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215 Online Items

Artist: Anthony Lister Title: Bob Dylan (Original Drawing) (Drawn from a photograph at Brett Whitely's Studio) Ink and white-out 280 gsm Stonehenge paper. 11 x 4.4 inches. Who is Anthony Lister? Anthony Lister is a contemporary Australian graffiti artist, best known for his merging of high and low cultural imagery in his work. Born in 1979 in Brisbane, Australia, he studied at the Queensland College of Art. In 2002, he traveled to New York, NY where he was mentored by the painter Max Gimblett. Lister helped pioneer the street art movement in his home city as a teenager, and is considered Australias premier street artist. His scrawling, figurative style employs charcoal, acrylic, spray paint, and oil. The first rule of painting is to take everyone else out of the equation,he has said. I am the viewer, so I dont underestimate my viewers. They see everything and I just have to assume that they are me. I cant paint for anyone else. His exhibitions include those held at the New Image Art Gallery in Los Angeles, Robert Fontaine Gallery in Miami, and Black Art Projects in Melbourne. Lister currently lives and works in Sydney, Australia.

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Artist: Anthony Lister Title: Bob Dylan (Original Drawing) (Drawn from a photograph at Brett Whitely's Studio) Ink and white-out 280 gsm Stonehenge paper. 11 x 4.4 inches. Who is Anthony Lister? Anthony Lister is a contemporary Australian graffiti artist, best known for his merging of high and low cultural imagery in his work. Born in 1979 in Brisbane, Australia, he studied at the Queensland College of Art. In 2002, he traveled to New York, NY where he was mentored by the painter Max Gimblett. Lister helped pioneer the street art movement in his home city as a teenager, and is considered Australias premier street artist. His scrawling, figurative style employs charcoal, acrylic, spray paint, and oil. The first rule of painting is to take everyone else out of the equation,he has said. I am the viewer, so I dont underestimate my viewers. They see everything and I just have to assume that they are me. I cant paint for anyone else. His exhibitions include those held at the New Image Art Gallery in Los Angeles, Robert Fontaine Gallery in Miami, and Black Art Projects in Melbourne. Lister currently lives and works in Sydney, Australia.

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Artist: Anthony Lister Title: Bob Dylan (Original Drawing) (Drawn from a photograph at Brett Whitely's Studio) Ink and white-out 280 gsm Stonehenge paper. 11 x 4.4 inches. Who is Anthony Lister? Anthony Lister is a contemporary Australian graffiti artist, best known for his merging of high and low cultural imagery in his work. Born in 1979 in Brisbane, Australia, he studied at the Queensland College of Art. In 2002, he traveled to New York, NY where he was mentored by the painter Max Gimblett. Lister helped pioneer the street art movement in his home city as a teenager, and is considered Australias premier street artist. His scrawling, figurative style employs charcoal, acrylic, spray paint, and oil. The first rule of painting is to take everyone else out of the equation,he has said. I am the viewer, so I dont underestimate my viewers. They see everything and I just have to assume that they are me. I cant paint for anyone else. His exhibitions include those held at the New Image Art Gallery in Los Angeles, Robert Fontaine Gallery in Miami, and Black Art Projects in Melbourne. Lister currently lives and works in Sydney, Australia.

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Artist: Anthony Lister Title: Bob Dylan (Original Drawing) (Drawn from a photograph at Brett Whitely's Studio) Ink and white-out 280 gsm Stonehenge paper. 11 x 4.4 inches. Who is Anthony Lister? Anthony Lister is a contemporary Australian graffiti artist, best known for his merging of high and low cultural imagery in his work. Born in 1979 in Brisbane, Australia, he studied at the Queensland College of Art. In 2002, he traveled to New York, NY where he was mentored by the painter Max Gimblett. Lister helped pioneer the street art movement in his home city as a teenager, and is considered Australias premier street artist. His scrawling, figurative style employs charcoal, acrylic, spray paint, and oil. The first rule of painting is to take everyone else out of the equation,he has said. I am the viewer, so I dont underestimate my viewers. They see everything and I just have to assume that they are me. I cant paint for anyone else. His exhibitions include those held at the New Image Art Gallery in Los Angeles, Robert Fontaine Gallery in Miami, and Black Art Projects in Melbourne. Lister currently lives and works in Sydney, Australia.

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Artist: Anthony Lister Title: Bob Dylan (Original Drawing) (Drawn from a photograph at Brett Whitely's Studio) Ink and white-out 280 gsm Stonehenge paper. 11 x 4.4 inches. Who is Anthony Lister? Anthony Lister is a contemporary Australian graffiti artist, best known for his merging of high and low cultural imagery in his work. Born in 1979 in Brisbane, Australia, he studied at the Queensland College of Art. In 2002, he traveled to New York, NY where he was mentored by the painter Max Gimblett. Lister helped pioneer the street art movement in his home city as a teenager, and is considered Australias premier street artist. His scrawling, figurative style employs charcoal, acrylic, spray paint, and oil. The first rule of painting is to take everyone else out of the equation,he has said. I am the viewer, so I dont underestimate my viewers. They see everything and I just have to assume that they are me. I cant paint for anyone else. His exhibitions include those held at the New Image Art Gallery in Los Angeles, Robert Fontaine Gallery in Miami, and Black Art Projects in Melbourne. Lister currently lives and works in Sydney, Australia.

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Artist: Fin DAC Title: Fanhui 2021. 148 mm x 105 mm (A6). Limited edition of 100. Giclee Print on Hahnemuhle German Etching. Hand-signed and numbered on the front by the artist. Born in Cork, Ireland, but actively plying his trade worldwide, Fin DAC is a self-taught, non-conformist urban artist who has defined and perfected an atypical spray paint style he has dubbed Urban Aesthetics. Through his work, the artist explores themes related to female emancipation and empowerment, readjusting the male gaze and disrupting colonialist attitudes particularly surrounding the Eastern experience. His recent print release, Velveteen with West Contemporary Editions was an instant sell-out, followed by Project 24 - 24 artworks sold over a period of 24 hours, one per hour also proving a sensational success, with the longest time an artwork took to sell being just 9 minutes after it was published. Fin is known on a global scale for his depictions of Eurasian women and is inspired by traditional and ceremonial dressing, in which these subjects engage. His work, on walls, paper, wood and metal crafts a narrative that celebrates their sensuality with cultural sensitivity, rather than appropriation. When he works in an outdoor context, the women Fin DAC paints are often large and commanding, claiming ownership over their urban environment. Although his murals are present in countries and continents all over the globe, Fin DAC remains very much an outsider of the street art scene.

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Artist: Fin DAC Title: Fanhui 2021. 148 mm x 105 mm (A6). Limited edition of 100. Giclee Print on Hahnemuhle German Etching. Hand-signed and numbered on the front by the artist. Born in Cork, Ireland, but actively plying his trade worldwide, Fin DAC is a self-taught, non-conformist urban artist who has defined and perfected an atypical spray paint style he has dubbed Urban Aesthetics. Through his work, the artist explores themes related to female emancipation and empowerment, readjusting the male gaze and disrupting colonialist attitudes particularly surrounding the Eastern experience. His recent print release, Velveteen with West Contemporary Editions was an instant sell-out, followed by Project 24 - 24 artworks sold over a period of 24 hours, one per hour also proving a sensational success, with the longest time an artwork took to sell being just 9 minutes after it was published. Fin is known on a global scale for his depictions of Eurasian women and is inspired by traditional and ceremonial dressing, in which these subjects engage. His work, on walls, paper, wood and metal crafts a narrative that celebrates their sensuality with cultural sensitivity, rather than appropriation. When he works in an outdoor context, the women Fin DAC paints are often large and commanding, claiming ownership over their urban environment. Although his murals are present in countries and continents all over the globe, Fin DAC remains very much an outsider of the street art scene.

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Artist: Fin DAC Title: Fanhui 2021. 148 mm x 105 mm (A6). Limited edition of 100. Giclee Print on Hahnemuhle German Etching. Hand-signed and numbered on the front by the artist. Born in Cork, Ireland, but actively plying his trade worldwide, Fin DAC is a self-taught, non-conformist urban artist who has defined and perfected an atypical spray paint style he has dubbed Urban Aesthetics. Through his work, the artist explores themes related to female emancipation and empowerment, readjusting the male gaze and disrupting colonialist attitudes particularly surrounding the Eastern experience. His recent print release, Velveteen with West Contemporary Editions was an instant sell-out, followed by Project 24 - 24 artworks sold over a period of 24 hours, one per hour also proving a sensational success, with the longest time an artwork took to sell being just 9 minutes after it was published. Fin is known on a global scale for his depictions of Eurasian women and is inspired by traditional and ceremonial dressing, in which these subjects engage. His work, on walls, paper, wood and metal crafts a narrative that celebrates their sensuality with cultural sensitivity, rather than appropriation. When he works in an outdoor context, the women Fin DAC paints are often large and commanding, claiming ownership over their urban environment. Although his murals are present in countries and continents all over the globe, Fin DAC remains very much an outsider of the street art scene.

