Sale

EstateSales.org

Find Sales
Estate Sales & Auctions Near You
Shop
Online Sales & Auctions
Hire
An Estate Sale Company or Auctioneer

Search EstateSales.org

Find Estate Sales
Shop Online Sales & Auctions
Hire A Company
List A Sale
Cart (0)

Account

Register Sign In

Estate Sales
Kansas
Wichita

Stubbs Estates

Follow company

STUBBS ESTATES - an Architect's Prairie Printmaker Paradise online & on-site

Follow sale Following sale

Online bidding closed

Sale Details
667 Photos
49 Online Auction Items

#106 "Ozark Clearings" Lloyd Foltz (1897-1990) 1934 Etching 9 X 7 Â½ Inches Signed by the artist in graphite This is an original signed etching by founding Prairie Printmaker Lloyd Foltz who has rendered the rolling hills of the Ozark countryside featuring a romantically rustic cabin nestled into a hillside bordered by a split rail fence. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

301 / 667 sold
#106 "Ozark Clearings" Lloyd Foltz (1897-1990) 1934 Etching 9 X 7 Â½ Inches Signed by the artist in graphite This is an original signed etching by founding Prairie Printmaker Lloyd Foltz who has rendered the rolling hills of the Ozark countryside featuring a romantically rustic cabin nestled into a hillside bordered by a split rail fence. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

302 / 667 sold
#106 "Ozark Clearings" Lloyd Foltz (1897-1990) 1934 Etching 9 X 7 Â½ Inches Signed by the artist in graphite This is an original signed etching by founding Prairie Printmaker Lloyd Foltz who has rendered the rolling hills of the Ozark countryside featuring a romantically rustic cabin nestled into a hillside bordered by a split rail fence. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

303 / 667 sold
#107 "Mexican Farm" Norma Bassett Hall (1887-1957) 1930-50 Color Screen Print on Paper 9 X 6 Â¾ Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color, has rendered the â€œMexican Farmâ€ with brightly lit, colorful spring colors posing a single farmhand behind a steer-pulled plow tilling the earth in the shadow of a blue mountain range. A large cottonwood tree presides over the the house and outbuildings completing the scene. This item has a $525 reserve. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

304 / 667 sold
#107 "Mexican Farm" Norma Bassett Hall (1887-1957) 1930-50 Color Screen Print on Paper 9 X 6 Â¾ Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color, has rendered the â€œMexican Farmâ€ with brightly lit, colorful spring colors posing a single farmhand behind a steer-pulled plow tilling the earth in the shadow of a blue mountain range. A large cottonwood tree presides over the the house and outbuildings completing the scene. This item has a $525 reserve. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

305 / 667 sold
#107 "Mexican Farm" Norma Bassett Hall (1887-1957) 1930-50 Color Screen Print on Paper 9 X 6 Â¾ Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color, has rendered the â€œMexican Farmâ€ with brightly lit, colorful spring colors posing a single farmhand behind a steer-pulled plow tilling the earth in the shadow of a blue mountain range. A large cottonwood tree presides over the the house and outbuildings completing the scene. This item has a $525 reserve. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

306 / 667 sold
#107 "Mexican Farm" Norma Bassett Hall (1887-1957) 1930-50 Color Screen Print on Paper 9 X 6 Â¾ Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color, has rendered the â€œMexican Farmâ€ with brightly lit, colorful spring colors posing a single farmhand behind a steer-pulled plow tilling the earth in the shadow of a blue mountain range. A large cottonwood tree presides over the the house and outbuildings completing the scene. This item has a $525 reserve. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

307 / 667 sold
#107 "Mexican Farm" Norma Bassett Hall (1887-1957) 1930-50 Color Screen Print on Paper 9 X 6 Â¾ Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color, has rendered the â€œMexican Farmâ€ with brightly lit, colorful spring colors posing a single farmhand behind a steer-pulled plow tilling the earth in the shadow of a blue mountain range. A large cottonwood tree presides over the the house and outbuildings completing the scene. This item has a $525 reserve. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

308 / 667 sold
#107 "Mexican Farm" Norma Bassett Hall (1887-1957) 1930-50 Color Screen Print on Paper 9 X 6 Â¾ Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color, has rendered the â€œMexican Farmâ€ with brightly lit, colorful spring colors posing a single farmhand behind a steer-pulled plow tilling the earth in the shadow of a blue mountain range. A large cottonwood tree presides over the the house and outbuildings completing the scene. This item has a $525 reserve. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

309 / 667 sold
#108 Drying Chile Norma Bassett Hall (1887-1957) 1950 Color Screen Print on Paper 10 X 8 Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color as well, has rendered a traditional Southwest adobe structure with two Native American women weaving together bundles of chilis to hang out in the sun to dry. Towering sunlit clouds crown the mountain backdrop. Reserve price of $545. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

310 / 667 sold
#108 Drying Chile Norma Bassett Hall (1887-1957) 1950 Color Screen Print on Paper 10 X 8 Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color as well, has rendered a traditional Southwest adobe structure with two Native American women weaving together bundles of chilis to hang out in the sun to dry. Towering sunlit clouds crown the mountain backdrop. Reserve price of $545. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

311 / 667 sold
#108 Drying Chile Norma Bassett Hall (1887-1957) 1950 Color Screen Print on Paper 10 X 8 Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color as well, has rendered a traditional Southwest adobe structure with two Native American women weaving together bundles of chilis to hang out in the sun to dry. Towering sunlit clouds crown the mountain backdrop. Reserve price of $545. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

