Register Sign In List a Sale

EstateSales.org

Find Sales
Estate Sales & Auctions Near You
Shop
Online Sales & Auctions
Hire
An Estate Sale Company or Auctioneer

Search EstateSales.org

Find Estate Sales
Shop Online Sales & Auctions
Hire A Company
List A Sale
Cart (0)

Account

Register Sign In

Estate Sales
Oklahoma
Oklahoma City

The Estate Ladies

Follow company

Quail Creek Treasures

Follow sale Following sale

Online bidding closed

Sale Details
279 Online Auction Items

XL BMW Motorrad Rain/Snow suit. Authentic. Excellent condition. Lot includes authentic BMW 50 liter waterproof duffel bag.

801 / 1073
Both in excellent condition.

802 / 1073
Both in excellent condition.

803 / 1073
Both in excellent condition.

804 / 1073
Sharp View Camcorder, 16mb SD card, cords, remote, bag and other accessories.

805 / 1073
Sharp View Camcorder, 16mb SD card, cords, remote, bag and other accessories.

806 / 1073
Sharp View Camcorder, 16mb SD card, cords, remote, bag and other accessories.

807 / 1073
Sharp View Camcorder, 16mb SD card, cords, remote, bag and other accessories.

808 / 1073
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

809 / 1073 sold
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

810 / 1073 sold
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

811 / 1073 sold
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

812 / 1073 sold
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

813 / 1073 sold
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

814 / 1073 sold
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

815 / 1073 sold
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

816 / 1073 sold
What a great find! So fun looking at pictures of yesteryear and letting out kids get a glimpse of older technologies. 2 of the slide cards are in color.

817 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

818 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

819 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

820 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

821 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

822 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

823 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

824 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

825 / 1073 sold
(8) Vintage How to Draw books by Foster, Holmes, Garner and Tredell. Excellent condition. Typically go on Ebay for $7-$15 per book.

826 / 1073 sold
Handcarved Holly Box, fountain pen w/ well, A couple old tobacco tins.

827 / 1073 sold
Handcarved Holly Box, fountain pen w/ well, A couple old tobacco tins.

828 / 1073 sold
1). The official White House cookbook from 1906! Wow! 2). The National History of the War for the Union, Civil, Military and Naval (see typed note inside front cover!) 1900 3). Lettering for Draftsmen, Engineers and Students (1917) 4). Our First Century Being a Popular Descriptive Portraiture of the One Hundred Great and Memorable Events of Perpetual Interest in the History of Our Country, Political, Military, Mechanical Social, Scientific and Commercial: Embracing also the Delineations of All the Great Historic Characters Celebrated in the Annals of the Republic; Men of Heroism, Statesmanship, Genius, Oratory, Adventure and Philanthropy 1880 (This book might also be listed in the Guinness Book of World Record for the longest book title on record). 5) The Holy Bible Old and New Testaments 1880 Note: #2 and #4 are priced around $40-$50 each through rare book dealers. This edition of the White House Cookbook is still being printed. I couldn't find the value of the 1906 edition and the prices via abebooks (rare book dealer) range from $8-$106. #3 sells for about $8 through rare book dealers.

829 / 1073
1). The official White House cookbook from 1906! Wow! 2). The National History of the War for the Union, Civil, Military and Naval (see typed note inside front cover!) 1900 3). Lettering for Draftsmen, Engineers and Students (1917) 4). Our First Century Being a Popular Descriptive Portraiture of the One Hundred Great and Memorable Events of Perpetual Interest in the History of Our Country, Political, Military, Mechanical Social, Scientific and Commercial: Embracing also the Delineations of All the Great Historic Characters Celebrated in the Annals of the Republic; Men of Heroism, Statesmanship, Genius, Oratory, Adventure and Philanthropy 1880 (This book might also be listed in the Guinness Book of World Record for the longest book title on record). 5) The Holy Bible Old and New Testaments 1880 Note: #2 and #4 are priced around $40-$50 each through rare book dealers. This edition of the White House Cookbook is still being printed. I couldn't find the value of the 1906 edition and the prices via abebooks (rare book dealer) range from $8-$106. #3 sells for about $8 through rare book dealers.

