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Louisiana
New Orleans

Karee’s Treasure Hunt

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New Orleans Proud! New Orleans Strong! Local Artists Estate Sale

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Sale Details
164 Online Auction Items

This is one of the most spectacular prints I have ever seen. This comes from the book SITE: IDENTITY IN DENSITY by James Wines. It is his glimpse into the year 2084 where the river has consumed everything including the 1984 World Expo in NOLA. If you look at the enlarged pictures, you can see the 1984 worlds fair hidden under the water. Wines had many theories on density and used NOLA as an example. This piece is priceless. It is framed and measures 35 x 25.

601 / 686
This is one of the most spectacular prints I have ever seen. This comes from the book SITE: IDENTITY IN DENSITY by James Wines. It is his glimpse into the year 2084 where the river has consumed everything including the 1984 World Expo in NOLA. If you look at the enlarged pictures, you can see the 1984 worlds fair hidden under the water. Wines had many theories on density and used NOLA as an example. This piece is priceless. It is framed and measures 35 x 25.

602 / 686
This is one of the most spectacular prints I have ever seen. This comes from the book SITE: IDENTITY IN DENSITY by James Wines. It is his glimpse into the year 2084 where the river has consumed everything including the 1984 World Expo in NOLA. If you look at the enlarged pictures, you can see the 1984 worlds fair hidden under the water. Wines had many theories on density and used NOLA as an example. This piece is priceless. It is framed and measures 35 x 25.

603 / 686
This is one of the most spectacular prints I have ever seen. This comes from the book SITE: IDENTITY IN DENSITY by James Wines. It is his glimpse into the year 2084 where the river has consumed everything including the 1984 World Expo in NOLA. If you look at the enlarged pictures, you can see the 1984 worlds fair hidden under the water. Wines had many theories on density and used NOLA as an example. This piece is priceless. It is framed and measures 35 x 25.

604 / 686
This is a framed print and measures 31" x 47". It is in mint condition and highly collectible. The text states "1984 Louisiana World Exposition Official Theme Poster "The World Of Rivers- Fresh Water As A Source Of Life" - New Orleans, Louisiana.

605 / 686
This is a framed print and measures 31" x 47". It is in mint condition and highly collectible. The text states "1984 Louisiana World Exposition Official Theme Poster "The World Of Rivers- Fresh Water As A Source Of Life" - New Orleans, Louisiana.

606 / 686
This is a framed print and measures 31" x 47". It is in mint condition and highly collectible. The text states "1984 Louisiana World Exposition Official Theme Poster "The World Of Rivers- Fresh Water As A Source Of Life" - New Orleans, Louisiana.

607 / 686
This is a framed print and measures 31" x 47". It is in mint condition and highly collectible. The text states "1984 Louisiana World Exposition Official Theme Poster "The World Of Rivers- Fresh Water As A Source Of Life" - New Orleans, Louisiana.

608 / 686
This is a framed print and measures 31" x 47". It is in mint condition and highly collectible. The text states "1984 Louisiana World Exposition Official Theme Poster "The World Of Rivers- Fresh Water As A Source Of Life" - New Orleans, Louisiana.

609 / 686
This is a framed print and measures 31" x 47". It is in mint condition and highly collectible. The text states "1984 Louisiana World Exposition Official Theme Poster "The World Of Rivers- Fresh Water As A Source Of Life" - New Orleans, Louisiana.

610 / 686
This item is for a vintage 1930s/40s Italian majolica-style statue of Three monkeys; See no evil, speak no evil, hear no evil. The color is green with amber and ivory. Beautiful glaze overtop. Very heavy piece, great for a shelf of mantle. It does appear to have a signature on the bottom and measures 11.75" wide x 5" deep x 7.75" tall.

611 / 686
This item is for a vintage 1930s/40s Italian majolica-style statue of Three monkeys; See no evil, speak no evil, hear no evil. The color is green with amber and ivory. Beautiful glaze overtop. Very heavy piece, great for a shelf of mantle. It does appear to have a signature on the bottom and measures 11.75" wide x 5" deep x 7.75" tall.