312 / 667 sold
#108 Drying Chile Norma Bassett Hall (1887-1957) 1950 Color Screen Print on Paper 10 X 8 Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color as well, has rendered a traditional Southwest adobe structure with two Native American women weaving together bundles of chilis to hang out in the sun to dry. Towering sunlit clouds crown the mountain backdrop. Reserve price of $545. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

313 / 667 sold
#108 Drying Chile Norma Bassett Hall (1887-1957) 1950 Color Screen Print on Paper 10 X 8 Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color as well, has rendered a traditional Southwest adobe structure with two Native American women weaving together bundles of chilis to hang out in the sun to dry. Towering sunlit clouds crown the mountain backdrop. Reserve price of $545. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

314 / 667 sold
#108 Drying Chile Norma Bassett Hall (1887-1957) 1950 Color Screen Print on Paper 10 X 8 Inches Signed by the artist in graphite This is an original serigraph by the only female founding member of the Prairie Printmakers, Norma Bassett Hall. This artist, the first of the bunch to work with color as well, has rendered a traditional Southwest adobe structure with two Native American women weaving together bundles of chilis to hang out in the sun to dry. Towering sunlit clouds crown the mountain backdrop. Reserve price of $545. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

315 / 667 sold
#110 Georgia Slave Arthur W. Hall (1889-1981) 1930's Drypoint/edition of 50 3 Â¼ X 2 7/8 Inches Signed by the artist in graphite This is a small original print by founding Prairie Printmaker member Arthur W. Hall. The truly masterful rendering features a bust length portrait of an older, former slave, black gentleman wearing a heavy coat and well-worn hat. Appraised at $495. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

316 / 667 sold
#110 Georgia Slave Arthur W. Hall (1889-1981) 1930's Drypoint/edition of 50 3 Â¼ X 2 7/8 Inches Signed by the artist in graphite This is a small original print by founding Prairie Printmaker member Arthur W. Hall. The truly masterful rendering features a bust length portrait of an older, former slave, black gentleman wearing a heavy coat and well-worn hat. Appraised at $495. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

317 / 667 sold
#110 Georgia Slave Arthur W. Hall (1889-1981) 1930's Drypoint/edition of 50 3 Â¼ X 2 7/8 Inches Signed by the artist in graphite This is a small original print by founding Prairie Printmaker member Arthur W. Hall. The truly masterful rendering features a bust length portrait of an older, former slave, black gentleman wearing a heavy coat and well-worn hat. Appraised at $495. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

318 / 667 sold
#110 Georgia Slave Arthur W. Hall (1889-1981) 1930's Drypoint/edition of 50 3 Â¼ X 2 7/8 Inches Signed by the artist in graphite This is a small original print by founding Prairie Printmaker member Arthur W. Hall. The truly masterful rendering features a bust length portrait of an older, former slave, black gentleman wearing a heavy coat and well-worn hat. Appraised at $495. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

319 / 667 sold
#113 The Old Tree â€“ Taos Leo Courtney (1890-1940) 1930s Block Print 8 Â½ X 6 Â¼ Inches Signed in graphite by the artist This is an original signed block print by founding Prairie Printmaker member, Leo Courtney. The landscape image features a huge, old, mature tree standing alone under a billowing sky with the San Cristo Mountains making up the backdrop. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

320 / 667 sold
#113 The Old Tree â€“ Taos Leo Courtney (1890-1940) 1930s Block Print 8 Â½ X 6 Â¼ Inches Signed in graphite by the artist This is an original signed block print by founding Prairie Printmaker member, Leo Courtney. The landscape image features a huge, old, mature tree standing alone under a billowing sky with the San Cristo Mountains making up the backdrop. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

321 / 667 sold
#113 The Old Tree â€“ Taos Leo Courtney (1890-1940) 1930s Block Print 8 Â½ X 6 Â¼ Inches Signed in graphite by the artist This is an original signed block print by founding Prairie Printmaker member, Leo Courtney. The landscape image features a huge, old, mature tree standing alone under a billowing sky with the San Cristo Mountains making up the backdrop. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

322 / 667 sold
#113 The Old Tree â€“ Taos Leo Courtney (1890-1940) 1930s Block Print 8 Â½ X 6 Â¼ Inches Signed in graphite by the artist This is an original signed block print by founding Prairie Printmaker member, Leo Courtney. The landscape image features a huge, old, mature tree standing alone under a billowing sky with the San Cristo Mountains making up the backdrop. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

323 / 667 sold
#117 Mountain Mission Charles M. Capps (1898-1981) 1967 Etching and Aquatint 8 Â½ X 5 Â½ Inches Signed in graphite by the artist This is a rare opportunity to acquire an original signed print by founding Prairie Printmaker member Charles M. Capps, known affectionately by his friends as Chili. Most famous for his masterfully pulled aquatints, this landscape image features an outstanding, traditional adobe-style home in the shadow of the Sangre de Cristo Mountain Range basking in that very special New Mexican light. Appraised at $845. Reserve is set at $700. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

324 / 667 sold
#117 Mountain Mission Charles M. Capps (1898-1981) 1967 Etching and Aquatint 8 Â½ X 5 Â½ Inches Signed in graphite by the artist This is a rare opportunity to acquire an original signed print by founding Prairie Printmaker member Charles M. Capps, known affectionately by his friends as Chili. Most famous for his masterfully pulled aquatints, this landscape image features an outstanding, traditional adobe-style home in the shadow of the Sangre de Cristo Mountain Range basking in that very special New Mexican light. Appraised at $845. Reserve is set at $700. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