830 / 1073
1). The official White House cookbook from 1906! Wow! 2). The National History of the War for the Union, Civil, Military and Naval (see typed note inside front cover!) 1900 3). Lettering for Draftsmen, Engineers and Students (1917) 4). Our First Century Being a Popular Descriptive Portraiture of the One Hundred Great and Memorable Events of Perpetual Interest in the History of Our Country, Political, Military, Mechanical Social, Scientific and Commercial: Embracing also the Delineations of All the Great Historic Characters Celebrated in the Annals of the Republic; Men of Heroism, Statesmanship, Genius, Oratory, Adventure and Philanthropy 1880 (This book might also be listed in the Guinness Book of World Record for the longest book title on record). 5) The Holy Bible Old and New Testaments 1880 Note: #2 and #4 are priced around $40-$50 each through rare book dealers. This edition of the White House Cookbook is still being printed. I couldn't find the value of the 1906 edition and the prices via abebooks (rare book dealer) range from $8-$106. #3 sells for about $8 through rare book dealers.

831 / 1073
1). The official White House cookbook from 1906! Wow! 2). The National History of the War for the Union, Civil, Military and Naval (see typed note inside front cover!) 1900 3). Lettering for Draftsmen, Engineers and Students (1917) 4). Our First Century Being a Popular Descriptive Portraiture of the One Hundred Great and Memorable Events of Perpetual Interest in the History of Our Country, Political, Military, Mechanical Social, Scientific and Commercial: Embracing also the Delineations of All the Great Historic Characters Celebrated in the Annals of the Republic; Men of Heroism, Statesmanship, Genius, Oratory, Adventure and Philanthropy 1880 (This book might also be listed in the Guinness Book of World Record for the longest book title on record). 5) The Holy Bible Old and New Testaments 1880 Note: #2 and #4 are priced around $40-$50 each through rare book dealers. This edition of the White House Cookbook is still being printed. I couldn't find the value of the 1906 edition and the prices via abebooks (rare book dealer) range from $8-$106. #3 sells for about $8 through rare book dealers.

832 / 1073
1). The official White House cookbook from 1906! Wow! 2). The National History of the War for the Union, Civil, Military and Naval (see typed note inside front cover!) 1900 3). Lettering for Draftsmen, Engineers and Students (1917) 4). Our First Century Being a Popular Descriptive Portraiture of the One Hundred Great and Memorable Events of Perpetual Interest in the History of Our Country, Political, Military, Mechanical Social, Scientific and Commercial: Embracing also the Delineations of All the Great Historic Characters Celebrated in the Annals of the Republic; Men of Heroism, Statesmanship, Genius, Oratory, Adventure and Philanthropy 1880 (This book might also be listed in the Guinness Book of World Record for the longest book title on record). 5) The Holy Bible Old and New Testaments 1880 Note: #2 and #4 are priced around $40-$50 each through rare book dealers. This edition of the White House Cookbook is still being printed. I couldn't find the value of the 1906 edition and the prices via abebooks (rare book dealer) range from $8-$106. #3 sells for about $8 through rare book dealers.

833 / 1073
1). The official White House cookbook from 1906! Wow! 2). The National History of the War for the Union, Civil, Military and Naval (see typed note inside front cover!) 1900 3). Lettering for Draftsmen, Engineers and Students (1917) 4). Our First Century Being a Popular Descriptive Portraiture of the One Hundred Great and Memorable Events of Perpetual Interest in the History of Our Country, Political, Military, Mechanical Social, Scientific and Commercial: Embracing also the Delineations of All the Great Historic Characters Celebrated in the Annals of the Republic; Men of Heroism, Statesmanship, Genius, Oratory, Adventure and Philanthropy 1880 (This book might also be listed in the Guinness Book of World Record for the longest book title on record). 5) The Holy Bible Old and New Testaments 1880 Note: #2 and #4 are priced around $40-$50 each through rare book dealers. This edition of the White House Cookbook is still being printed. I couldn't find the value of the 1906 edition and the prices via abebooks (rare book dealer) range from $8-$106. #3 sells for about $8 through rare book dealers.

834 / 1073
1). The official White House cookbook from 1906! Wow! 2). The National History of the War for the Union, Civil, Military and Naval (see typed note inside front cover!) 1900 3). Lettering for Draftsmen, Engineers and Students (1917) 4). Our First Century Being a Popular Descriptive Portraiture of the One Hundred Great and Memorable Events of Perpetual Interest in the History of Our Country, Political, Military, Mechanical Social, Scientific and Commercial: Embracing also the Delineations of All the Great Historic Characters Celebrated in the Annals of the Republic; Men of Heroism, Statesmanship, Genius, Oratory, Adventure and Philanthropy 1880 (This book might also be listed in the Guinness Book of World Record for the longest book title on record). 5) The Holy Bible Old and New Testaments 1880 Note: #2 and #4 are priced around $40-$50 each through rare book dealers. This edition of the White House Cookbook is still being printed. I couldn't find the value of the 1906 edition and the prices via abebooks (rare book dealer) range from $8-$106. #3 sells for about $8 through rare book dealers.

