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"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 977 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 978 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 979 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 980 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 981 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 982 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 983 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 984 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 985 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 986 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 987 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 988 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 989 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 990 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 991 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 992 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 993 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 994 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 995 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 996 / 1896 -
"My paintings extend many of the ides of portraiture and psychological exploration first articulated by the Renaissance and Baroque masters. The power of the imagery and the audacity of the technique demonstrated in much Baroque portraiture, for example, have fascinated me since my days as a graduate student of Dutch and Spanish 17th century art. But rather than create anachronisms for their own sake, I choose to use such imagery and technique as a point of departure for exploring a world that is idiosyncratic, personal, and capable of transcending time and place. And whereas much of the portraiture of the Renaissance and Baroque sought to reveal something of the state of mind of the subject, there is an aspect of my work that seeks to turn this idea around by presenting a kind of imagery that, instead, reveals something about the state of mind of the viewer." Gallery Bienvenu - Have invoice from sale. Ray Donley "Figure with a Knife" 2006 Oil on Linen 32" x 32" 997 / 1896 -
"My hope and wish is to express the vibrations of status-quo, reconsidered and transformed by the subjectivity, to build up in layers the patina of memories that will come true and future happenings that we missed or forgotten. I would like my paintings to touch on the innermost parts of the soul, to pull the most sensitive strings and to establish one's harmony with one's true individuality." Gallery Bienvenu - Have invoice of sale. Iordan Ivanov, signed on the lower right corner. "Incentive I" 2006 Mixed Media on Canvas 40 x 30 inches 998 / 1896 sold -
"My hope and wish is to express the vibrations of status-quo, reconsidered and transformed by the subjectivity, to build up in layers the patina of memories that will come true and future happenings that we missed or forgotten. I would like my paintings to touch on the innermost parts of the soul, to pull the most sensitive strings and to establish one's harmony with one's true individuality." Gallery Bienvenu - Have invoice of sale. Iordan Ivanov, signed on the lower right corner. "Incentive I" 2006 Mixed Media on Canvas 40 x 30 inches 999 / 1896 sold -
"My hope and wish is to express the vibrations of status-quo, reconsidered and transformed by the subjectivity, to build up in layers the patina of memories that will come true and future happenings that we missed or forgotten. I would like my paintings to touch on the innermost parts of the soul, to pull the most sensitive strings and to establish one's harmony with one's true individuality." Gallery Bienvenu - Have invoice of sale. Iordan Ivanov, signed on the lower right corner. "Incentive I" 2006 Mixed Media on Canvas 40 x 30 inches 1000 / 1896 sold
Photos 901 - 1000 of 1896
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