325 / 667 sold
#117 Mountain Mission Charles M. Capps (1898-1981) 1967 Etching and Aquatint 8 Â½ X 5 Â½ Inches Signed in graphite by the artist This is a rare opportunity to acquire an original signed print by founding Prairie Printmaker member Charles M. Capps, known affectionately by his friends as Chili. Most famous for his masterfully pulled aquatints, this landscape image features an outstanding, traditional adobe-style home in the shadow of the Sangre de Cristo Mountain Range basking in that very special New Mexican light. Appraised at $845. Reserve is set at $700. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

326 / 667 sold
#117 Mountain Mission Charles M. Capps (1898-1981) 1967 Etching and Aquatint 8 Â½ X 5 Â½ Inches Signed in graphite by the artist This is a rare opportunity to acquire an original signed print by founding Prairie Printmaker member Charles M. Capps, known affectionately by his friends as Chili. Most famous for his masterfully pulled aquatints, this landscape image features an outstanding, traditional adobe-style home in the shadow of the Sangre de Cristo Mountain Range basking in that very special New Mexican light. Appraised at $845. Reserve is set at $700. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

327 / 667 sold
#117 Mountain Mission Charles M. Capps (1898-1981) 1967 Etching and Aquatint 8 Â½ X 5 Â½ Inches Signed in graphite by the artist This is a rare opportunity to acquire an original signed print by founding Prairie Printmaker member Charles M. Capps, known affectionately by his friends as Chili. Most famous for his masterfully pulled aquatints, this landscape image features an outstanding, traditional adobe-style home in the shadow of the Sangre de Cristo Mountain Range basking in that very special New Mexican light. Appraised at $845. Reserve is set at $700. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

328 / 667 sold
#122 The White Blanket People Leo Courtney (1890-1940 about 1925 Block Print 6 X 6 Inches Signed in graphite by the artist This is an original signed print by founding Prairie Printmaker member Leo Courtney. This deceptively simple block print featured a Native American woman posed carrying a large ola water jar sitting on her head. She stands at the foot of a ladder flanking a large pueblo dwelling. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

329 / 667 sold
#122 The White Blanket People Leo Courtney (1890-1940 about 1925 Block Print 6 X 6 Inches Signed in graphite by the artist This is an original signed print by founding Prairie Printmaker member Leo Courtney. This deceptively simple block print featured a Native American woman posed carrying a large ola water jar sitting on her head. She stands at the foot of a ladder flanking a large pueblo dwelling. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

330 / 667 sold
#122 The White Blanket People Leo Courtney (1890-1940 about 1925 Block Print 6 X 6 Inches Signed in graphite by the artist This is an original signed print by founding Prairie Printmaker member Leo Courtney. This deceptively simple block print featured a Native American woman posed carrying a large ola water jar sitting on her head. She stands at the foot of a ladder flanking a large pueblo dwelling. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

331 / 667 sold
#122 The White Blanket People Leo Courtney (1890-1940 about 1925 Block Print 6 X 6 Inches Signed in graphite by the artist This is an original signed print by founding Prairie Printmaker member Leo Courtney. This deceptively simple block print featured a Native American woman posed carrying a large ola water jar sitting on her head. She stands at the foot of a ladder flanking a large pueblo dwelling. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

332 / 667 sold
#122 The White Blanket People Leo Courtney (1890-1940 about 1925 Block Print 6 X 6 Inches Signed in graphite by the artist This is an original signed print by founding Prairie Printmaker member Leo Courtney. This deceptively simple block print featured a Native American woman posed carrying a large ola water jar sitting on her head. She stands at the foot of a ladder flanking a large pueblo dwelling. Please realize that all computer monitors display colors differently. These prints are all under glass/plexi and were photographed doing our best to deal with the glare by positioning them at various angles. The prints and mats themselves do not have white glare spots. They are all in excellent condition.

333 / 667 sold
#129 â€œLas Cartes Unoâ€ Richard M. Ash III (1943 -2019) Serigraph, Edition 13/15 1983 18 x 12 inches Signed in graphite by the artist From his catalogue resume regarding this body of work: â€œThis is a hand-signed serigraph screen print by noted and listed regional artist and teacher Richard M. Ash. This important print maker, educator, created a series of prints derived from enlarged microfiche films of Spanish land grant documents. These are striking prints filled with subtle color gradations and and cursive details that radiate a vibrant presents. Ash's formal education in the arts began at the Fort Wayne Art Institute, Fort Wayne, Indiana, and continued at Wichita State University, where he earned a BFA and MFA. Richard's prints can be found in such diverse public collections as those of the Modern Art Museum of Fort Worth; Wellesley College, Wellesley, Massachusetts; General Motors, Detroit, Michigan; Purdue University, Lafayette, Indiana; Blanton Museum of Art, the University of Texas at Austin; Texas Christian University, Fort Worth; Texas Instruments, Dallas; Prudential Insurance Company, Chicago, Illinois; and Bank of America, Dallas. He was featured in the 1990 book Forty Texas Printmakers, edited by James L. Fisher of The Modern Art Museum of Fort Worth, and invited to display his work in an accompanying exhibition, Printmaking in Texas, the 1980s for which Richard's work received a Purchase Award and became a part of the Modern's Permanent Collection. This very limited edition print features a graphic, archaic-styled cursive script in Spanish text on a saturated red/deep-fuschia background laid out in document form with a flourished signature. The difficult gradation technique used to screen this work is evidence of a highly skilled artist. You can see it in the deep hues of the background starting lighter at the top going to deeper saturated color as it heads to the bottom of the print. Please realize that all computer monitors display colors differently. This print is under glass/plexi and was photographed doing our best to deal with the glare by positioning them at various angles. The print and mat themselves do not have white glare spots. They are all in excellent condition.