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Artist: Fin DAC Title: Fanhui 2021. 148 mm x 105 mm (A6). Limited edition of 100. Giclee Print on Hahnemuhle German Etching. Hand-signed and numbered on the front by the artist. Born in Cork, Ireland, but actively plying his trade worldwide, Fin DAC is a self-taught, non-conformist urban artist who has defined and perfected an atypical spray paint style he has dubbed Urban Aesthetics. Through his work, the artist explores themes related to female emancipation and empowerment, readjusting the male gaze and disrupting colonialist attitudes particularly surrounding the Eastern experience. His recent print release, Velveteen with West Contemporary Editions was an instant sell-out, followed by Project 24 - 24 artworks sold over a period of 24 hours, one per hour also proving a sensational success, with the longest time an artwork took to sell being just 9 minutes after it was published. Fin is known on a global scale for his depictions of Eurasian women and is inspired by traditional and ceremonial dressing, in which these subjects engage. His work, on walls, paper, wood and metal crafts a narrative that celebrates their sensuality with cultural sensitivity, rather than appropriation. When he works in an outdoor context, the women Fin DAC paints are often large and commanding, claiming ownership over their urban environment. Although his murals are present in countries and continents all over the globe, Fin DAC remains very much an outsider of the street art scene.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Artist: Maria Luisa Azzini Title: Illusion of Florence Hand Painted Giclee Year: 2021 Signature: Hand signed Edition: 1 Total dimensions: 32 x 1.5 x 32 cm Maria is a contemporary urban-funky artist. Her work is all about an imaginary world in a parallel dimension with UFOs, little televisions and messages. . She was born in Florence, Italy and decided to move to London in 2001. This artwork is part of a series of individuals Hand Painted high quality Fine Art giclee prints on watercolor paper. It's original and fresh now. Maria has used fluorescent colours and acrylics to add many more details. It looks super vibrant in the flesh! In this piece she has added three of her iconic UFOs and a futuristic helicopter. One Ufo is on the mount! It represents the amazing Florence in a world where everybody is free and full of love. It comes with a quality brand new black frame with glass and a soft white acid free mount made in UK. Number 1 of its kind. Ready to hang on the wall. Signed at the back and front.

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Bambi - Lockdown Edition 'protest' Release Wheels On Fire Size: 40cm x 40 cm. Hand spray on paper. Hand signed by BAMBI. Comes with a COA. Edition of 25. Bambi is the pseudonym of a contemporary British street artist known as the female Banksy. Bambi employs representational imagery to offer social commentary and address political concerns, she often uses the depiction of notable contemporary figures such as artist Ai Weiwei, the late British singer Amy Winehouse, or football star David Beckham. The artists work focuses on contemporary female identity and its relationship to patriarchal culture, the commodification of the art world, and political injustices. Being an artist is about creative freedom, she said. I want to save the world and thats why social commentary is always present in my work. Its easy to live with your eyes shut but thats not fulfilling or helpful to the world. Born c. 1982 in the United Kingdom, she has been an active graffiti artist in the Islington neighborhood of London since her youth. Bambis work is just as likely to adorn city streets as it is the walls of her celebrity collectors, which include Rihanna, Brad Pitt, and Adele. Her works are known to have fetched upwards of 100,000 Pounds. Though little is known about this anonymous artist, she graduated with an MA from Saint Martins College and continues to live and work in London, United Kingdom.

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Bambi - Lockdown Edition 'protest' Release Wheels On Fire Size: 40cm x 40 cm. Hand spray on paper. Hand signed by BAMBI. Comes with a COA. Edition of 25. Bambi is the pseudonym of a contemporary British street artist known as the female Banksy. Bambi employs representational imagery to offer social commentary and address political concerns, she often uses the depiction of notable contemporary figures such as artist Ai Weiwei, the late British singer Amy Winehouse, or football star David Beckham. The artists work focuses on contemporary female identity and its relationship to patriarchal culture, the commodification of the art world, and political injustices. Being an artist is about creative freedom, she said. I want to save the world and thats why social commentary is always present in my work. Its easy to live with your eyes shut but thats not fulfilling or helpful to the world. Born c. 1982 in the United Kingdom, she has been an active graffiti artist in the Islington neighborhood of London since her youth. Bambis work is just as likely to adorn city streets as it is the walls of her celebrity collectors, which include Rihanna, Brad Pitt, and Adele. Her works are known to have fetched upwards of 100,000 Pounds. Though little is known about this anonymous artist, she graduated with an MA from Saint Martins College and continues to live and work in London, United Kingdom.

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Bambi - Lockdown Edition 'protest' Release Wheels On Fire Size: 40cm x 40 cm. Hand spray on paper. Hand signed by BAMBI. Comes with a COA. Edition of 25. Bambi is the pseudonym of a contemporary British street artist known as the female Banksy. Bambi employs representational imagery to offer social commentary and address political concerns, she often uses the depiction of notable contemporary figures such as artist Ai Weiwei, the late British singer Amy Winehouse, or football star David Beckham. The artists work focuses on contemporary female identity and its relationship to patriarchal culture, the commodification of the art world, and political injustices. Being an artist is about creative freedom, she said. I want to save the world and thats why social commentary is always present in my work. Its easy to live with your eyes shut but thats not fulfilling or helpful to the world. Born c. 1982 in the United Kingdom, she has been an active graffiti artist in the Islington neighborhood of London since her youth. Bambis work is just as likely to adorn city streets as it is the walls of her celebrity collectors, which include Rihanna, Brad Pitt, and Adele. Her works are known to have fetched upwards of 100,000 Pounds. Though little is known about this anonymous artist, she graduated with an MA from Saint Martins College and continues to live and work in London, United Kingdom.

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Bambi - Lockdown Edition 'protest' Release Wheels On Fire Size: 40cm x 40 cm. Hand spray on paper. Hand signed by BAMBI. Comes with a COA. Edition of 25. Bambi is the pseudonym of a contemporary British street artist known as the female Banksy. Bambi employs representational imagery to offer social commentary and address political concerns, she often uses the depiction of notable contemporary figures such as artist Ai Weiwei, the late British singer Amy Winehouse, or football star David Beckham. The artists work focuses on contemporary female identity and its relationship to patriarchal culture, the commodification of the art world, and political injustices. Being an artist is about creative freedom, she said. I want to save the world and thats why social commentary is always present in my work. Its easy to live with your eyes shut but thats not fulfilling or helpful to the world. Born c. 1982 in the United Kingdom, she has been an active graffiti artist in the Islington neighborhood of London since her youth. Bambis work is just as likely to adorn city streets as it is the walls of her celebrity collectors, which include Rihanna, Brad Pitt, and Adele. Her works are known to have fetched upwards of 100,000 Pounds. Though little is known about this anonymous artist, she graduated with an MA from Saint Martins College and continues to live and work in London, United Kingdom.

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Artist: Russell Shaw Higgs Title: Pink Pedestrians 12345 Archival Inkjet on Somerset Satin Enhanced 330gsm Paper Edition of 50 Signed and numbered. Size: 48 x 27 cm About the Artist: Russell Shaw Higgs was born in 1960 in Oswestry Army Camp. He is named after two of his fathers favourite men, Bertrand Russell and George Bernard Shaw. Predominantly based in London, he has a broad and diverse history as an artist and political activist. In the early 80s post-punk band Wicked Kitchen Staff, Russell sang and redistributed shoplifted gifts amongst the audiences. In the late 80s he was heavily engaged as a frontline civil disobedience activist with a number of campaigns including ACT-UP London and Outrage. The early 90s saw Russell flirting with Contemporary Dance, in performances at the ICA & The Place. Russell has lived a fiercely self directed and uncompromising life. Burning many many bridges along the way. Not always making the wisest or most practical choices. He regularly compares the option of death against whatever other choices are on offer to him, in order to be clear about what he is and is not prepared to do. He is by default an optimist.