835 / 1073
A very large quilt top in excellent condition. We added Alaska and Hawaii in 1959 so it is fair to assume someone started this quilt in the 1940's or 1950's. Who knows, maybe she started sewing it in 1958 and finished it in 1959 about the time we added Hawaii and Alaska. Poor gal probably felt it was no longer valid and tucked it away for sixty years!!! Anyhow, we were 48 states from 1912 to 1959. Each state is represented and each state's flower is embroidered on a panel of the quilt. No reserve.

836 / 1073
A very large quilt top in excellent condition. We added Alaska and Hawaii in 1959 so it is fair to assume someone started this quilt in the 1940's or 1950's. Who knows, maybe she started sewing it in 1958 and finished it in 1959 about the time we added Hawaii and Alaska. Poor gal probably felt it was no longer valid and tucked it away for sixty years!!! Anyhow, we were 48 states from 1912 to 1959. Each state is represented and each state's flower is embroidered on a panel of the quilt. No reserve.

837 / 1073
A very large quilt top in excellent condition. We added Alaska and Hawaii in 1959 so it is fair to assume someone started this quilt in the 1940's or 1950's. Who knows, maybe she started sewing it in 1958 and finished it in 1959 about the time we added Hawaii and Alaska. Poor gal probably felt it was no longer valid and tucked it away for sixty years!!! Anyhow, we were 48 states from 1912 to 1959. Each state is represented and each state's flower is embroidered on a panel of the quilt. No reserve.

838 / 1073
A very large quilt top in excellent condition. We added Alaska and Hawaii in 1959 so it is fair to assume someone started this quilt in the 1940's or 1950's. Who knows, maybe she started sewing it in 1958 and finished it in 1959 about the time we added Hawaii and Alaska. Poor gal probably felt it was no longer valid and tucked it away for sixty years!!! Anyhow, we were 48 states from 1912 to 1959. Each state is represented and each state's flower is embroidered on a panel of the quilt. No reserve.

839 / 1073
A very large quilt top in excellent condition. We added Alaska and Hawaii in 1959 so it is fair to assume someone started this quilt in the 1940's or 1950's. Who knows, maybe she started sewing it in 1958 and finished it in 1959 about the time we added Hawaii and Alaska. Poor gal probably felt it was no longer valid and tucked it away for sixty years!!! Anyhow, we were 48 states from 1912 to 1959. Each state is represented and each state's flower is embroidered on a panel of the quilt. No reserve.

840 / 1073
A very large quilt top in excellent condition. We added Alaska and Hawaii in 1959 so it is fair to assume someone started this quilt in the 1940's or 1950's. Who knows, maybe she started sewing it in 1958 and finished it in 1959 about the time we added Hawaii and Alaska. Poor gal probably felt it was no longer valid and tucked it away for sixty years!!! Anyhow, we were 48 states from 1912 to 1959. Each state is represented and each state's flower is embroidered on a panel of the quilt. No reserve.

841 / 1073
Compact size, oil-free pump removes water down to 1/8 in. of surface Corrosion resistant, sealed thermoplastic construction Fully submersible Max. flow rate is 660 Gallons Per Hour; 360 GPH at 5 ft. of discharge lift 3/4 in. garden hose adapter at discharge For removing water from aquariums, clogged sinks, rain barrels

842 / 1073
Approximately 6' x 9' pre-owned area rug in good condition, but has a couple spots. No tags or markings, but looks to be a higher quality rug.

843 / 1073
Approximately 6' x 9' pre-owned area rug in good condition, but has a couple spots. No tags or markings, but looks to be a higher quality rug.

844 / 1073
Approximately 6' x 9' pre-owned area rug in good condition, but has a couple spots. No tags or markings, but looks to be a higher quality rug.

845 / 1073
Approximately 6' x 9' pre-owned area rug in good condition, but has a couple spots. No tags or markings, but looks to be a higher quality rug.