334 / 667 sold
#129 â€œLas Cartes Unoâ€ Richard M. Ash III (1943 -2019) Serigraph, Edition 13/15 1983 18 x 12 inches Signed in graphite by the artist From his catalogue resume regarding this body of work: â€œThis is a hand-signed serigraph screen print by noted and listed regional artist and teacher Richard M. Ash. This important print maker, educator, created a series of prints derived from enlarged microfiche films of Spanish land grant documents. These are striking prints filled with subtle color gradations and and cursive details that radiate a vibrant presents. Ash's formal education in the arts began at the Fort Wayne Art Institute, Fort Wayne, Indiana, and continued at Wichita State University, where he earned a BFA and MFA. Richard's prints can be found in such diverse public collections as those of the Modern Art Museum of Fort Worth; Wellesley College, Wellesley, Massachusetts; General Motors, Detroit, Michigan; Purdue University, Lafayette, Indiana; Blanton Museum of Art, the University of Texas at Austin; Texas Christian University, Fort Worth; Texas Instruments, Dallas; Prudential Insurance Company, Chicago, Illinois; and Bank of America, Dallas. He was featured in the 1990 book Forty Texas Printmakers, edited by James L. Fisher of The Modern Art Museum of Fort Worth, and invited to display his work in an accompanying exhibition, Printmaking in Texas, the 1980s for which Richard's work received a Purchase Award and became a part of the Modern's Permanent Collection. This very limited edition print features a graphic, archaic-styled cursive script in Spanish text on a saturated red/deep-fuschia background laid out in document form with a flourished signature. The difficult gradation technique used to screen this work is evidence of a highly skilled artist. You can see it in the deep hues of the background starting lighter at the top going to deeper saturated color as it heads to the bottom of the print. Please realize that all computer monitors display colors differently. This print is under glass/plexi and was photographed doing our best to deal with the glare by positioning them at various angles. The print and mat themselves do not have white glare spots. They are all in excellent condition.

335 / 667 sold
#129 â€œLas Cartes Unoâ€ Richard M. Ash III (1943 -2019) Serigraph, Edition 13/15 1983 18 x 12 inches Signed in graphite by the artist From his catalogue resume regarding this body of work: â€œThis is a hand-signed serigraph screen print by noted and listed regional artist and teacher Richard M. Ash. This important print maker, educator, created a series of prints derived from enlarged microfiche films of Spanish land grant documents. These are striking prints filled with subtle color gradations and and cursive details that radiate a vibrant presents. Ash's formal education in the arts began at the Fort Wayne Art Institute, Fort Wayne, Indiana, and continued at Wichita State University, where he earned a BFA and MFA. Richard's prints can be found in such diverse public collections as those of the Modern Art Museum of Fort Worth; Wellesley College, Wellesley, Massachusetts; General Motors, Detroit, Michigan; Purdue University, Lafayette, Indiana; Blanton Museum of Art, the University of Texas at Austin; Texas Christian University, Fort Worth; Texas Instruments, Dallas; Prudential Insurance Company, Chicago, Illinois; and Bank of America, Dallas. He was featured in the 1990 book Forty Texas Printmakers, edited by James L. Fisher of The Modern Art Museum of Fort Worth, and invited to display his work in an accompanying exhibition, Printmaking in Texas, the 1980s for which Richard's work received a Purchase Award and became a part of the Modern's Permanent Collection. This very limited edition print features a graphic, archaic-styled cursive script in Spanish text on a saturated red/deep-fuschia background laid out in document form with a flourished signature. The difficult gradation technique used to screen this work is evidence of a highly skilled artist. You can see it in the deep hues of the background starting lighter at the top going to deeper saturated color as it heads to the bottom of the print. Please realize that all computer monitors display colors differently. This print is under glass/plexi and was photographed doing our best to deal with the glare by positioning them at various angles. The print and mat themselves do not have white glare spots. They are all in excellent condition.