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Artist: Russell Shaw Higgs Title: Pink Pedestrians 12345 Archival Inkjet on Somerset Satin Enhanced 330gsm Paper Edition of 50 Signed and numbered. Size: 48 x 27 cm About the Artist: Russell Shaw Higgs was born in 1960 in Oswestry Army Camp. He is named after two of his fathers favourite men, Bertrand Russell and George Bernard Shaw. Predominantly based in London, he has a broad and diverse history as an artist and political activist. In the early 80s post-punk band Wicked Kitchen Staff, Russell sang and redistributed shoplifted gifts amongst the audiences. In the late 80s he was heavily engaged as a frontline civil disobedience activist with a number of campaigns including ACT-UP London and Outrage. The early 90s saw Russell flirting with Contemporary Dance, in performances at the ICA & The Place. Russell has lived a fiercely self directed and uncompromising life. Burning many many bridges along the way. Not always making the wisest or most practical choices. He regularly compares the option of death against whatever other choices are on offer to him, in order to be clear about what he is and is not prepared to do. He is by default an optimist.

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Artist: Russell Shaw Higgs Title: Pink Pedestrians 12345 Archival Inkjet on Somerset Satin Enhanced 330gsm Paper Edition of 50 Signed and numbered. Size: 48 x 27 cm About the Artist: Russell Shaw Higgs was born in 1960 in Oswestry Army Camp. He is named after two of his fathers favourite men, Bertrand Russell and George Bernard Shaw. Predominantly based in London, he has a broad and diverse history as an artist and political activist. In the early 80s post-punk band Wicked Kitchen Staff, Russell sang and redistributed shoplifted gifts amongst the audiences. In the late 80s he was heavily engaged as a frontline civil disobedience activist with a number of campaigns including ACT-UP London and Outrage. The early 90s saw Russell flirting with Contemporary Dance, in performances at the ICA & The Place. Russell has lived a fiercely self directed and uncompromising life. Burning many many bridges along the way. Not always making the wisest or most practical choices. He regularly compares the option of death against whatever other choices are on offer to him, in order to be clear about what he is and is not prepared to do. He is by default an optimist.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: AE2381 Title: Skyline Mixed media - Hand signed - 2021 Dimensions: 41 x 30 cm Year: 2021 Signed by the artist & PajaresArt Gallery Stamp in the back of the artwork. Mixed media on High quality 300g/m2 (100% cotton) Paper Delivered with a certificate of authenticity. About AE2381 Inspired deeply by the conceptual art movement, his graphic imagery is based on the dirty, dark and raw street art, wildly show technical and engineering artefacts emerging from some dark place ; All get the classic street dirty and minimalist treatment which AE2381 loves, which in a way is reminiscent from the graphic design from classic skateboards in the 1980s and 1990s. In AE2381 artworks the space left to the emptiness is a constant. Whether you adhere to the idea of the void or not, the works of AE2381, gives you a sense of relieve as balance in the artwork is always under control. In the end, the experience in seeing one of his works is a sense of an unfinished raw piece, inspired by the traditional Japanese aesthetics concept of wabi-sabi, the world view focused on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is imperfect, impermanent, and incomplete in nature.

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Artist: Russell Shaw Higgs Title: Red Pedestrians 12345 Edition of 50. Archival Inkjet on Somerset Satin Enhanced 330gsm Paper Signed and numbered. Size: 48 x 27 cm About the Artist: Russell Shaw Higgs was born in 1960 in Oswestry Army Camp. He is named after two of his fathers favourite men, Bertrand Russell and George Bernard Shaw. Predominantly based in London, he has a broad and diverse history as an artist and political activist. In the early 80s post-punk band Wicked Kitchen Staff, Russell sang and redistributed shoplifted gifts amongst the audiences. In the late 80s he was heavily engaged as a frontline civil disobedience activist with a number of campaigns including ACT-UP London and Outrage. The early 90s saw Russell flirting with Contemporary Dance, in performances at the ICA & The Place. Russell has lived a fiercely self directed and uncompromising life. Burning many many bridges along the way. Not always making the wisest or most practical choices. He regularly compares the option of death against whatever other choices are on offer to him, in order to be clear about what he is and is not prepared to do. He is by default an optimist.

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Artist: Russell Shaw Higgs Title: Red Pedestrians 12345 Edition of 50. Archival Inkjet on Somerset Satin Enhanced 330gsm Paper Signed and numbered. Size: 48 x 27 cm About the Artist: Russell Shaw Higgs was born in 1960 in Oswestry Army Camp. He is named after two of his fathers favourite men, Bertrand Russell and George Bernard Shaw. Predominantly based in London, he has a broad and diverse history as an artist and political activist. In the early 80s post-punk band Wicked Kitchen Staff, Russell sang and redistributed shoplifted gifts amongst the audiences. In the late 80s he was heavily engaged as a frontline civil disobedience activist with a number of campaigns including ACT-UP London and Outrage. The early 90s saw Russell flirting with Contemporary Dance, in performances at the ICA & The Place. Russell has lived a fiercely self directed and uncompromising life. Burning many many bridges along the way. Not always making the wisest or most practical choices. He regularly compares the option of death against whatever other choices are on offer to him, in order to be clear about what he is and is not prepared to do. He is by default an optimist.

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Artist: Russell Shaw Higgs Title: Red Pedestrians 12345 Edition of 50. Archival Inkjet on Somerset Satin Enhanced 330gsm Paper Signed and numbered. Size: 48 x 27 cm About the Artist: Russell Shaw Higgs was born in 1960 in Oswestry Army Camp. He is named after two of his fathers favourite men, Bertrand Russell and George Bernard Shaw. Predominantly based in London, he has a broad and diverse history as an artist and political activist. In the early 80s post-punk band Wicked Kitchen Staff, Russell sang and redistributed shoplifted gifts amongst the audiences. In the late 80s he was heavily engaged as a frontline civil disobedience activist with a number of campaigns including ACT-UP London and Outrage. The early 90s saw Russell flirting with Contemporary Dance, in performances at the ICA & The Place. Russell has lived a fiercely self directed and uncompromising life. Burning many many bridges along the way. Not always making the wisest or most practical choices. He regularly compares the option of death against whatever other choices are on offer to him, in order to be clear about what he is and is not prepared to do. He is by default an optimist.

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Artist: Pure Evil Title: Greta Garbo Size: 35 x 50 cm 1 Colour Screen Print Signed and numbered. Edition of 100 Hand screenprinted by Pure Evil on our new 6 station screenprinting carousel. Greta Garbo - (born Greta Lovisa Gustafsson; 18 September 1905 - 15 April 1990) was a Swedish-born American actress. She was known for her melancholic, somber persona due to her many film portrayals of tragic characters and for her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. About Pure Evil: To understand a bit about Pure Evil it is illuminating to know that he is a descendant of Sir Thomas More, the Lord Chancellor who wrote the controversial work Utopia and who was later beheaded by King Henry VIII. With this busy background (Sir Thomas was later canonised) it is only natural that Pure Evil should explore the darker side of the wreckage of Utopian dreams and the myth of the Apocalypse, a belief in the life-changing event that brings history with all its conflicts to an end. In 1990 PURE EVIL left the Poll Tax Riots of London behind and went to live in California where he spent 10 years ingesting weapons grade psychedelics , thinking about stuff , making electronic music and printing t-shirts . Inspired by skateboard culture and the west coast character graffiti of Twist he returned to London and picked up a spraycan and started painting weird fanged vampire bunnies everywhere. Pure Evils ancestry is alleged to include eight saints: Vladimir the Great, Saint Anna of Russia, the Holy Martyrs Boris and Gleb, Saint Stephen of Hungary, Saint Margaret of Scotland and Saint Mathilde together with Saint Thomas More, Humbert III of Savoy and several European royal families.He was also a descendant of the Old English Chieftain Ailric, Kings Thane to Edward the Confessor, who held Cawthorne and much of South Yorkshire before the Conquest.

