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North Carolina
Arden

Art of Downsizing

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Rough Gems, 70's Southern Studio Pottery and Native American Artifacts

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Sale Details
284 Online Auction Items

A Qsnap 11" x 17" rectangular plastic pipe frame; a Qsnap 17" x 17" needlework frame; 7 quilting books (Georgia Bonesteel et al); 12" quilters rule Quick Quarter II tool; a quickline measuring tool; a 18" x 27" wood quiltinf frame in box, 5 embroidery hoops and a set of stencils in envelopes.

1901 / 2771
A Qsnap 11" x 17" rectangular plastic pipe frame; a Qsnap 17" x 17" needlework frame; 7 quilting books (Georgia Bonesteel et al); 12" quilters rule Quick Quarter II tool; a quickline measuring tool; a 18" x 27" wood quiltinf frame in box, 5 embroidery hoops and a set of stencils in envelopes.

1902 / 2771
A Qsnap 11" x 17" rectangular plastic pipe frame; a Qsnap 17" x 17" needlework frame; 7 quilting books (Georgia Bonesteel et al); 12" quilters rule Quick Quarter II tool; a quickline measuring tool; a 18" x 27" wood quiltinf frame in box, 5 embroidery hoops and a set of stencils in envelopes.

1903 / 2771
A Qsnap 11" x 17" rectangular plastic pipe frame; a Qsnap 17" x 17" needlework frame; 7 quilting books (Georgia Bonesteel et al); 12" quilters rule Quick Quarter II tool; a quickline measuring tool; a 18" x 27" wood quiltinf frame in box, 5 embroidery hoops and a set of stencils in envelopes.

1904 / 2771
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1905 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1906 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1907 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1908 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1909 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1910 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1911 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1912 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1913 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1914 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1915 / 2771 sold
Batwing brass detail. 36" L x 17" D x 42" H. Secretary has letter compartments and 3 drawers. 4 serpentine drawers in chest. Dark mahogany finish. Finish is scratched in places and needs buffing out. Sturdy and sold

1916 / 2771 sold
The shorter 3 drawer file cabinet is painted wood Kent Coffey legal size drawers. 18" w x 19" d x 28" h; The taler file cabinet is metal and contains some file holders and dividers. It is painted Steelcase brand. The color is a light cream of celery soup. It measures 28: d x 15" w x 52" h

1917 / 2771 sold
The shorter 3 drawer file cabinet is painted wood Kent Coffey legal size drawers. 18" w x 19" d x 28" h; The taler file cabinet is metal and contains some file holders and dividers. It is painted Steelcase brand. The color is a light cream of celery soup. It measures 28: d x 15" w x 52" h

1918 / 2771 sold
The shorter 3 drawer file cabinet is painted wood Kent Coffey legal size drawers. 18" w x 19" d x 28" h; The taler file cabinet is metal and contains some file holders and dividers. It is painted Steelcase brand. The color is a light cream of celery soup. It measures 28: d x 15" w x 52" h

1919 / 2771 sold
The shorter 3 drawer file cabinet is painted wood Kent Coffey legal size drawers. 18" w x 19" d x 28" h; The taler file cabinet is metal and contains some file holders and dividers. It is painted Steelcase brand. The color is a light cream of celery soup. It measures 28: d x 15" w x 52" h

1920 / 2771 sold
The shorter 3 drawer file cabinet is painted wood Kent Coffey legal size drawers. 18" w x 19" d x 28" h; The taler file cabinet is metal and contains some file holders and dividers. It is painted Steelcase brand. The color is a light cream of celery soup. It measures 28: d x 15" w x 52" h

1921 / 2771 sold
The shorter 3 drawer file cabinet is painted wood Kent Coffey legal size drawers. 18" w x 19" d x 28" h; The taler file cabinet is metal and contains some file holders and dividers. It is painted Steelcase brand. The color is a light cream of celery soup. It measures 28: d x 15" w x 52" h