846 / 1073
Several dozen drill bits, wrenches, sockets...most of it Craftsman which has a lifetime warranty. These tools are expensive! Comes with the All American toolbox. No reserve!

847 / 1073
Several dozen drill bits, wrenches, sockets...most of it Craftsman which has a lifetime warranty. These tools are expensive! Comes with the All American toolbox. No reserve!

848 / 1073
Several dozen drill bits, wrenches, sockets...most of it Craftsman which has a lifetime warranty. These tools are expensive! Comes with the All American toolbox. No reserve!

849 / 1073
Several dozen drill bits, wrenches, sockets...most of it Craftsman which has a lifetime warranty. These tools are expensive! Comes with the All American toolbox. No reserve!

850 / 1073
Several dozen drill bits, wrenches, sockets...most of it Craftsman which has a lifetime warranty. These tools are expensive! Comes with the All American toolbox. No reserve!

851 / 1073
Several dozen drill bits, wrenches, sockets...most of it Craftsman which has a lifetime warranty. These tools are expensive! Comes with the All American toolbox. No reserve!

852 / 1073
Several dozen drill bits, wrenches, sockets...most of it Craftsman which has a lifetime warranty. These tools are expensive! Comes with the All American toolbox. No reserve!

853 / 1073
Several dozen drill bits, wrenches, sockets...most of it Craftsman which has a lifetime warranty. These tools are expensive! Comes with the All American toolbox. No reserve!

854 / 1073
Gorgeous framed mirror (office items in reflection not included). Small area rug (measures 6'3" x 3'11". There are no identifying marks on rug, but looks to be high quality and in excellent condition. Floor lamp. Low reserve.

855 / 1073
Large American flag, Air Force plate, Coast Guard pillow and cast iron eagle with other misc items pictured.

856 / 1073
Nolan N100 Motorcycle Motocross Helmet w Smart Lift Visor N100E Medium Grey. Excellent condition. Size Men's XL Please email or text any questions.

857 / 1073
Two drawer file cabinet with 40+ hanging file folders., Royal shredder, clip board, stapler, envelopes and misc...

858 / 1073
Coolant, polishes, wax, oil, carb cleaner, armoral, lubricant, rags, rain, white lithium, air filters, belt dressing....oh! And a palm polisher! No reserve.

859 / 1073
Chartreuse patterned area rug. Size is 11'9" x 8'8" (basically a 9 x 12). Moderate blemishes and one small snag at a corner. Very confident it will clean beautifully. Looks to have been purchased at Wayfair, Pottery Barn or Pier One...not sure, but it wasn't cheap. No reserve.

860 / 1073
Chartreuse patterned area rug. Size is 11'9" x 8'8" (basically a 9 x 12). Moderate blemishes and one small snag at a corner. Very confident it will clean beautifully. Looks to have been purchased at Wayfair, Pottery Barn or Pier One...not sure, but it wasn't cheap. No reserve.

861 / 1073
Chartreuse patterned area rug. Size is 11'9" x 8'8" (basically a 9 x 12). Moderate blemishes and one small snag at a corner. Very confident it will clean beautifully. Looks to have been purchased at Wayfair, Pottery Barn or Pier One...not sure, but it wasn't cheap. No reserve.

862 / 1073
Chartreuse patterned area rug. Size is 11'9" x 8'8" (basically a 9 x 12). Moderate blemishes and one small snag at a corner. Very confident it will clean beautifully. Looks to have been purchased at Wayfair, Pottery Barn or Pier One...not sure, but it wasn't cheap. No reserve.

863 / 1073
Chartreuse patterned area rug. Size is 11'9" x 8'8" (basically a 9 x 12). Moderate blemishes and one small snag at a corner. Very confident it will clean beautifully. Looks to have been purchased at Wayfair, Pottery Barn or Pier One...not sure, but it wasn't cheap. No reserve.

864 / 1073
Chartreuse patterned area rug. Size is 11'9" x 8'8" (basically a 9 x 12). Moderate blemishes and one small snag at a corner. Very confident it will clean beautifully. Looks to have been purchased at Wayfair, Pottery Barn or Pier One...not sure, but it wasn't cheap. No reserve.

865 / 1073
Chartreuse patterned area rug. Size is 11'9" x 8'8" (basically a 9 x 12). Moderate blemishes and one small snag at a corner. Very confident it will clean beautifully. Looks to have been purchased at Wayfair, Pottery Barn or Pier One...not sure, but it wasn't cheap. No reserve.