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Artist: Pure Evil Title: Greta Garbo Size: 35 x 50 cm 1 Colour Screen Print Signed and numbered. Edition of 100 Hand screenprinted by Pure Evil on our new 6 station screenprinting carousel. Greta Garbo - (born Greta Lovisa Gustafsson; 18 September 1905 - 15 April 1990) was a Swedish-born American actress. She was known for her melancholic, somber persona due to her many film portrayals of tragic characters and for her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. About Pure Evil: To understand a bit about Pure Evil it is illuminating to know that he is a descendant of Sir Thomas More, the Lord Chancellor who wrote the controversial work Utopia and who was later beheaded by King Henry VIII. With this busy background (Sir Thomas was later canonised) it is only natural that Pure Evil should explore the darker side of the wreckage of Utopian dreams and the myth of the Apocalypse, a belief in the life-changing event that brings history with all its conflicts to an end. In 1990 PURE EVIL left the Poll Tax Riots of London behind and went to live in California where he spent 10 years ingesting weapons grade psychedelics , thinking about stuff , making electronic music and printing t-shirts . Inspired by skateboard culture and the west coast character graffiti of Twist he returned to London and picked up a spraycan and started painting weird fanged vampire bunnies everywhere. Pure Evils ancestry is alleged to include eight saints: Vladimir the Great, Saint Anna of Russia, the Holy Martyrs Boris and Gleb, Saint Stephen of Hungary, Saint Margaret of Scotland and Saint Mathilde together with Saint Thomas More, Humbert III of Savoy and several European royal families.He was also a descendant of the Old English Chieftain Ailric, Kings Thane to Edward the Confessor, who held Cawthorne and much of South Yorkshire before the Conquest.

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Artist: Pure Evil Title: Greta Garbo Size: 35 x 50 cm 1 Colour Screen Print Signed and numbered. Edition of 100 Hand screenprinted by Pure Evil on our new 6 station screenprinting carousel. Greta Garbo - (born Greta Lovisa Gustafsson; 18 September 1905 - 15 April 1990) was a Swedish-born American actress. She was known for her melancholic, somber persona due to her many film portrayals of tragic characters and for her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. About Pure Evil: To understand a bit about Pure Evil it is illuminating to know that he is a descendant of Sir Thomas More, the Lord Chancellor who wrote the controversial work Utopia and who was later beheaded by King Henry VIII. With this busy background (Sir Thomas was later canonised) it is only natural that Pure Evil should explore the darker side of the wreckage of Utopian dreams and the myth of the Apocalypse, a belief in the life-changing event that brings history with all its conflicts to an end. In 1990 PURE EVIL left the Poll Tax Riots of London behind and went to live in California where he spent 10 years ingesting weapons grade psychedelics , thinking about stuff , making electronic music and printing t-shirts . Inspired by skateboard culture and the west coast character graffiti of Twist he returned to London and picked up a spraycan and started painting weird fanged vampire bunnies everywhere. Pure Evils ancestry is alleged to include eight saints: Vladimir the Great, Saint Anna of Russia, the Holy Martyrs Boris and Gleb, Saint Stephen of Hungary, Saint Margaret of Scotland and Saint Mathilde together with Saint Thomas More, Humbert III of Savoy and several European royal families.He was also a descendant of the Old English Chieftain Ailric, Kings Thane to Edward the Confessor, who held Cawthorne and much of South Yorkshire before the Conquest.

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SHEPARD FAIREY ( OBEY ) Handsigned Serigraph. Limited edition numbered on 450. Size (Paper) : 60 x 45 cm Biography of SHEPARD FAIREY ( OBEY ) Shepard Fairey is one of the most famous street artists in the world and is often called "Obey" in reference to "Obey Giant" of the artistic series that he launched in 1998. "Obey" was an inscription he associated with the stylized face of the French-born wrestler AndrÃ© the giant. Today, this symbol is on all the works of Shepard Fairey. His style inspired by propaganda posters of the USSR is recognizable by all and his commitments are numerous in both politics and the environment.

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Title: SUPER MAN KNEELING TO HERMES Artist: MR CLEVER ART Size: APPROXIMATELY 24 x 24 INCHES WITH 4 ARTIST HAND DECKLED EDGES. Specs: ARCHIVAL PIGMENT FINE ART PRINT ON LUXURY RAG FINE ART PAPER. Edition: 100 Signed: Signed Year: 2019 SUPER MAN KNEELING TO HERMES is made with a LUXURY hero of POP to it! Ã¢â‚¬Â¨This artwork is part of the Artist's Ongoing JUXTAPop: Superhero Lucid Dreams Series. It was created using a multitude of art techniques such as paint, spray paint, digital manipulation, oil, ink, illustration, drawing and digital illustration, stencil and more went into creating this wonderful artwork. Who is MR. CLEVER? Known as Mr. Clever Art in the art world and strongly emerging in the Contemporary Pop Art scene. Born in New York and currently living in Los Angeles, California, Mr Clever Art is most known for his unique way of fusing bright colors with luxury merchandise such as Louis Vuitton or Chanel. Mr. Clever Art uses a random artistic and eclectic creativity of Pop Art fused with Juxtaposition, abstract lines, and dots to make up most of his Contemporary art. His artwork is quickly and covertly being scooped up by art collectors, art investors and art galleries around the world.

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Title: SUPER MAN KNEELING TO HERMES Artist: MR CLEVER ART Size: APPROXIMATELY 24 x 24 INCHES WITH 4 ARTIST HAND DECKLED EDGES. Specs: ARCHIVAL PIGMENT FINE ART PRINT ON LUXURY RAG FINE ART PAPER. Edition: 100 Signed: Signed Year: 2019 SUPER MAN KNEELING TO HERMES is made with a LUXURY hero of POP to it! Ã¢â‚¬Â¨This artwork is part of the Artist's Ongoing JUXTAPop: Superhero Lucid Dreams Series. It was created using a multitude of art techniques such as paint, spray paint, digital manipulation, oil, ink, illustration, drawing and digital illustration, stencil and more went into creating this wonderful artwork. Who is MR. CLEVER? Known as Mr. Clever Art in the art world and strongly emerging in the Contemporary Pop Art scene. Born in New York and currently living in Los Angeles, California, Mr Clever Art is most known for his unique way of fusing bright colors with luxury merchandise such as Louis Vuitton or Chanel. Mr. Clever Art uses a random artistic and eclectic creativity of Pop Art fused with Juxtaposition, abstract lines, and dots to make up most of his Contemporary art. His artwork is quickly and covertly being scooped up by art collectors, art investors and art galleries around the world.

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Title: SUPER MAN KNEELING TO HERMES Artist: MR CLEVER ART Size: APPROXIMATELY 24 x 24 INCHES WITH 4 ARTIST HAND DECKLED EDGES. Specs: ARCHIVAL PIGMENT FINE ART PRINT ON LUXURY RAG FINE ART PAPER. Edition: 100 Signed: Signed Year: 2019 SUPER MAN KNEELING TO HERMES is made with a LUXURY hero of POP to it! Ã¢â‚¬Â¨This artwork is part of the Artist's Ongoing JUXTAPop: Superhero Lucid Dreams Series. It was created using a multitude of art techniques such as paint, spray paint, digital manipulation, oil, ink, illustration, drawing and digital illustration, stencil and more went into creating this wonderful artwork. Who is MR. CLEVER? Known as Mr. Clever Art in the art world and strongly emerging in the Contemporary Pop Art scene. Born in New York and currently living in Los Angeles, California, Mr Clever Art is most known for his unique way of fusing bright colors with luxury merchandise such as Louis Vuitton or Chanel. Mr. Clever Art uses a random artistic and eclectic creativity of Pop Art fused with Juxtaposition, abstract lines, and dots to make up most of his Contemporary art. His artwork is quickly and covertly being scooped up by art collectors, art investors and art galleries around the world.

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Artist: Imbue Title: The Patience of a Saint Signed and numbered Limited Edition Of 500. Includes certificate of authenticity. From the 24 hour art club by Imbue. Size approx: 42 x 30 cm. Imbue jumped to fame as being one of the artist commissioned by Banksy to contribute to Dismaland in 2015. Ever since his work sells out in minutes.

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Artist: Imbue Title: The Patience of a Saint Signed and numbered Limited Edition Of 500. Includes certificate of authenticity. From the 24 hour art club by Imbue. Size approx: 42 x 30 cm. Imbue jumped to fame as being one of the artist commissioned by Banksy to contribute to Dismaland in 2015. Ever since his work sells out in minutes.

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Artist: Imbue Title: The Patience of a Saint Signed and numbered Limited Edition Of 500. Includes certificate of authenticity. From the 24 hour art club by Imbue. Size approx: 42 x 30 cm. Imbue jumped to fame as being one of the artist commissioned by Banksy to contribute to Dismaland in 2015. Ever since his work sells out in minutes.