1922 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1923 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1924 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1925 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1926 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1927 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1928 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1929 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1930 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1931 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1932 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1933 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1934 / 2771 sold
Bio of artist: "Flora DuVal was an active artist in the Shreveport LA area for many years. Her life spanned the 20th Century (1906 - 1992). Born into a newspaper family, she was the daughter of associated press writer W.B. Barnes who moved his family into small towns of Louisiana, Texas and Arkansas during the oil boom years starting newspapers for the little towns, then moving on to start another. She and her husband John DuVal had life careers as newspaper printers and raised two sons, Walt and Ralph. But her love was painting, and she studied as much as she could through the years with her busy life developing her talent -- lessons in anatomy, hieroglyphics, sketching -- she worked in oils, watercolor, and acrylic. Her ultimate study was in Manhattan NY in the late fifties/early sixties. She would go for six weeks or so, work for The New York Times to cover her expenses, and study at the Art Students League. Her favorite works were the large, non-objective action paintings that she began in the late fifties. Her works are in permanent collections in several southern states. She defined talent as simply "elbow grease." When she died, she was named a Louisiana Treasure, and her notes, sketches and some of her work was placed in the archives of Louisiana State University." Framed watercolor has vivid colors. 35" W x 29" H in older frame. Vintage distressed colonial blue rocking chair with nice patina. A worn vintage wooden suit rack .From the living estate of Charles Rathbun.

1935 / 2771 sold
From the estate of Charles Rathbun.of Minden, LA. c. 1960's. This is a framed hand colored watercolor print behind glass. It retains the original "James Papalia" gallery label on the reverse. This is a mid-century Parisian architectural print entitled "Baroque Dear Way". The framed piece measures 46" H x 32" W".. There is mildew under the glass. John Hulse (American, b. 1953). The print depicts an architectual Spanish style stone arch, surrounded by trees. It is signed â€œJohn Hulseâ€ to the lower right, and is presented in a wood frame with a linen fillet edged in gold.

1936 / 2771
From the estate of Charles Rathbun.of Minden, LA. c. 1960's. This is a framed hand colored watercolor print behind glass. It retains the original "James Papalia" gallery label on the reverse. This is a mid-century Parisian architectural print entitled "Baroque Dear Way". The framed piece measures 46" H x 32" W".. There is mildew under the glass. John Hulse (American, b. 1953). The print depicts an architectual Spanish style stone arch, surrounded by trees. It is signed â€œJohn Hulseâ€ to the lower right, and is presented in a wood frame with a linen fillet edged in gold.

1937 / 2771
From the estate of Charles Rathbun.of Minden, LA. c. 1960's. This is a framed hand colored watercolor print behind glass. It retains the original "James Papalia" gallery label on the reverse. This is a mid-century Parisian architectural print entitled "Baroque Dear Way". The framed piece measures 46" H x 32" W".. There is mildew under the glass. John Hulse (American, b. 1953). The print depicts an architectual Spanish style stone arch, surrounded by trees. It is signed â€œJohn Hulseâ€ to the lower right, and is presented in a wood frame with a linen fillet edged in gold.

1938 / 2771
From the estate of Charles Rathbun.of Minden, LA. c. 1960's. This is a framed hand colored watercolor print behind glass. It retains the original "James Papalia" gallery label on the reverse. This is a mid-century Parisian architectural print entitled "Baroque Dear Way". The framed piece measures 46" H x 32" W".. There is mildew under the glass. John Hulse (American, b. 1953). The print depicts an architectual Spanish style stone arch, surrounded by trees. It is signed â€œJohn Hulseâ€ to the lower right, and is presented in a wood frame with a linen fillet edged in gold.

1939 / 2771
From the estate of Charles Rathbun.of Minden, LA. c. 1960's. This is a framed hand colored watercolor print behind glass. It retains the original "James Papalia" gallery label on the reverse. This is a mid-century Parisian architectural print entitled "Baroque Dear Way". The framed piece measures 46" H x 32" W".. There is mildew under the glass. John Hulse (American, b. 1953). The print depicts an architectual Spanish style stone arch, surrounded by trees. It is signed â€œJohn Hulseâ€ to the lower right, and is presented in a wood frame with a linen fillet edged in gold.

1940 / 2771
From the estate of Charles Rathbun.of Minden, LA. c. 1960's. This is a framed hand colored watercolor print behind glass. It retains the original "James Papalia" gallery label on the reverse. This is a mid-century Parisian architectural print entitled "Baroque Dear Way". The framed piece measures 46" H x 32" W".. There is mildew under the glass. John Hulse (American, b. 1953). The print depicts an architectual Spanish style stone arch, surrounded by trees. It is signed â€œJohn Hulseâ€ to the lower right, and is presented in a wood frame with a linen fillet edged in gold.