336 / 667 sold
#129 â€œLas Cartes Unoâ€ Richard M. Ash III (1943 -2019) Serigraph, Edition 13/15 1983 18 x 12 inches Signed in graphite by the artist From his catalogue resume regarding this body of work: â€œThis is a hand-signed serigraph screen print by noted and listed regional artist and teacher Richard M. Ash. This important print maker, educator, created a series of prints derived from enlarged microfiche films of Spanish land grant documents. These are striking prints filled with subtle color gradations and and cursive details that radiate a vibrant presents. Ash's formal education in the arts began at the Fort Wayne Art Institute, Fort Wayne, Indiana, and continued at Wichita State University, where he earned a BFA and MFA. Richard's prints can be found in such diverse public collections as those of the Modern Art Museum of Fort Worth; Wellesley College, Wellesley, Massachusetts; General Motors, Detroit, Michigan; Purdue University, Lafayette, Indiana; Blanton Museum of Art, the University of Texas at Austin; Texas Christian University, Fort Worth; Texas Instruments, Dallas; Prudential Insurance Company, Chicago, Illinois; and Bank of America, Dallas. He was featured in the 1990 book Forty Texas Printmakers, edited by James L. Fisher of The Modern Art Museum of Fort Worth, and invited to display his work in an accompanying exhibition, Printmaking in Texas, the 1980s for which Richard's work received a Purchase Award and became a part of the Modern's Permanent Collection. This very limited edition print features a graphic, archaic-styled cursive script in Spanish text on a saturated red/deep-fuschia background laid out in document form with a flourished signature. The difficult gradation technique used to screen this work is evidence of a highly skilled artist. You can see it in the deep hues of the background starting lighter at the top going to deeper saturated color as it heads to the bottom of the print. Please realize that all computer monitors display colors differently. This print is under glass/plexi and was photographed doing our best to deal with the glare by positioning them at various angles. The print and mat themselves do not have white glare spots. They are all in excellent condition.

337 / 667 sold
#129 â€œLas Cartes Unoâ€ Richard M. Ash III (1943 -2019) Serigraph, Edition 13/15 1983 18 x 12 inches Signed in graphite by the artist From his catalogue resume regarding this body of work: â€œThis is a hand-signed serigraph screen print by noted and listed regional artist and teacher Richard M. Ash. This important print maker, educator, created a series of prints derived from enlarged microfiche films of Spanish land grant documents. These are striking prints filled with subtle color gradations and and cursive details that radiate a vibrant presents. Ash's formal education in the arts began at the Fort Wayne Art Institute, Fort Wayne, Indiana, and continued at Wichita State University, where he earned a BFA and MFA. Richard's prints can be found in such diverse public collections as those of the Modern Art Museum of Fort Worth; Wellesley College, Wellesley, Massachusetts; General Motors, Detroit, Michigan; Purdue University, Lafayette, Indiana; Blanton Museum of Art, the University of Texas at Austin; Texas Christian University, Fort Worth; Texas Instruments, Dallas; Prudential Insurance Company, Chicago, Illinois; and Bank of America, Dallas. He was featured in the 1990 book Forty Texas Printmakers, edited by James L. Fisher of The Modern Art Museum of Fort Worth, and invited to display his work in an accompanying exhibition, Printmaking in Texas, the 1980s for which Richard's work received a Purchase Award and became a part of the Modern's Permanent Collection. This very limited edition print features a graphic, archaic-styled cursive script in Spanish text on a saturated red/deep-fuschia background laid out in document form with a flourished signature. The difficult gradation technique used to screen this work is evidence of a highly skilled artist. You can see it in the deep hues of the background starting lighter at the top going to deeper saturated color as it heads to the bottom of the print. Please realize that all computer monitors display colors differently. This print is under glass/plexi and was photographed doing our best to deal with the glare by positioning them at various angles. The print and mat themselves do not have white glare spots. They are all in excellent condition.

338 / 667 sold
#129 â€œLas Cartes Unoâ€ Richard M. Ash III (1943 -2019) Serigraph, Edition 13/15 1983 18 x 12 inches Signed in graphite by the artist From his catalogue resume regarding this body of work: â€œThis is a hand-signed serigraph screen print by noted and listed regional artist and teacher Richard M. Ash. This important print maker, educator, created a series of prints derived from enlarged microfiche films of Spanish land grant documents. These are striking prints filled with subtle color gradations and and cursive details that radiate a vibrant presents. Ash's formal education in the arts began at the Fort Wayne Art Institute, Fort Wayne, Indiana, and continued at Wichita State University, where he earned a BFA and MFA. Richard's prints can be found in such diverse public collections as those of the Modern Art Museum of Fort Worth; Wellesley College, Wellesley, Massachusetts; General Motors, Detroit, Michigan; Purdue University, Lafayette, Indiana; Blanton Museum of Art, the University of Texas at Austin; Texas Christian University, Fort Worth; Texas Instruments, Dallas; Prudential Insurance Company, Chicago, Illinois; and Bank of America, Dallas. He was featured in the 1990 book Forty Texas Printmakers, edited by James L. Fisher of The Modern Art Museum of Fort Worth, and invited to display his work in an accompanying exhibition, Printmaking in Texas, the 1980s for which Richard's work received a Purchase Award and became a part of the Modern's Permanent Collection. This very limited edition print features a graphic, archaic-styled cursive script in Spanish text on a saturated red/deep-fuschia background laid out in document form with a flourished signature. The difficult gradation technique used to screen this work is evidence of a highly skilled artist. You can see it in the deep hues of the background starting lighter at the top going to deeper saturated color as it heads to the bottom of the print. Please realize that all computer monitors display colors differently. This print is under glass/plexi and was photographed doing our best to deal with the glare by positioning them at various angles. The print and mat themselves do not have white glare spots. They are all in excellent condition.

339 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

340 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

341 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

342 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

343 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

344 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

345 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

346 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

347 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

348 / 667 sold
#130 Singing Angel Joe Ortega Carved and turned wood Contemporary 12 Â¾ h x 8 Â½ w inches Signed in ink on the bottom Joe is a member of the noted Ortega family, who are third generation wood carvers in Santa Fe New Mexico, and was the youngest child of Ben and Isabel Ortega. He spent his lifetime around woodcarvers. His father was the catalyst for the famous "Ortega style". This particular pristine carving poses a singing angel sporting an attached halo and wings holding an open song book. See photos for condition and details.