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Picture comes with Certificate of authenticity (COA) Signed and numbered By Imbue Limited To 500 Prints Size Across Approximately 16.5 Inch Size Top to Bottom Approximately 11.75 Inch Certificate of authenticity included. Perfect condition. Would Look Amazing Framed I will send the picture in a poster tube By young English artist Imbue, already dubbed the new Banksy by the English press. â€œIn a thousand yearsâ€™ time, if they look back at us, will they think people worshiped Barbie?â€ â€“Imbue Perish the thought, but, just in case, thereâ€™s Imbue. Call him a smart aleck, a wisecracker, a practical joker guerilla artist. Imbue distills revisited iconography, constantly questioning images from advertising and pop culture by perverting its context. Mickey Mouse on a cross, Snow White in a cheesecake pose, installing a Steely Dan machine on Brighton Pierâ€street art is Imbueâ€™s way of mixing things up Imbue has made a name for himself in taking familiar everyday logos and imagery and manipulate them, so they make people take a closer look. After years experimenting with different styles and techniques using printing kits, markers, paints and various other materials, Imbue has finally crafted a unique style. He now produces limited edition screen prints, posters and canvas's that have been sold in Japan, America and Hawaii to name a few. He is still involved in creating street art and Imbue stickers, stencils and posters still appear overnight as he continues to adjust the streets. Nicknamed â€˜The new Banksyâ€™, Imbue does more than just writing his name on the walls. With his provocative spirit and his nastiness, this street artist distorts advertisings or army recruitment posters and even introduced a naughty Snowy White on the shelves of a Disney store. Playing with the symbols, he melts a bottle of Coca Cola in the body of the Virgin Mary, diverting the religious and popular iconography to give them a new meaning. In 2008, he set up powdered sugar dispensers, displaying "cocaine" and "heroin" on Brighton Pier, without being disturbed, questioning the public and the authorities about the drugs found on every street corner. Who is Imbue? Creating work for over 10 years, Imbueâ€™s work is exhibited and collected around the world. The artist has had solo and group exhibitions in London, Brighton, Paris, Osaka and more. His work has been featured on numerous blogs and publications including The Independent, The Times and Adbusters. He was recently featured on French/German channel Arte TV. The Worldwide postage cost is an estimate. The post may cost a little more or a little less. Please contact me if you want to buy an item and you don't live in the UK.

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Picture comes with Certificate of authenticity (COA) Signed and numbered By Imbue Limited To 500 Prints Size Across Approximately 16.5 Inch Size Top to Bottom Approximately 11.75 Inch Certificate of authenticity included. Perfect condition. Would Look Amazing Framed I will send the picture in a poster tube By young English artist Imbue, already dubbed the new Banksy by the English press. â€œIn a thousand yearsâ€™ time, if they look back at us, will they think people worshiped Barbie?â€ â€“Imbue Perish the thought, but, just in case, thereâ€™s Imbue. Call him a smart aleck, a wisecracker, a practical joker guerilla artist. Imbue distills revisited iconography, constantly questioning images from advertising and pop culture by perverting its context. Mickey Mouse on a cross, Snow White in a cheesecake pose, installing a Steely Dan machine on Brighton Pierâ€street art is Imbueâ€™s way of mixing things up Imbue has made a name for himself in taking familiar everyday logos and imagery and manipulate them, so they make people take a closer look. After years experimenting with different styles and techniques using printing kits, markers, paints and various other materials, Imbue has finally crafted a unique style. He now produces limited edition screen prints, posters and canvas's that have been sold in Japan, America and Hawaii to name a few. He is still involved in creating street art and Imbue stickers, stencils and posters still appear overnight as he continues to adjust the streets. Nicknamed â€˜The new Banksyâ€™, Imbue does more than just writing his name on the walls. With his provocative spirit and his nastiness, this street artist distorts advertisings or army recruitment posters and even introduced a naughty Snowy White on the shelves of a Disney store. Playing with the symbols, he melts a bottle of Coca Cola in the body of the Virgin Mary, diverting the religious and popular iconography to give them a new meaning. In 2008, he set up powdered sugar dispensers, displaying "cocaine" and "heroin" on Brighton Pier, without being disturbed, questioning the public and the authorities about the drugs found on every street corner. Who is Imbue? Creating work for over 10 years, Imbueâ€™s work is exhibited and collected around the world. The artist has had solo and group exhibitions in London, Brighton, Paris, Osaka and more. His work has been featured on numerous blogs and publications including The Independent, The Times and Adbusters. He was recently featured on French/German channel Arte TV. The Worldwide postage cost is an estimate. The post may cost a little more or a little less. Please contact me if you want to buy an item and you don't live in the UK.

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Picture comes with Certificate of authenticity (COA) Signed and numbered By Imbue Limited To 500 Prints Size Across Approximately 16.5 Inch Size Top to Bottom Approximately 11.75 Inch Certificate of authenticity included. Perfect condition. Would Look Amazing Framed I will send the picture in a poster tube By young English artist Imbue, already dubbed the new Banksy by the English press. â€œIn a thousand yearsâ€™ time, if they look back at us, will they think people worshiped Barbie?â€ â€“Imbue Perish the thought, but, just in case, thereâ€™s Imbue. Call him a smart aleck, a wisecracker, a practical joker guerilla artist. Imbue distills revisited iconography, constantly questioning images from advertising and pop culture by perverting its context. Mickey Mouse on a cross, Snow White in a cheesecake pose, installing a Steely Dan machine on Brighton Pierâ€street art is Imbueâ€™s way of mixing things up Imbue has made a name for himself in taking familiar everyday logos and imagery and manipulate them, so they make people take a closer look. After years experimenting with different styles and techniques using printing kits, markers, paints and various other materials, Imbue has finally crafted a unique style. He now produces limited edition screen prints, posters and canvas's that have been sold in Japan, America and Hawaii to name a few. He is still involved in creating street art and Imbue stickers, stencils and posters still appear overnight as he continues to adjust the streets. Nicknamed â€˜The new Banksyâ€™, Imbue does more than just writing his name on the walls. With his provocative spirit and his nastiness, this street artist distorts advertisings or army recruitment posters and even introduced a naughty Snowy White on the shelves of a Disney store. Playing with the symbols, he melts a bottle of Coca Cola in the body of the Virgin Mary, diverting the religious and popular iconography to give them a new meaning. In 2008, he set up powdered sugar dispensers, displaying "cocaine" and "heroin" on Brighton Pier, without being disturbed, questioning the public and the authorities about the drugs found on every street corner. Who is Imbue? Creating work for over 10 years, Imbueâ€™s work is exhibited and collected around the world. The artist has had solo and group exhibitions in London, Brighton, Paris, Osaka and more. His work has been featured on numerous blogs and publications including The Independent, The Times and Adbusters. He was recently featured on French/German channel Arte TV. The Worldwide postage cost is an estimate. The post may cost a little more or a little less. Please contact me if you want to buy an item and you don't live in the UK.

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Picture comes with Certificate of authenticity (COA) Signed and numbered By Imbue Limited To 500 Prints Size Across Approximately 16.5 Inch Size Top to Bottom Approximately 11.75 Inch Certificate of authenticity included. Perfect condition. Would Look Amazing Framed I will send the picture in a poster tube By young English artist Imbue, already dubbed the new Banksy by the English press. â€œIn a thousand yearsâ€™ time, if they look back at us, will they think people worshiped Barbie?â€ â€“Imbue Perish the thought, but, just in case, thereâ€™s Imbue. Call him a smart aleck, a wisecracker, a practical joker guerilla artist. Imbue distills revisited iconography, constantly questioning images from advertising and pop culture by perverting its context. Mickey Mouse on a cross, Snow White in a cheesecake pose, installing a Steely Dan machine on Brighton Pierâ€street art is Imbueâ€™s way of mixing things up Imbue has made a name for himself in taking familiar everyday logos and imagery and manipulate them, so they make people take a closer look. After years experimenting with different styles and techniques using printing kits, markers, paints and various other materials, Imbue has finally crafted a unique style. He now produces limited edition screen prints, posters and canvas's that have been sold in Japan, America and Hawaii to name a few. He is still involved in creating street art and Imbue stickers, stencils and posters still appear overnight as he continues to adjust the streets. Nicknamed â€˜The new Banksyâ€™, Imbue does more than just writing his name on the walls. With his provocative spirit and his nastiness, this street artist distorts advertisings or army recruitment posters and even introduced a naughty Snowy White on the shelves of a Disney store. Playing with the symbols, he melts a bottle of Coca Cola in the body of the Virgin Mary, diverting the religious and popular iconography to give them a new meaning. In 2008, he set up powdered sugar dispensers, displaying "cocaine" and "heroin" on Brighton Pier, without being disturbed, questioning the public and the authorities about the drugs found on every street corner. Who is Imbue? Creating work for over 10 years, Imbueâ€™s work is exhibited and collected around the world. The artist has had solo and group exhibitions in London, Brighton, Paris, Osaka and more. His work has been featured on numerous blogs and publications including The Independent, The Times and Adbusters. He was recently featured on French/German channel Arte TV. The Worldwide postage cost is an estimate. The post may cost a little more or a little less. Please contact me if you want to buy an item and you don't live in the UK.