866 / 1073
Chartreuse patterned area rug. Size is 11'9" x 8'8" (basically a 9 x 12). Moderate blemishes and one small snag at a corner. Very confident it will clean beautifully. Looks to have been purchased at Wayfair, Pottery Barn or Pier One...not sure, but it wasn't cheap. No reserve.

867 / 1073
Very good condition. Some blemishes, but when I rubbed over them with my finger nail they diminished easily. Probably just needs a cleaning. None of the blemishes looked too intimidating. Size: 8 x 10 No reserve

868 / 1073
Very good condition. Some blemishes, but when I rubbed over them with my finger nail they diminished easily. Probably just needs a cleaning. None of the blemishes looked too intimidating. Size: 8 x 10 No reserve

869 / 1073
Very good condition. Some blemishes, but when I rubbed over them with my finger nail they diminished easily. Probably just needs a cleaning. None of the blemishes looked too intimidating. Size: 8 x 10 No reserve

870 / 1073
Very good condition. Some blemishes, but when I rubbed over them with my finger nail they diminished easily. Probably just needs a cleaning. None of the blemishes looked too intimidating. Size: 8 x 10 No reserve

871 / 1073
Very good condition. Some blemishes, but when I rubbed over them with my finger nail they diminished easily. Probably just needs a cleaning. None of the blemishes looked too intimidating. Size: 8 x 10 No reserve

872 / 1073
Very good condition. Some blemishes, but when I rubbed over them with my finger nail they diminished easily. Probably just needs a cleaning. None of the blemishes looked too intimidating. Size: 8 x 10 No reserve

873 / 1073
Very good condition. Some blemishes, but when I rubbed over them with my finger nail they diminished easily. Probably just needs a cleaning. None of the blemishes looked too intimidating. Size: 8 x 10 No reserve

874 / 1073
In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

875 / 1073
In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

876 / 1073
In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

877 / 1073
In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

878 / 1073
In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

879 / 1073
In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

880 / 1073
In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

881 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

882 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

883 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

884 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

885 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

886 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

887 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

888 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

889 / 1073
Impressive rap sheet: Patents in clockmaking usually cover innovations to clockworks, the wheels and springs and escapements that together contribute to a clockâ€™s ability to keep accurate time. In the case of Elias Ingraham, founder of the 19th-century Connecticut company that bore his name, the patents he applied for concerned the design of his cases. In fact, Ingraham won 17 patents between 1853 and 1873, all protecting the design of his clocks, most of which were made to hang flat on a wall or sit on a shelf. Ingraham was able to devote his attentions to the physical look of his clocks because the technology inside them was rapidly becoming a commodity. By the middle of the 19th century, spring-driven clockworks were replacing weight-based ones, which allowed clocks to be smaller and lighter. Clocks with balance wheels no longer needed to be so tall in order to accommodate a swinging pendulum. These innovations permitted Ingraham to focus on the look of his clocks to differentiate himself from his competitors. Which is exactly what he did. In 1844, he and his brother Andrew partnered with Elisha Curtis Brewster to form Brewster & Ingrahams. The firm would become E. and A. Ingrahams Company in 1852, Elias Ingraham and Company in 1857, E. Ingraham & Company in 1861, The E. Ingraham & Company in 1881, and The E. Ingraham Company in 1885. These minor name changes might seem overly fussy, but they provide the contemporary collector of antique Ingraham clocks with a sure way to date clock styles that were produced during multiple years. The first Brewster & Ingrahams clocks were called Gothics. Some had rounded tops, and some came to a point, with sharp "steeples" on either side of the clockâ€™s dial. Competitors came up with their own variations on the steeple theme, as did Ingraham himself, whose embellishments upon his original included steeple clocks that were ringed with columns and adorned with rippled molding. Ingraham's banjo clocks, many in handsome walnut, were also fitted with springs. Ingraham shelf clocks ranged from painted timepieces richly decorated with mother-of-pearl to round Venetian and Grecian styles clad in rosewood veneer and adorned with gilt columns. Versions of these shelf clocks were also created for wallsâ€”the Ionic style was so popular that Ingraham made it from 1862 until 1924. In 1885, Eliasâ€™s son Edward took over the company and continued its innovation in clock cases. Double-dial wall and shelf clocks produced during this period told the time of day, the day of the week, and the month. As the 19th century waned, Ingraham made mantel clocks with Chinese motifs and carved dragonâ€™s feet, as well as a number of patriotic clocks depicting war heroes like Admiral Dewey and stirring civic monuments such as the Capitol Dome in Washington D. C. But Edwardâ€™s chief contribution to his familyâ€™s company was a patent that covered the application of black paint to wood to create a shiny, marble-like finish. These clocks proved very popular for the venerable firmâ€”some 200 designs were produced until the 1920s. Ingraham continued to produce wooden wall and mantle clocks until World War II. Between the wars, the company also diversified into pocket watches and wristwatches. But in 1967, Ingraham was sold to McGraw-Edison, which converted its clock factory in Bristol, Connecticut into a production facility to make fuses, which by then was a more profitable enterprise than making clocks.