349 / 667 sold
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

350 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

351 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

352 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

353 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

354 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

355 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

356 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

357 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

358 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

359 / 667
#131 Garden Floral Tapestry Marilyn Grisham Hand stitched and woven fabric on cloth foundation Contemporary Size: 39â€ w x 34.5â€ H Marilyn Grisham is a Wichita artist who owns and operates her own gallery,The Fiber Studio. Born and raised in El Dorado, Kansas, Marilyn possesses a Fine Arts degrees from Ottawa University. Though Marilyn has studied the arts, she is a self-taught fiber artist who began her work with fiber art in the 1960s. Her work is created through techniques of weaving and free machine stitching, and her most current work is a mixture of both techniques. Her skill is abundantly evident in this, masterful, beautiful, original work, which features a stone wall over-grown with country wildflowers and vines.The asymmetrical arrangement is shaped and mounted to a strong cotton foundation cloth.The work has never been exposed to excessive light and retains the original jewel-like pallet. Original purchase price $1,700. Please realize that all computer monitors display colors differently.

360 / 667
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

361 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

362 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

363 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

364 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

365 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

366 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

367 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

368 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

369 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

370 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

371 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

372 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

373 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

374 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

375 / 667 sold
#132 Lidded Ceramic Pot Dan Gauthier Salt fired and glazed studio ceramic Late 20th C. 10 x 9 inches This is a fine, salt fired studio pot by Dan Gauthier. This master potter has created a lidded pot reminiscent of those thrown by 12th C Korean potters who created this squat-bulbous shape for storage. Dan Gauthier graduated from Wichita State University in the late 70's and subsequently taught ceramic art there.The unique surface/glazing treatment has created a varied and, as always, an unpredictable, but exciting surface.

376 / 667 sold
#135 Cherokee Melon Basket Marilyn Bushyhead Kindsvatter Split plant fiber, oak hoop foundtion, spun and twisted wool Late 20th C. 11 x 11 x10 inches This is a handmade melon basket by Native American artisan Marilyn Bushyhead Kindsvatter. The sturdy fixed bale handle is attached to the body of the basket with a diamond-shaped shoulder and detailed with twisted wool fiber woven into and re-enforcing the body of the basket. Please realize that all computer monitors display colors differently.

377 / 667 sold
#135 Cherokee Melon Basket Marilyn Bushyhead Kindsvatter Split plant fiber, oak hoop foundtion, spun and twisted wool Late 20th C. 11 x 11 x10 inches This is a handmade melon basket by Native American artisan Marilyn Bushyhead Kindsvatter. The sturdy fixed bale handle is attached to the body of the basket with a diamond-shaped shoulder and detailed with twisted wool fiber woven into and re-enforcing the body of the basket. Please realize that all computer monitors display colors differently.

378 / 667 sold
#135 Cherokee Melon Basket Marilyn Bushyhead Kindsvatter Split plant fiber, oak hoop foundtion, spun and twisted wool Late 20th C. 11 x 11 x10 inches This is a handmade melon basket by Native American artisan Marilyn Bushyhead Kindsvatter. The sturdy fixed bale handle is attached to the body of the basket with a diamond-shaped shoulder and detailed with twisted wool fiber woven into and re-enforcing the body of the basket. Please realize that all computer monitors display colors differently.

379 / 667 sold
#135 Cherokee Melon Basket Marilyn Bushyhead Kindsvatter Split plant fiber, oak hoop foundtion, spun and twisted wool Late 20th C. 11 x 11 x10 inches This is a handmade melon basket by Native American artisan Marilyn Bushyhead Kindsvatter. The sturdy fixed bale handle is attached to the body of the basket with a diamond-shaped shoulder and detailed with twisted wool fiber woven into and re-enforcing the body of the basket. Please realize that all computer monitors display colors differently.

380 / 667 sold
#135 Cherokee Melon Basket Marilyn Bushyhead Kindsvatter Split plant fiber, oak hoop foundtion, spun and twisted wool Late 20th C. 11 x 11 x10 inches This is a handmade melon basket by Native American artisan Marilyn Bushyhead Kindsvatter. The sturdy fixed bale handle is attached to the body of the basket with a diamond-shaped shoulder and detailed with twisted wool fiber woven into and re-enforcing the body of the basket. Please realize that all computer monitors display colors differently.

381 / 667 sold
#135 Cherokee Melon Basket Marilyn Bushyhead Kindsvatter Split plant fiber, oak hoop foundtion, spun and twisted wool Late 20th C. 11 x 11 x10 inches This is a handmade melon basket by Native American artisan Marilyn Bushyhead Kindsvatter. The sturdy fixed bale handle is attached to the body of the basket with a diamond-shaped shoulder and detailed with twisted wool fiber woven into and re-enforcing the body of the basket. Please realize that all computer monitors display colors differently.

382 / 667 sold
#135 Cherokee Melon Basket Marilyn Bushyhead Kindsvatter Split plant fiber, oak hoop foundtion, spun and twisted wool Late 20th C. 11 x 11 x10 inches This is a handmade melon basket by Native American artisan Marilyn Bushyhead Kindsvatter. The sturdy fixed bale handle is attached to the body of the basket with a diamond-shaped shoulder and detailed with twisted wool fiber woven into and re-enforcing the body of the basket. Please realize that all computer monitors display colors differently.