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Artist: Shepard Fairey Title: Just Angels Rising Size: 18 inches by 24 inches Screen print on thick cream Speckletone paper. Original photo by Victoria Yarnish. Edition of 450. Release: June 23, 2021(Sold Out) Note From Artist: These prints, Just Angels Rising and Just Future Rising, are variations of the art I created for the Time VOTE cover just before the 2020 election. At the time, I wanted to address the very unique situation we were in as a country as we faced the Covid-19 pandemic, unrest around police brutality and racial discrimination, voter suppression, and intense political division. We are still facing all of those things, though the development of Covid vaccines has significantly improved public safety and benefitted the fight to end the pandemic. In this illustration, the usually clear-cut rebel symbol of a bandana covering a face takes on a different meaning during Covid, becoming an emblem of safety, respect for ones fellow citizens, and a sign that the wearer believes in science. The updated images on the bandana symbolize an activists aspiration for a more just future for all. The future is in part shaped by voting, but not voting alone. How we express our ideals and spend our money in alignment with our ideals helps to shape the future also. Anti-democracy forces are pushing voter suppression, so voting while you still can is essential. The future of our democracy and our world is in our hands!The subject of the portrait is my former co-worker Marin Takeshita who is Japanese. With the rise of hate crimes against Asians during Covid, Marin, and I thought it was important for proceeds from these prints to benefit the organization Stop AAPI Hate, which focuses on immigrants rights, and remedies for racial and social injustice.

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Artist: Shepard Fairey Title: Just Angels Rising Size: 18 inches by 24 inches Screen print on thick cream Speckletone paper. Original photo by Victoria Yarnish. Edition of 450. Release: June 23, 2021(Sold Out) Note From Artist: These prints, Just Angels Rising and Just Future Rising, are variations of the art I created for the Time VOTE cover just before the 2020 election. At the time, I wanted to address the very unique situation we were in as a country as we faced the Covid-19 pandemic, unrest around police brutality and racial discrimination, voter suppression, and intense political division. We are still facing all of those things, though the development of Covid vaccines has significantly improved public safety and benefitted the fight to end the pandemic. In this illustration, the usually clear-cut rebel symbol of a bandana covering a face takes on a different meaning during Covid, becoming an emblem of safety, respect for ones fellow citizens, and a sign that the wearer believes in science. The updated images on the bandana symbolize an activists aspiration for a more just future for all. The future is in part shaped by voting, but not voting alone. How we express our ideals and spend our money in alignment with our ideals helps to shape the future also. Anti-democracy forces are pushing voter suppression, so voting while you still can is essential. The future of our democracy and our world is in our hands!The subject of the portrait is my former co-worker Marin Takeshita who is Japanese. With the rise of hate crimes against Asians during Covid, Marin, and I thought it was important for proceeds from these prints to benefit the organization Stop AAPI Hate, which focuses on immigrants rights, and remedies for racial and social injustice.

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Artist: Shepard Fairey Title: Just Angels Rising Size: 18 inches by 24 inches Screen print on thick cream Speckletone paper. Original photo by Victoria Yarnish. Edition of 450. Release: June 23, 2021(Sold Out) Note From Artist: These prints, Just Angels Rising and Just Future Rising, are variations of the art I created for the Time VOTE cover just before the 2020 election. At the time, I wanted to address the very unique situation we were in as a country as we faced the Covid-19 pandemic, unrest around police brutality and racial discrimination, voter suppression, and intense political division. We are still facing all of those things, though the development of Covid vaccines has significantly improved public safety and benefitted the fight to end the pandemic. In this illustration, the usually clear-cut rebel symbol of a bandana covering a face takes on a different meaning during Covid, becoming an emblem of safety, respect for ones fellow citizens, and a sign that the wearer believes in science. The updated images on the bandana symbolize an activists aspiration for a more just future for all. The future is in part shaped by voting, but not voting alone. How we express our ideals and spend our money in alignment with our ideals helps to shape the future also. Anti-democracy forces are pushing voter suppression, so voting while you still can is essential. The future of our democracy and our world is in our hands!The subject of the portrait is my former co-worker Marin Takeshita who is Japanese. With the rise of hate crimes against Asians during Covid, Marin, and I thought it was important for proceeds from these prints to benefit the organization Stop AAPI Hate, which focuses on immigrants rights, and remedies for racial and social injustice.

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Angel 41 - Living the Dream Acrylic and emulsion on unstretched canvas - Hand signed - 2022 Total dimensions: 48 x 38 x 0.01 cm This piece is taken from Angel 41s Balloon collection. This is a one-off original piece of work, stamped, signed, titled and dated on reverse. Comes with COA, also signed by the artist. All artworks are catalogued on the artists website. Since arriving on the art scene in 2009 with a sellout show at Lazarides Gallery, Angel 41 has sold works on every continent which are held in private collections throughout the world. The artist has been involved in solo and group shows with Lazinc, Mirus Gallery, Red Propeller and Lawrence Alkin Gallery as well as auctions at Dreweatts & Bloomsbury, alongside artists such as Banksy, Nick Walker, Martin Whatson, Tracey Emin and Damien Hirst.

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Angel 41 - Living the Dream Acrylic and emulsion on unstretched canvas - Hand signed - 2022 Total dimensions: 48 x 38 x 0.01 cm This piece is taken from Angel 41s Balloon collection. This is a one-off original piece of work, stamped, signed, titled and dated on reverse. Comes with COA, also signed by the artist. All artworks are catalogued on the artists website. Since arriving on the art scene in 2009 with a sellout show at Lazarides Gallery, Angel 41 has sold works on every continent which are held in private collections throughout the world. The artist has been involved in solo and group shows with Lazinc, Mirus Gallery, Red Propeller and Lawrence Alkin Gallery as well as auctions at Dreweatts & Bloomsbury, alongside artists such as Banksy, Nick Walker, Martin Whatson, Tracey Emin and Damien Hirst.

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Angel 41 - Living the Dream Acrylic and emulsion on unstretched canvas - Hand signed - 2022 Total dimensions: 48 x 38 x 0.01 cm This piece is taken from Angel 41s Balloon collection. This is a one-off original piece of work, stamped, signed, titled and dated on reverse. Comes with COA, also signed by the artist. All artworks are catalogued on the artists website. Since arriving on the art scene in 2009 with a sellout show at Lazarides Gallery, Angel 41 has sold works on every continent which are held in private collections throughout the world. The artist has been involved in solo and group shows with Lazinc, Mirus Gallery, Red Propeller and Lawrence Alkin Gallery as well as auctions at Dreweatts & Bloomsbury, alongside artists such as Banksy, Nick Walker, Martin Whatson, Tracey Emin and Damien Hirst.