890 / 1073
Oh my goodness! This is a killer jacket by Obermeyer. Get ready Cowboy fans for fall football. No stains, light use, excellent condition! No reserve.

891 / 1073
Oh my goodness! This is a killer jacket by Obermeyer. Get ready Cowboy fans for fall football. No stains, light use, excellent condition! No reserve.

892 / 1073
Oh my goodness! This is a killer jacket by Obermeyer. Get ready Cowboy fans for fall football. No stains, light use, excellent condition! No reserve.

893 / 1073
Oh my goodness! This is a killer jacket by Obermeyer. Get ready Cowboy fans for fall football. No stains, light use, excellent condition! No reserve.

894 / 1073
Oh my goodness! This is a killer jacket by Obermeyer. Get ready Cowboy fans for fall football. No stains, light use, excellent condition! No reserve.

895 / 1073
Oh my goodness! This is a killer jacket by Obermeyer. Get ready Cowboy fans for fall football. No stains, light use, excellent condition! No reserve.

896 / 1073
Classy Women's Mink Vest! Size small or medium. I am a solid size 8 with a broad back and it fit me fine. Excellent condition. No reserve.

897 / 1073
Classy Women's Mink Vest! Size small or medium. I am a solid size 8 with a broad back and it fit me fine. Excellent condition. No reserve.

898 / 1073
Classy Women's Mink Vest! Size small or medium. I am a solid size 8 with a broad back and it fit me fine. Excellent condition. No reserve.

899 / 1073
Classy Women's Mink Vest! Size small or medium. I am a solid size 8 with a broad back and it fit me fine. Excellent condition. No reserve.

900 / 1073

Photos 801 - 900 of 1073

Per page:

Prev Page Next Page

Return to Sale Details

Follow The Estate Ladies

Craigslist Code

Please note that Craigslist has stopped allowing external images as well as most html tags in their "for sale" listings. Your template will still have a full link to your sale and your sale photo gallery.

Preview your Craigslist template

Go to Craigslist and find your city.
Under For Sale, click on the Garage Sale category.
Click on the Post link in the upper right corner of the page.
Choose the Garage Sale category and then select your area. Craigslist doesn't have an Estate Sale category and this is the closest match.
Add the title of your sale and the location.
Add your email address and keep it anonymous to prevent spam.
Copy & Paste the html code below into the Posting Description text box.
Click Continue to add photos and publish your sale. You will receive a confirmation email from Craigslist to verify the sale. Activate your sale by clicking the link in your email and your done!
Craigslist allows you to re-post your ad every 48 hours. Re-post any sooner and your ad may be subject to removal.

EstateSales.org

EstateSales.org on Facebook EstateSales.org on X EstateSales.org on Instagram EstateSales.org on Pinterest Contact EstateSales.org

EstateSales.org is a leading website for advertising estate sales & hosting online estate auctions in the United States, with over 1,000,000 registered members and estate sales from over 4,000 estate sale companies and auctioneers. Our nationwide directory of estate sale companies helps people find estate liquidators near their area.

What Is an Estate Sale?
Advertise an Estate Sale
Estate Sale Companies
Estate Sale Blog
Estate Sale Company Blog
Found It On EstateSales.org

About
Sign In
Register
Newsletter Signup
Contact
Help

© 2009-Present EstateSales.org, All rights reserved.

Terms & Conditions Privacy Policy DMCA & Copyright Policy Contact Help

Create an account

Tell us what you'd like to do:

BuyBrowse, shop, and bid on items SellAdvertise your estate sale or auction company

Have an existing account? Sign In

Get estate sales near you sent to your inbox.

No ThanksRemind me later