383 / 667 sold
#135 Cherokee Melon Basket Marilyn Bushyhead Kindsvatter Split plant fiber, oak hoop foundtion, spun and twisted wool Late 20th C. 11 x 11 x10 inches This is a handmade melon basket by Native American artisan Marilyn Bushyhead Kindsvatter. The sturdy fixed bale handle is attached to the body of the basket with a diamond-shaped shoulder and detailed with twisted wool fiber woven into and re-enforcing the body of the basket. Please realize that all computer monitors display colors differently.

384 / 667 sold
#137 Native American Concho Belt Marked (stamped) D.M. Hand-crafted of sterling and bezel set, oval, blue turquoise stones Late 20th C. Length 42 Â½ Inches/Buckle 1 Â½ X 1 Â¼ inches This hand-crafted belt, stamp-signed D.M. Is crafted of solid sterling silver. The buckle, 20 concho (including spacers), and the belt tip are all set with bright blue turquoise stones, and are strung on a 1/2â€ wide black leather belt. Very little, if any wear is noted. Please realize that all computer monitors display colors differently.

385 / 667 sold
#137 Native American Concho Belt Marked (stamped) D.M. Hand-crafted of sterling and bezel set, oval, blue turquoise stones Late 20th C. Length 42 Â½ Inches/Buckle 1 Â½ X 1 Â¼ inches This hand-crafted belt, stamp-signed D.M. Is crafted of solid sterling silver. The buckle, 20 concho (including spacers), and the belt tip are all set with bright blue turquoise stones, and are strung on a 1/2â€ wide black leather belt. Very little, if any wear is noted. Please realize that all computer monitors display colors differently.

386 / 667 sold
#137 Native American Concho Belt Marked (stamped) D.M. Hand-crafted of sterling and bezel set, oval, blue turquoise stones Late 20th C. Length 42 Â½ Inches/Buckle 1 Â½ X 1 Â¼ inches This hand-crafted belt, stamp-signed D.M. Is crafted of solid sterling silver. The buckle, 20 concho (including spacers), and the belt tip are all set with bright blue turquoise stones, and are strung on a 1/2â€ wide black leather belt. Very little, if any wear is noted. Please realize that all computer monitors display colors differently.

387 / 667 sold
#137 Native American Concho Belt Marked (stamped) D.M. Hand-crafted of sterling and bezel set, oval, blue turquoise stones Late 20th C. Length 42 Â½ Inches/Buckle 1 Â½ X 1 Â¼ inches This hand-crafted belt, stamp-signed D.M. Is crafted of solid sterling silver. The buckle, 20 concho (including spacers), and the belt tip are all set with bright blue turquoise stones, and are strung on a 1/2â€ wide black leather belt. Very little, if any wear is noted. Please realize that all computer monitors display colors differently.

388 / 667 sold
#137 Native American Concho Belt Marked (stamped) D.M. Hand-crafted of sterling and bezel set, oval, blue turquoise stones Late 20th C. Length 42 Â½ Inches/Buckle 1 Â½ X 1 Â¼ inches This hand-crafted belt, stamp-signed D.M. Is crafted of solid sterling silver. The buckle, 20 concho (including spacers), and the belt tip are all set with bright blue turquoise stones, and are strung on a 1/2â€ wide black leather belt. Very little, if any wear is noted. Please realize that all computer monitors display colors differently.

389 / 667 sold
#137 Native American Concho Belt Marked (stamped) D.M. Hand-crafted of sterling and bezel set, oval, blue turquoise stones Late 20th C. Length 42 Â½ Inches/Buckle 1 Â½ X 1 Â¼ inches This hand-crafted belt, stamp-signed D.M. Is crafted of solid sterling silver. The buckle, 20 concho (including spacers), and the belt tip are all set with bright blue turquoise stones, and are strung on a 1/2â€ wide black leather belt. Very little, if any wear is noted. Please realize that all computer monitors display colors differently.

390 / 667 sold
#137 Native American Concho Belt Marked (stamped) D.M. Hand-crafted of sterling and bezel set, oval, blue turquoise stones Late 20th C. Length 42 Â½ Inches/Buckle 1 Â½ X 1 Â¼ inches This hand-crafted belt, stamp-signed D.M. Is crafted of solid sterling silver. The buckle, 20 concho (including spacers), and the belt tip are all set with bright blue turquoise stones, and are strung on a 1/2â€ wide black leather belt. Very little, if any wear is noted. Please realize that all computer monitors display colors differently.

391 / 667 sold
#137 Native American Concho Belt Marked (stamped) D.M. Hand-crafted of sterling and bezel set, oval, blue turquoise stones Late 20th C. Length 42 Â½ Inches/Buckle 1 Â½ X 1 Â¼ inches This hand-crafted belt, stamp-signed D.M. Is crafted of solid sterling silver. The buckle, 20 concho (including spacers), and the belt tip are all set with bright blue turquoise stones, and are strung on a 1/2â€ wide black leather belt. Very little, if any wear is noted. Please realize that all computer monitors display colors differently.

392 / 667 sold
#139 Traditional Native American Buckle Unmarked Stamped â€œsterlingâ€ Late 20th C. 2 x 3 inches This solid sterling belt buckle has been stamp-decorated with a bold thundercloud border surrounding a double elongated flower blossom, and has a swing-bale belt attachment for the leather strap. Please realize that all computer monitors display colors differently.