1941 / 2771
From the estate of Charles Rathbun.of Minden, LA. c. 1960's. This is a framed hand colored watercolor print behind glass. It retains the original "James Papalia" gallery label on the reverse. This is a mid-century Parisian architectural print entitled "Baroque Dear Way". The framed piece measures 46" H x 32" W".. There is mildew under the glass. John Hulse (American, b. 1953). The print depicts an architectual Spanish style stone arch, surrounded by trees. It is signed â€œJohn Hulseâ€ to the lower right, and is presented in a wood frame with a linen fillet edged in gold.

1942 / 2771
From the estate of Charles Rathbun.of Minden, LA. c. 1960's. This is a framed hand colored watercolor print behind glass. It retains the original "James Papalia" gallery label on the reverse. This is a mid-century Parisian architectural print entitled "Baroque Dear Way". The framed piece measures 46" H x 32" W".. There is mildew under the glass. John Hulse (American, b. 1953). The print depicts an architectual Spanish style stone arch, surrounded by trees. It is signed â€œJohn Hulseâ€ to the lower right, and is presented in a wood frame with a linen fillet edged in gold.

1943 / 2771
32" x 27". Nice older frame.Excellent watercolor. Paper well preserved. Signed in corner by artist. Great piece from the 60's or 70's.

1944 / 2771 sold
32" x 27". Nice older frame.Excellent watercolor. Paper well preserved. Signed in corner by artist. Great piece from the 60's or 70's.

1945 / 2771 sold
32" x 27". Nice older frame.Excellent watercolor. Paper well preserved. Signed in corner by artist. Great piece from the 60's or 70's.

1946 / 2771 sold
32" x 27". Nice older frame.Excellent watercolor. Paper well preserved. Signed in corner by artist. Great piece from the 60's or 70's.

1947 / 2771 sold
32" x 27". Nice older frame.Excellent watercolor. Paper well preserved. Signed in corner by artist. Great piece from the 60's or 70's.

1948 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1949 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1950 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1951 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1952 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1953 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1954 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1955 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1956 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1957 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1958 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1959 / 2771 sold
Nicely framed limited edition # 700 print of Purple Finch by Sallie E. Middleton. Frame in very nice condition and little fading. 24" w x 20" H. Also framed 24" w x 27' H watercolor print by E. Paxton Oliver of Carolina Wrens in a very nice frame with vivid colors and bio of the artist on back. About E. Paxton Oliver (1891-1977) *Elisabeth Paxton Oliver was born in Glasgow,VA. Because of the bias against women artist in her time, she used initials to conceal her gender, hoping to have her work judged on its own merits! She moved to Tryon, NC and found success with watercolor paintings of birds. She signs her prints in the lower right. She later moved to Georgia and past away in 1977. From living estate of Charles Rathbun

1960 / 2771 sold
Signed and numbered by Sallie Middleton from the 1970's. Wonderful detail of woodland floor with lady slippers. Features Ruffled Grouse. Colors well preserved. Little mildew. Custome framed with cloth textured matting. 27" x 32". Frame is in good condition. From living estate of Charles Rathbun.

1961 / 2771 sold
Signed and numbered by Sallie Middleton from the 1970's. Wonderful detail of woodland floor with lady slippers. Features Ruffled Grouse. Colors well preserved. Little mildew. Custome framed with cloth textured matting. 27" x 32". Frame is in good condition. From living estate of Charles Rathbun.

1962 / 2771 sold
Signed and numbered by Sallie Middleton from the 1970's. Wonderful detail of woodland floor with lady slippers. Features Ruffled Grouse. Colors well preserved. Little mildew. Custome framed with cloth textured matting. 27" x 32". Frame is in good condition. From living estate of Charles Rathbun.

1963 / 2771 sold
Signed and numbered by Sallie Middleton from the 1970's. Wonderful detail of woodland floor with lady slippers. Features Ruffled Grouse. Colors well preserved. Little mildew. Custome framed with cloth textured matting. 27" x 32". Frame is in good condition. From living estate of Charles Rathbun.

1964 / 2771 sold
Signed and numbered by Sallie Middleton from the 1970's. Wonderful detail of woodland floor with lady slippers. Features Ruffled Grouse. Colors well preserved. Little mildew. Custome framed with cloth textured matting. 27" x 32". Frame is in good condition. From living estate of Charles Rathbun.