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Achoo by Mason Storm, 2021 From a sold-out series of mini-prints based on the artist's originals from his Theft from Above show with Stowe Gallery. 11.8 x 8.2 Inches Screen print on 315gsm Innova Soft White fine art paper. Deadstock. Hand-signed on reverse in pencil with gallery stamp. Theft From Above: a homage, a poking of the Hornets nest, an honest exploration of authorship and inspiration or outright daylight robbery? Given Masons past history with urban arts other man of mystery, the similarities and motifs in this new body of work are less than subtle. Indeed they are glaringly obvious and are bound to illicit howls of derision and cries of rip off and opportunist. This latest collection is in some ways an exploration of the art world itself, like the Emperors new clothes. Art is what the art elite tell people it is. Thirty years ago galleries and dealers would have had a Banksy piece buffed over if it appeared on a wall outside their gallery and called the police if they saw some urchin lurking with a spray can in hand, and now, well, now, theyd step over their dying Granny to get at one of his pieces and I find that amusing. The work is now hailed as important and new labels such as sloganist have been invented to enable the addition of a zero or two to the price tag. Im sure Banksy is laughing his socks off, and good luck to him!" As an artist whose work is generally highly precise, highly technical and time consuming, I got to wondering if maybe Im trying too hard? So Ive created this body of work with that in mind, and to be fair, it was still time consuming, but as for technically challenging, it wasnt. I know the Banksy purists will be apoplectic and thats great. Art should illicit emotion, even if its lets kill Mason. Matisse was a master at what he did and Picasso was a master at what he did; still didnt stop Picasso nicking ideas off Matisse. His white dove had its egg hatching birth in Matisses studio. Banksy is without doubt the undefeatable master at what he does. And me? Im (with all modesty) a master at what I do, so nicking his ideas can only make them better right?. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself.Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Achoo by Mason Storm, 2021 From a sold-out series of mini-prints based on the artist's originals from his Theft from Above show with Stowe Gallery. 11.8 x 8.2 Inches Screen print on 315gsm Innova Soft White fine art paper. Deadstock. Hand-signed on reverse in pencil with gallery stamp. Theft From Above: a homage, a poking of the Hornets nest, an honest exploration of authorship and inspiration or outright daylight robbery? Given Masons past history with urban arts other man of mystery, the similarities and motifs in this new body of work are less than subtle. Indeed they are glaringly obvious and are bound to illicit howls of derision and cries of rip off and opportunist. This latest collection is in some ways an exploration of the art world itself, like the Emperors new clothes. Art is what the art elite tell people it is. Thirty years ago galleries and dealers would have had a Banksy piece buffed over if it appeared on a wall outside their gallery and called the police if they saw some urchin lurking with a spray can in hand, and now, well, now, theyd step over their dying Granny to get at one of his pieces and I find that amusing. The work is now hailed as important and new labels such as sloganist have been invented to enable the addition of a zero or two to the price tag. Im sure Banksy is laughing his socks off, and good luck to him!" As an artist whose work is generally highly precise, highly technical and time consuming, I got to wondering if maybe Im trying too hard? So Ive created this body of work with that in mind, and to be fair, it was still time consuming, but as for technically challenging, it wasnt. I know the Banksy purists will be apoplectic and thats great. Art should illicit emotion, even if its lets kill Mason. Matisse was a master at what he did and Picasso was a master at what he did; still didnt stop Picasso nicking ideas off Matisse. His white dove had its egg hatching birth in Matisses studio. Banksy is without doubt the undefeatable master at what he does. And me? Im (with all modesty) a master at what I do, so nicking his ideas can only make them better right?. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself.Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Achoo by Mason Storm, 2021 From a sold-out series of mini-prints based on the artist's originals from his Theft from Above show with Stowe Gallery. 11.8 x 8.2 Inches Screen print on 315gsm Innova Soft White fine art paper. Deadstock. Hand-signed on reverse in pencil with gallery stamp. Theft From Above: a homage, a poking of the Hornets nest, an honest exploration of authorship and inspiration or outright daylight robbery? Given Masons past history with urban arts other man of mystery, the similarities and motifs in this new body of work are less than subtle. Indeed they are glaringly obvious and are bound to illicit howls of derision and cries of rip off and opportunist. This latest collection is in some ways an exploration of the art world itself, like the Emperors new clothes. Art is what the art elite tell people it is. Thirty years ago galleries and dealers would have had a Banksy piece buffed over if it appeared on a wall outside their gallery and called the police if they saw some urchin lurking with a spray can in hand, and now, well, now, theyd step over their dying Granny to get at one of his pieces and I find that amusing. The work is now hailed as important and new labels such as sloganist have been invented to enable the addition of a zero or two to the price tag. Im sure Banksy is laughing his socks off, and good luck to him!" As an artist whose work is generally highly precise, highly technical and time consuming, I got to wondering if maybe Im trying too hard? So Ive created this body of work with that in mind, and to be fair, it was still time consuming, but as for technically challenging, it wasnt. I know the Banksy purists will be apoplectic and thats great. Art should illicit emotion, even if its lets kill Mason. Matisse was a master at what he did and Picasso was a master at what he did; still didnt stop Picasso nicking ideas off Matisse. His white dove had its egg hatching birth in Matisses studio. Banksy is without doubt the undefeatable master at what he does. And me? Im (with all modesty) a master at what I do, so nicking his ideas can only make them better right?. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself.Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Achoo by Mason Storm, 2021 From a sold-out series of mini-prints based on the artist's originals from his Theft from Above show with Stowe Gallery. 11.8 x 8.2 Inches Screen print on 315gsm Innova Soft White fine art paper. Deadstock. Hand-signed on reverse in pencil with gallery stamp. Theft From Above: a homage, a poking of the Hornets nest, an honest exploration of authorship and inspiration or outright daylight robbery? Given Masons past history with urban arts other man of mystery, the similarities and motifs in this new body of work are less than subtle. Indeed they are glaringly obvious and are bound to illicit howls of derision and cries of rip off and opportunist. This latest collection is in some ways an exploration of the art world itself, like the Emperors new clothes. Art is what the art elite tell people it is. Thirty years ago galleries and dealers would have had a Banksy piece buffed over if it appeared on a wall outside their gallery and called the police if they saw some urchin lurking with a spray can in hand, and now, well, now, theyd step over their dying Granny to get at one of his pieces and I find that amusing. The work is now hailed as important and new labels such as sloganist have been invented to enable the addition of a zero or two to the price tag. Im sure Banksy is laughing his socks off, and good luck to him!" As an artist whose work is generally highly precise, highly technical and time consuming, I got to wondering if maybe Im trying too hard? So Ive created this body of work with that in mind, and to be fair, it was still time consuming, but as for technically challenging, it wasnt. I know the Banksy purists will be apoplectic and thats great. Art should illicit emotion, even if its lets kill Mason. Matisse was a master at what he did and Picasso was a master at what he did; still didnt stop Picasso nicking ideas off Matisse. His white dove had its egg hatching birth in Matisses studio. Banksy is without doubt the undefeatable master at what he does. And me? Im (with all modesty) a master at what I do, so nicking his ideas can only make them better right?. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself.Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Achoo by Mason Storm, 2021 From a sold-out series of mini-prints based on the artist's originals from his Theft from Above show with Stowe Gallery. 11.8 x 8.2 Inches Screen print on 315gsm Innova Soft White fine art paper. Deadstock. Hand-signed on reverse in pencil with gallery stamp. Theft From Above: a homage, a poking of the Hornets nest, an honest exploration of authorship and inspiration or outright daylight robbery? Given Masons past history with urban arts other man of mystery, the similarities and motifs in this new body of work are less than subtle. Indeed they are glaringly obvious and are bound to illicit howls of derision and cries of rip off and opportunist. This latest collection is in some ways an exploration of the art world itself, like the Emperors new clothes. Art is what the art elite tell people it is. Thirty years ago galleries and dealers would have had a Banksy piece buffed over if it appeared on a wall outside their gallery and called the police if they saw some urchin lurking with a spray can in hand, and now, well, now, theyd step over their dying Granny to get at one of his pieces and I find that amusing. The work is now hailed as important and new labels such as sloganist have been invented to enable the addition of a zero or two to the price tag. Im sure Banksy is laughing his socks off, and good luck to him!" As an artist whose work is generally highly precise, highly technical and time consuming, I got to wondering if maybe Im trying too hard? So Ive created this body of work with that in mind, and to be fair, it was still time consuming, but as for technically challenging, it wasnt. I know the Banksy purists will be apoplectic and thats great. Art should illicit emotion, even if its lets kill Mason. Matisse was a master at what he did and Picasso was a master at what he did; still didnt stop Picasso nicking ideas off Matisse. His white dove had its egg hatching birth in Matisses studio. Banksy is without doubt the undefeatable master at what he does. And me? Im (with all modesty) a master at what I do, so nicking his ideas can only make them better right?. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself.Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Mason Storm - UFO, NO U FO (Mini Print) Print on 315gsm Innova Paper Hand-signed on reverse; stamped on front Cut edges with border 29.7 x 21 cm Timed Edition. Sold Out. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself. Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Mason Storm - UFO, NO U FO (Mini Print) Print on 315gsm Innova Paper Hand-signed on reverse; stamped on front Cut edges with border 29.7 x 21 cm Timed Edition. Sold Out. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself. Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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The Brothers Grim by Mason Storm, 2021 From a sold-out series of mini-prints based on the artist's originals from his Theft from Above show with Stowe Gallery. 11.8 x 8.2 Inches Screen print on 315gsm Innova Soft White fine art paper. Deadstock. Hand-signed on reverse in pencil with gallery stamp. Theft From Above: a homage, a poking of the Hornets nest, an honest exploration of authorship and inspiration or outright daylight robbery? Given Masons past history with urban arts other man of mystery, the similarities and motifs in this new body of work are less than subtle. Indeed they are glaringly obvious and are bound to illicit howls of derision and cries of rip off and opportunist. This latest collection is in some ways an exploration of the art world itself, like the Emperors new clothes. Art is what the art elite tell people it is. Thirty years ago galleries and dealers would have had a Banksy piece buffed over if it appeared on a wall outside their gallery and called the police if they saw some urchin lurking with a spray can in hand, and now, well, now, theyd step over their dying Granny to get at one of his pieces and I find that amusing. The work is now hailed as important and new labels such as sloganist have been invented to enable the addition of a zero or two to the price tag. Im sure Banksy is laughing his socks off, and good luck to him!" As an artist whose work is generally highly precise, highly technical and time consuming, I got to wondering if maybe Im trying too hard? So Ive created this body of work with that in mind, and to be fair, it was still time consuming, but as for technically challenging, it wasnt. I know the Banksy purists will be apoplectic and thats great. Art should illicit emotion, even if its lets kill Mason. Matisse was a master at what he did and Picasso was a master at what he did; still didnt stop Picasso nicking ideas off Matisse. His white dove had its egg hatching birth in Matisses studio. Banksy is without doubt the undefeatable master at what he does. And me? Im (with all modesty) a master at what I do, so nicking his ideas can only make them better right?. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself.Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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The Brothers Grim by Mason Storm, 2021 From a sold-out series of mini-prints based on the artist's originals from his Theft from Above show with Stowe Gallery. 11.8 x 8.2 Inches Screen print on 315gsm Innova Soft White fine art paper. Deadstock. Hand-signed on reverse in pencil with gallery stamp. Theft From Above: a homage, a poking of the Hornets nest, an honest exploration of authorship and inspiration or outright daylight robbery? Given Masons past history with urban arts other man of mystery, the similarities and motifs in this new body of work are less than subtle. Indeed they are glaringly obvious and are bound to illicit howls of derision and cries of rip off and opportunist. This latest collection is in some ways an exploration of the art world itself, like the Emperors new clothes. Art is what the art elite tell people it is. Thirty years ago galleries and dealers would have had a Banksy piece buffed over if it appeared on a wall outside their gallery and called the police if they saw some urchin lurking with a spray can in hand, and now, well, now, theyd step over their dying Granny to get at one of his pieces and I find that amusing. The work is now hailed as important and new labels such as sloganist have been invented to enable the addition of a zero or two to the price tag. Im sure Banksy is laughing his socks off, and good luck to him!" As an artist whose work is generally highly precise, highly technical and time consuming, I got to wondering if maybe Im trying too hard? So Ive created this body of work with that in mind, and to be fair, it was still time consuming, but as for technically challenging, it wasnt. I know the Banksy purists will be apoplectic and thats great. Art should illicit emotion, even if its lets kill Mason. Matisse was a master at what he did and Picasso was a master at what he did; still didnt stop Picasso nicking ideas off Matisse. His white dove had its egg hatching birth in Matisses studio. Banksy is without doubt the undefeatable master at what he does. And me? Im (with all modesty) a master at what I do, so nicking his ideas can only make them better right?. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself.Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Mason Storm- Scuba Dupa (Mini Print) Print on 315gsm Innova Paper Hand-signed on reverse; stamped on front Cut edges with border 29.7 x 21 cm Timed Edition. Sold Out. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself. Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Mason Storm- Scuba Dupa (Mini Print) Print on 315gsm Innova Paper Hand-signed on reverse; stamped on front Cut edges with border 29.7 x 21 cm Timed Edition. Sold Out. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself. Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Mason Storm- Scuba Dupa (Mini Print) Print on 315gsm Innova Paper Hand-signed on reverse; stamped on front Cut edges with border 29.7 x 21 cm Timed Edition. Sold Out. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself. Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Mason Storm- Scuba Dupa (Mini Print) Print on 315gsm Innova Paper Hand-signed on reverse; stamped on front Cut edges with border 29.7 x 21 cm Timed Edition. Sold Out. Its hard to tell if Mason is courting controversy for the sake of it, but either way, there is no doubting his commitment to what he does. If hes going to annoy a whole section of the art community, hell do it with great enthusiasm and flair, and maybe that in itself is partly where his art exists; the artist as provocateur, holding a mirror up to the art world itself. Whatever his motivation, Theft From Above (and you can take from that title what you will) has all the hallmarks of a little piece of Urban art history in the making. Its Masons world and we are all just happy to be living in it.