393 / 667 sold
#139 Traditional Native American Buckle Unmarked Stamped â€œsterlingâ€ Late 20th C. 2 x 3 inches This solid sterling belt buckle has been stamp-decorated with a bold thundercloud border surrounding a double elongated flower blossom, and has a swing-bale belt attachment for the leather strap. Please realize that all computer monitors display colors differently.

394 / 667 sold
#139 Traditional Native American Buckle Unmarked Stamped â€œsterlingâ€ Late 20th C. 2 x 3 inches This solid sterling belt buckle has been stamp-decorated with a bold thundercloud border surrounding a double elongated flower blossom, and has a swing-bale belt attachment for the leather strap. Please realize that all computer monitors display colors differently.

395 / 667 sold
#139 Traditional Native American Buckle Unmarked Stamped â€œsterlingâ€ Late 20th C. 2 x 3 inches This solid sterling belt buckle has been stamp-decorated with a bold thundercloud border surrounding a double elongated flower blossom, and has a swing-bale belt attachment for the leather strap. Please realize that all computer monitors display colors differently.

396 / 667 sold
#140 Rooster Wind Chime Bill Rutherford Cast Bronze Late 20th C. 14 x 8 x 4 inches This cast bronze wind bell was created by noted Kansas artist Bill Rutherford. The artist was greatly influenced by the bronze bells of Paolo Solari and started creating these chimes, bells, in the 90's. The rooster shaped bell hangs horizontally as to catch the wind with the curled feather tail which engages the round heavy metal clapper inside the bell. It seems few of these perennial favorites ever come up for sale. Don't miss this very limited edition one!! Please realize that all computer monitors display colors differently.

397 / 667 sold
#140 Rooster Wind Chime Bill Rutherford Cast Bronze Late 20th C. 14 x 8 x 4 inches This cast bronze wind bell was created by noted Kansas artist Bill Rutherford. The artist was greatly influenced by the bronze bells of Paolo Solari and started creating these chimes, bells, in the 90's. The rooster shaped bell hangs horizontally as to catch the wind with the curled feather tail which engages the round heavy metal clapper inside the bell. It seems few of these perennial favorites ever come up for sale. Don't miss this very limited edition one!! Please realize that all computer monitors display colors differently.

398 / 667 sold
#140 Rooster Wind Chime Bill Rutherford Cast Bronze Late 20th C. 14 x 8 x 4 inches This cast bronze wind bell was created by noted Kansas artist Bill Rutherford. The artist was greatly influenced by the bronze bells of Paolo Solari and started creating these chimes, bells, in the 90's. The rooster shaped bell hangs horizontally as to catch the wind with the curled feather tail which engages the round heavy metal clapper inside the bell. It seems few of these perennial favorites ever come up for sale. Don't miss this very limited edition one!! Please realize that all computer monitors display colors differently.

399 / 667 sold
#140 Rooster Wind Chime Bill Rutherford Cast Bronze Late 20th C. 14 x 8 x 4 inches This cast bronze wind bell was created by noted Kansas artist Bill Rutherford. The artist was greatly influenced by the bronze bells of Paolo Solari and started creating these chimes, bells, in the 90's. The rooster shaped bell hangs horizontally as to catch the wind with the curled feather tail which engages the round heavy metal clapper inside the bell. It seems few of these perennial favorites ever come up for sale. Don't miss this very limited edition one!! Please realize that all computer monitors display colors differently.

400 / 667 sold

Photos 301 - 400 of 667

Per page:

Prev Page Next Page

Return to Sale Details

Follow Stubbs Estates

Craigslist Code

Please note that Craigslist has stopped allowing external images as well as most html tags in their "for sale" listings. Your template will still have a full link to your sale and your sale photo gallery.

Preview your Craigslist template

Go to Craigslist and find your city.
Under For Sale, click on the Garage Sale category.
Click on the Post link in the upper right corner of the page.
Choose the Garage Sale category and then select your area. Craigslist doesn't have an Estate Sale category and this is the closest match.
Add the title of your sale and the location.
Add your email address and keep it anonymous to prevent spam.
Copy & Paste the html code below into the Posting Description text box.
Click Continue to add photos and publish your sale. You will receive a confirmation email from Craigslist to verify the sale. Activate your sale by clicking the link in your email and your done!
Craigslist allows you to re-post your ad every 48 hours. Re-post any sooner and your ad may be subject to removal.

EstateSales.org

EstateSales.org on Facebook EstateSales.org on X EstateSales.org on Instagram EstateSales.org on Pinterest Contact EstateSales.org

EstateSales.org is a leading website for advertising estate sales & hosting online estate auctions in the United States, with over 1,000,000 registered members and estate sales from over 4,000 estate sale companies and auctioneers. Our nationwide directory of estate sale companies helps people find estate liquidators near their area.

What Is an Estate Sale?
Advertise an Estate Sale
Estate Sale Companies
Estate Sale Blog
Estate Sale Company Blog
Found It On EstateSales.org

About
Sign In
Register
Newsletter Signup
Contact
Help

© 2009-Present EstateSales.org, All rights reserved.

Terms & Conditions Privacy Policy DMCA & Copyright Policy Contact Help

Create an account

Tell us what you'd like to do:

BuyBrowse, shop, and bid on items SellAdvertise your estate sale or auction company

Have an existing account? Sign In

Get estate sales near you sent to your inbox.

No ThanksRemind me later