1965 / 2771 sold
Signed and numbered by Sallie Middleton from the 1970's. Wonderful detail of woodland floor with lady slippers. Features Ruffled Grouse. Colors well preserved. Little mildew. Custome framed with cloth textured matting. 27" x 32". Frame is in good condition. From living estate of Charles Rathbun.

1966 / 2771 sold
Signed and numbered by Sallie Middleton from the 1970's. Wonderful detail of woodland floor with lady slippers. Features Ruffled Grouse. Colors well preserved. Little mildew. Custome framed with cloth textured matting. 27" x 32". Frame is in good condition. From living estate of Charles Rathbun.

1967 / 2771 sold
Vintage metal framed signed print behind glass with vivid colors. Frame is a little mildewed, but paper does not show any foxing or mildew. 22" x 28" to edge of frame. Limited Edition certification taped to back. Framed by village Galleries in the early 1980's.

1968 / 2771 sold
Vintage metal framed signed print behind glass with vivid colors. Frame is a little mildewed, but paper does not show any foxing or mildew. 22" x 28" to edge of frame. Limited Edition certification taped to back. Framed by village Galleries in the early 1980's.

1969 / 2771 sold
Vintage metal framed signed print behind glass with vivid colors. Frame is a little mildewed, but paper does not show any foxing or mildew. 22" x 28" to edge of frame. Limited Edition certification taped to back. Framed by village Galleries in the early 1980's.

1970 / 2771 sold
Vintage metal framed signed print behind glass with vivid colors. Frame is a little mildewed, but paper does not show any foxing or mildew. 22" x 28" to edge of frame. Limited Edition certification taped to back. Framed by village Galleries in the early 1980's.

1971 / 2771 sold
Vintage metal framed signed print behind glass with vivid colors. Frame is a little mildewed, but paper does not show any foxing or mildew. 22" x 28" to edge of frame. Limited Edition certification taped to back. Framed by village Galleries in the early 1980's.

1972 / 2771 sold
Vintage metal framed signed print behind glass with vivid colors. Frame is a little mildewed, but paper does not show any foxing or mildew. 22" x 28" to edge of frame. Limited Edition certification taped to back. Framed by village Galleries in the early 1980's.

1973 / 2771 sold
Vintage metal framed signed print behind glass with vivid colors. Frame is a little mildewed, but paper does not show any foxing or mildew. 22" x 28" to edge of frame. Limited Edition certification taped to back. Framed by village Galleries in the early 1980's.

1974 / 2771 sold
Vintage 26" x 32" from edge of frame. Nice bronzed wood frame. Double matted with textured cloth. Signed by artist with bio on back. Colors are faded and paper is browning. this is from the late 70's to early 80's From living estate of Charles Rathbun.

1975 / 2771 sold
Vintage 26" x 32" from edge of frame. Nice bronzed wood frame. Double matted with textured cloth. Signed by artist with bio on back. Colors are faded and paper is browning. this is from the late 70's to early 80's From living estate of Charles Rathbun.

1976 / 2771 sold
Vintage 26" x 32" from edge of frame. Nice bronzed wood frame. Double matted with textured cloth. Signed by artist with bio on back. Colors are faded and paper is browning. this is from the late 70's to early 80's From living estate of Charles Rathbun.

1977 / 2771 sold
Vintage 26" x 32" from edge of frame. Nice bronzed wood frame. Double matted with textured cloth. Signed by artist with bio on back. Colors are faded and paper is browning. this is from the late 70's to early 80's From living estate of Charles Rathbun.

1978 / 2771 sold
Vintage 26" x 32" from edge of frame. Nice bronzed wood frame. Double matted with textured cloth. Signed by artist with bio on back. Colors are faded and paper is browning. this is from the late 70's to early 80's From living estate of Charles Rathbun.