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Artist: Benny The Kid What the...??? Mixed media - Hand signed - 1 - 2021 Artwork made in France. Unique & original artwork Dimension: 50 x 31 cm Year: 2021 Signed recto/verso Acrylic, Spraypaint, Cardboard on Paper. Delivered with a certificate of authenticity. About Benny: Whether you adhere to his ideas or not, the works of Benny the Kid will most certainly leave an impression. More than simple reproductions of famous cartoons, Benny uses this pictorial style to convey sometimes raw messages with poetry. These paintings lead us to question ourselves and the world around us. Like snapshots of our time, his works are winks both humorous and provocative. Come discover the colourful world of this atypical artist.

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Artist: Benny The Kid What the...??? Mixed media - Hand signed - 1 - 2021 Artwork made in France. Unique & original artwork Dimension: 50 x 31 cm Year: 2021 Signed recto/verso Acrylic, Spraypaint, Cardboard on Paper. Delivered with a certificate of authenticity. About Benny: Whether you adhere to his ideas or not, the works of Benny the Kid will most certainly leave an impression. More than simple reproductions of famous cartoons, Benny uses this pictorial style to convey sometimes raw messages with poetry. These paintings lead us to question ourselves and the world around us. Like snapshots of our time, his works are winks both humorous and provocative. Come discover the colourful world of this atypical artist.

773 / 776
Artist: Benny The Kid What the...??? Mixed media - Hand signed - 1 - 2021 Artwork made in France. Unique & original artwork Dimension: 50 x 31 cm Year: 2021 Signed recto/verso Acrylic, Spraypaint, Cardboard on Paper. Delivered with a certificate of authenticity. About Benny: Whether you adhere to his ideas or not, the works of Benny the Kid will most certainly leave an impression. More than simple reproductions of famous cartoons, Benny uses this pictorial style to convey sometimes raw messages with poetry. These paintings lead us to question ourselves and the world around us. Like snapshots of our time, his works are winks both humorous and provocative. Come discover the colourful world of this atypical artist.

774 / 776
Artist: Benny The Kid What the...??? Mixed media - Hand signed - 1 - 2021 Artwork made in France. Unique & original artwork Dimension: 50 x 31 cm Year: 2021 Signed recto/verso Acrylic, Spraypaint, Cardboard on Paper. Delivered with a certificate of authenticity. About Benny: Whether you adhere to his ideas or not, the works of Benny the Kid will most certainly leave an impression. More than simple reproductions of famous cartoons, Benny uses this pictorial style to convey sometimes raw messages with poetry. These paintings lead us to question ourselves and the world around us. Like snapshots of our time, his works are winks both humorous and provocative. Come discover the colourful world of this atypical artist.

775 / 776
Artist: Benny The Kid What the...??? Mixed media - Hand signed - 1 - 2021 Artwork made in France. Unique & original artwork Dimension: 50 x 31 cm Year: 2021 Signed recto/verso Acrylic, Spraypaint, Cardboard on Paper. Delivered with a certificate of authenticity. About Benny: Whether you adhere to his ideas or not, the works of Benny the Kid will most certainly leave an impression. More than simple reproductions of famous cartoons, Benny uses this pictorial style to convey sometimes raw messages with poetry. These paintings lead us to question ourselves and the world around us. Like snapshots of our time, his works are winks both humorous and provocative. Come discover the colourful world of this atypical artist.

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Photos 701 - 776 of 776

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Go to Craigslist and find your city.
Under For Sale, click on the Garage Sale category.
Click on the Post link in the upper right corner of the page.
Choose the Garage Sale category and then select your area. Craigslist doesn't have an Estate Sale category and this is the closest match.
Add the title of your sale and the location.
Add your email address and keep it anonymous to prevent spam.
Copy & Paste the html code below into the Posting Description text box.
Click Continue to add photos and publish your sale. You will receive a confirmation email from Craigslist to verify the sale. Activate your sale by clicking the link in your email and your done!
Craigslist allows you to re-post your ad every 48 hours. Re-post any sooner and your ad may be subject to removal.

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