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Two Original Screen Prints, 1972, signed AW. 13 x 19 each 801 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 802 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 803 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 804 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 805 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 806 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 807 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 808 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 809 / 1756 sold -
Two Original Screen Prints, 1972, signed AW. 13 x 19 each 810 / 1756 sold -
Helen Mitchell Original Painting of Mt. Ranier. 8 x 10 821 / 1756 sold -
Helen Mitchell Original Painting of Mt. Ranier. 8 x 10 822 / 1756 sold -
Helen Mitchell Original Painting of Mt. Ranier. 8 x 10 823 / 1756 sold -
Helen Mitchell Original Painting of Mt. Ranier. 8 x 10 824 / 1756 sold -
Helen Mitchell Original Painting of Mt. Ranier. 8 x 10 825 / 1756 sold -
Helen Mitchell Original Painting of Mt. Ranier. 8 x 10 826 / 1756 sold -
Helen Mitchell Original Painting of Mt. Ranier. 8 x 10 827 / 1756 sold -
Helen Mitchell Original Painting of Mt. Ranier. 8 x 10 828 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 829 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 830 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 831 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 832 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 833 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 834 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 835 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 836 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 837 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 838 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 839 / 1756 sold -
40 L x 27 T bought at a Seattle art store for $500.00 originally. Below is a little background information on the artist. The artwork of William Gatewood (1943-1994) combines the iconography of the East with a Western painting approach. Borrowing from Japanese traditions and form, gold or silver leaf is frequently used as background, overpainting with transparent and opaque layers playing random patterns against more geometric ones. References to flight, space and fragility are represented by structures or objects constructed from paper and wood such as kites, panels and screens. 840 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 841 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 842 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 843 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 844 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 845 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 846 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 847 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 848 / 1756 sold -
Red Square University of Washington Campus, 1987 12.5 x 10 849 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 857 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 858 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 859 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 860 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 861 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 862 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 863 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 864 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 865 / 1756 sold -
Indonesian Rocking Horse with Decorative Plate 866 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 867 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 868 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 869 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 870 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 871 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 872 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 873 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 874 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 875 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 876 / 1756 sold -
Sheep Cookie Jar, Cow Pottery and Others 877 / 1756 sold -
Spode China, Norwegian and Mexican Pottery. 878 / 1756 -
Spode China, Norwegian and Mexican Pottery. 879 / 1756 -
Spode China, Norwegian and Mexican Pottery. 880 / 1756 -
Spode China, Norwegian and Mexican Pottery. 881 / 1756 -
Spode China, Norwegian and Mexican Pottery. 882 / 1756 -
Spode China, Norwegian and Mexican Pottery. 883 / 1756 -
Spode China, Norwegian and Mexican Pottery. 884 / 1756 -
Spode China, Norwegian and Mexican Pottery. 885 / 1756 -
Spode China, Norwegian and Mexican Pottery. 886 / 1756 -
Spode China, Norwegian and Mexican Pottery. 887 / 1756 -
Spode China, Norwegian and Mexican Pottery. 888 / 1756 -
Spode China, Norwegian and Mexican Pottery. 889 / 1756 -
Spode China, Norwegian and Mexican Pottery. 890 / 1756 -
Spode China, Norwegian and Mexican Pottery. 891 / 1756 -
Spode China, Norwegian and Mexican Pottery. 892 / 1756 -
Spode China, Norwegian and Mexican Pottery. 893 / 1756 -
Spode China, Norwegian and Mexican Pottery. 894 / 1756 -
Spode China, Norwegian and Mexican Pottery. 895 / 1756 -
Spode China, Norwegian and Mexican Pottery. 896 / 1756 -
Spode China, Norwegian and Mexican Pottery. 897 / 1756 -
Spode China, Norwegian and Mexican Pottery. 898 / 1756
Photos 801 - 900 of 1756
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