1979 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1980 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1981 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1982 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1983 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1984 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1985 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1986 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1987 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1988 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1989 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1990 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1991 / 2771 sold
Striped stoneware crock with cork by Michael Pitts c. 1977. Cylinder lidded pot by "H" with emerald green stripes has a major crack. Scored grey stoneware stamped "Bill Suggs" Bio on Missippi potter Bill Suggs: "From the early 1900s through 1956, W.D. Suggs Pottery produced whatever customers needed, from churns to flue thimbles to ash traysâ€”all made by hand. William David (â€œMr. Billâ€) Suggs was an exacting craftsman whose wares looked good, functioned well and endured for generations. He learned the trade from his father, Joel Green Suggs, an Itawamba County farmer who operated a small pottery mainly to supply his own needs. Like his father, W.D. farmed. But he soon became a successful entrepreneur devoted to growing his familyâ€™s pottery business and teaching employees to produce high-quality products. By the early 1940s, sharecroppers were farming his land, and he was personally delivering truckloads of W.D. Suggs Pottery wares to stores and farms from Texas to Georgia. Suggsâ€™ employees, it was said, could make anything out of clay. Suggs typically used three colors of glazeâ€”white, brown and black. Many items were embellished with bands of cobalt blue glaze. Crocks and churns bore the blue company stamp and a number denoting the capacity in gallons. From living estate of Charles Rathbun.

1992 / 2771 sold
Three appalachian cornhusk dolls with labels from Carl and Pearl Bowling of Tennessee. A pair of kiln fired clay angels signed B'Lou. A miniature Sallie Middleton framed print of an owl. A plastic crane or heron figure with fiber tail. A antiwue silver plated Victor Comapny bureau box. Music box not working.

1993 / 2771 sold
Three appalachian cornhusk dolls with labels from Carl and Pearl Bowling of Tennessee. A pair of kiln fired clay angels signed B'Lou. A miniature Sallie Middleton framed print of an owl. A plastic crane or heron figure with fiber tail. A antiwue silver plated Victor Comapny bureau box. Music box not working.

1994 / 2771 sold
Three appalachian cornhusk dolls with labels from Carl and Pearl Bowling of Tennessee. A pair of kiln fired clay angels signed B'Lou. A miniature Sallie Middleton framed print of an owl. A plastic crane or heron figure with fiber tail. A antiwue silver plated Victor Comapny bureau box. Music box not working.

1995 / 2771 sold
Three appalachian cornhusk dolls with labels from Carl and Pearl Bowling of Tennessee. A pair of kiln fired clay angels signed B'Lou. A miniature Sallie Middleton framed print of an owl. A plastic crane or heron figure with fiber tail. A antiwue silver plated Victor Comapny bureau box. Music box not working.

1996 / 2771 sold
Three appalachian cornhusk dolls with labels from Carl and Pearl Bowling of Tennessee. A pair of kiln fired clay angels signed B'Lou. A miniature Sallie Middleton framed print of an owl. A plastic crane or heron figure with fiber tail. A antiwue silver plated Victor Comapny bureau box. Music box not working.

1997 / 2771 sold
Three appalachian cornhusk dolls with labels from Carl and Pearl Bowling of Tennessee. A pair of kiln fired clay angels signed B'Lou. A miniature Sallie Middleton framed print of an owl. A plastic crane or heron figure with fiber tail. A antiwue silver plated Victor Comapny bureau box. Music box not working.

1998 / 2771 sold
Three appalachian cornhusk dolls with labels from Carl and Pearl Bowling of Tennessee. A pair of kiln fired clay angels signed B'Lou. A miniature Sallie Middleton framed print of an owl. A plastic crane or heron figure with fiber tail. A antiwue silver plated Victor Comapny bureau box. Music box not working.

1999 / 2771 sold
Three appalachian cornhusk dolls with labels from Carl and Pearl Bowling of Tennessee. A pair of kiln fired clay angels signed B'Lou. A miniature Sallie Middleton framed print of an owl. A plastic crane or heron figure with fiber tail. A antiwue silver plated Victor Comapny bureau box. Music box not working.

2000 / 2771 sold

Photos 1901 - 2000 of 2771

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Craigslist Code

Please note that Craigslist has stopped allowing external images as well as most html tags in their "for sale" listings. Your template will still have a full link to your sale and your sale photo gallery.

Preview your Craigslist template

Go to Craigslist and find your city.
Under For Sale, click on the Garage Sale category.
Click on the Post link in the upper right corner of the page.
Choose the Garage Sale category and then select your area. Craigslist doesn't have an Estate Sale category and this is the closest match.
Add the title of your sale and the location.
Add your email address and keep it anonymous to prevent spam.
Copy & Paste the html code below into the Posting Description text box.
Click Continue to add photos and publish your sale. You will receive a confirmation email from Craigslist to verify the sale. Activate your sale by clicking the link in your email and your done!
Craigslist allows you to re-post your ad every 48 hours. Re-post any sooner and your ad may be subject to removal.

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