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Louisiana
New Orleans

Karee’s Treasure Hunt

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New Orleans Proud! New Orleans Strong! Local Artists Estate Sale

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Sale Details
164 Online Auction Items

Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

101 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

102 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

103 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

104 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

105 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

106 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

107 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

108 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

109 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

110 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

111 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

112 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

113 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

114 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

115 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

116 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

117 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

118 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

119 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

120 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

121 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

122 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

123 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

124 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

125 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

126 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

127 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

128 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

129 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

130 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

131 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

132 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

133 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

134 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

135 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

136 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

137 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

138 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

139 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

140 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

141 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

142 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

143 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

144 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

145 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

146 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

147 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

148 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

149 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

150 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

151 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

152 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

153 / 686
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

154 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

155 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

156 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

157 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

158 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

159 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

160 / 686 sold
Susan Bergman earned her Masterâ€™s degree in American Literature from Tulane, but all she really wanted to do was make things out of clay. Her work can be seen and purchased in NOMA museum shop. This particular collection mixes vegetables with animals and humans. All one of a kind pieces. Her materials are Sgraffito, colored slips, transfers, and paper resist patterns create depth and texture on handbuilt surfaces. Stoneware and mid-range terra cotta primarily built with slabs or coils.

161 / 686 sold
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

162 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

163 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

164 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

165 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

166 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

167 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

168 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

169 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

170 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

171 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

172 / 686
The flambeaux tradition dates back to 1857 - during the first Mardi Gras. Wooden torches wrapped in rags were lit and used to guide parade routes during the night. Despite the social issues it represented, flambeaux carriers soon stole part of the show as they danced and twirled alongside the krewes brightening up the carnival sky. Spectators enjoyed them so much they would throw tips to the carriers as they passed by.

173 / 686
This is a unique wood creation that resembles Medusa. It is an original piece.

174 / 686
This is a unique wood creation that resembles Medusa. It is an original piece.

175 / 686
This is a unique wood creation that resembles Medusa. It is an original piece.

176 / 686
This is a unique wood creation that resembles Medusa. It is an original piece.

177 / 686
This is a very old piece, purchased in New Orleans. Artist is unknown. It is very heavy and measures 8"

178 / 686
This is a very old piece, purchased in New Orleans. Artist is unknown. It is very heavy and measures 8"

179 / 686
This is a very old piece, purchased in New Orleans. Artist is unknown. It is very heavy and measures 8"

180 / 686
This is a very old piece, purchased in New Orleans. Artist is unknown. It is very heavy and measures 8"

181 / 686
This is a very old piece, purchased in New Orleans. Artist is unknown. It is very heavy and measures 8"

182 / 686
This is a very unique piece with a lot going on in it. It is an original one of a kind piece by a local New Orleans artist.

183 / 686 sold
This is a very unique piece with a lot going on in it. It is an original one of a kind piece by a local New Orleans artist.

184 / 686 sold
This is a very unique piece with a lot going on in it. It is an original one of a kind piece by a local New Orleans artist.

185 / 686 sold
This was a concrete bust molded off and individual. It was then used by Mitch Gaudeaux to create a glass replica of the same mold. This bust sits on a black pedestal 34" high. The bust is 23"

186 / 686 sold
This was a concrete bust molded off and individual. It was then used by Mitch Gaudeaux to create a glass replica of the same mold. This bust sits on a black pedestal 34" high. The bust is 23"

187 / 686 sold
This was a concrete bust molded off and individual. It was then used by Mitch Gaudeaux to create a glass replica of the same mold. This bust sits on a black pedestal 34" high. The bust is 23"

188 / 686 sold
This is a sculpture of the son of Zeus and his flying horse Pegasus. Perseus, the half-human son of Zeus, decapitated the Gorgon Medusa and Pegasus sprang from her neck.

189 / 686 sold
This is a sculpture of the son of Zeus and his flying horse Pegasus. Perseus, the half-human son of Zeus, decapitated the Gorgon Medusa and Pegasus sprang from her neck.

190 / 686 sold
This is a sculpture of the son of Zeus and his flying horse Pegasus. Perseus, the half-human son of Zeus, decapitated the Gorgon Medusa and Pegasus sprang from her neck.

191 / 686 sold
This is a sculpture of the son of Zeus and his flying horse Pegasus. Perseus, the half-human son of Zeus, decapitated the Gorgon Medusa and Pegasus sprang from her neck.

192 / 686 sold
This is a sculpture of the son of Zeus and his flying horse Pegasus. Perseus, the half-human son of Zeus, decapitated the Gorgon Medusa and Pegasus sprang from her neck.

193 / 686 sold
This is a sculpture of the son of Zeus and his flying horse Pegasus. Perseus, the half-human son of Zeus, decapitated the Gorgon Medusa and Pegasus sprang from her neck.

194 / 686 sold
This myth involves Neptune marching toward the waves and stepping over a triton leaning backward which signifies the riches of the sea. His foot is on a shell and his hand holds a trident making him god of the sea.

195 / 686
This myth involves Neptune marching toward the waves and stepping over a triton leaning backward which signifies the riches of the sea. His foot is on a shell and his hand holds a trident making him god of the sea.

196 / 686
This myth involves Neptune marching toward the waves and stepping over a triton leaning backward which signifies the riches of the sea. His foot is on a shell and his hand holds a trident making him god of the sea.

197 / 686
This myth involves Neptune marching toward the waves and stepping over a triton leaning backward which signifies the riches of the sea. His foot is on a shell and his hand holds a trident making him god of the sea.

198 / 686
This statue represents an episode in The Illiad. It is a stunning piece.

199 / 686 sold
This statue represents an episode in The Illiad. It is a stunning piece.

200 / 686 sold

Photos 101 - 200 of 686

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Under For Sale, click on the Garage Sale category.
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