612 / 686
This item is for a vintage 1930s/40s Italian majolica-style statue of Three monkeys; See no evil, speak no evil, hear no evil. The color is green with amber and ivory. Beautiful glaze overtop. Very heavy piece, great for a shelf of mantle. It does appear to have a signature on the bottom and measures 11.75" wide x 5" deep x 7.75" tall.

613 / 686
This item is for a vintage 1930s/40s Italian majolica-style statue of Three monkeys; See no evil, speak no evil, hear no evil. The color is green with amber and ivory. Beautiful glaze overtop. Very heavy piece, great for a shelf of mantle. It does appear to have a signature on the bottom and measures 11.75" wide x 5" deep x 7.75" tall.

614 / 686
Teri Walker and Chad Ridgeway are New Orleans artists living and working in the Marigny neighborhood. Chad Ridgeway was an American metal sculptor and chef living and working in Paris, and Teri Walker was a Canadian glassblower and painter living in New Orleans. Suddenly the possibilities seemed endless for us to create sculptures together and combine all our skills to reflect our whimsical way of life. Their works honor the people and style of NOLA.

615 / 686
Teri Walker and Chad Ridgeway are New Orleans artists living and working in the Marigny neighborhood. Chad Ridgeway was an American metal sculptor and chef living and working in Paris, and Teri Walker was a Canadian glassblower and painter living in New Orleans. Suddenly the possibilities seemed endless for us to create sculptures together and combine all our skills to reflect our whimsical way of life. Their works honor the people and style of NOLA.

616 / 686
Teri Walker and Chad Ridgeway are New Orleans artists living and working in the Marigny neighborhood. Chad Ridgeway was an American metal sculptor and chef living and working in Paris, and Teri Walker was a Canadian glassblower and painter living in New Orleans. Suddenly the possibilities seemed endless for us to create sculptures together and combine all our skills to reflect our whimsical way of life. Their works honor the people and style of NOLA.

617 / 686
Teri Walker and Chad Ridgeway are New Orleans artists living and working in the Marigny neighborhood. Chad Ridgeway was an American metal sculptor and chef living and working in Paris, and Teri Walker was a Canadian glassblower and painter living in New Orleans. Suddenly the possibilities seemed endless for us to create sculptures together and combine all our skills to reflect our whimsical way of life. Their works honor the people and style of NOLA.

618 / 686
Teri Walker and Chad Ridgeway are New Orleans artists living and working in the Marigny neighborhood. Chad Ridgeway was an American metal sculptor and chef living and working in Paris, and Teri Walker was a Canadian glassblower and painter living in New Orleans. Suddenly the possibilities seemed endless for us to create sculptures together and combine all our skills to reflect our whimsical way of life. Their works honor the people and style of NOLA.

619 / 686
Teri Walker and Chad Ridgeway are New Orleans artists living and working in the Marigny neighborhood. Chad Ridgeway was an American metal sculptor and chef living and working in Paris, and Teri Walker was a Canadian glassblower and painter living in New Orleans. Suddenly the possibilities seemed endless for us to create sculptures together and combine all our skills to reflect our whimsical way of life. Their works honor the people and style of NOLA.

620 / 686
This is an original piece by an unknown artist. It is made out of concrete.

621 / 686 sold
This is an original piece by an unknown artist. It is made out of concrete.

622 / 686 sold
This is an original piece by an unknown artist. It is made of concrete.

623 / 686
This is an original piece by an unknown artist. It is made of concrete.

624 / 686
Vesalius, a 16th century Belgian physician, was the first to dissect and draw human bodies for medical reference, long before the Church sanctioned such blasphemous exploits. His heavier lines delineating of the musculature reminded me of the metal used to separate and secure stained glass. I thought: â€œthat metal is to body like glass is to soulâ€, so here is a joyous figure, radiating out into light.

625 / 686
Vesalius, a 16th century Belgian physician, was the first to dissect and draw human bodies for medical reference, long before the Church sanctioned such blasphemous exploits. His heavier lines delineating of the musculature reminded me of the metal used to separate and secure stained glass. I thought: â€œthat metal is to body like glass is to soulâ€, so here is a joyous figure, radiating out into light.

626 / 686
Vesalius, a 16th century Belgian physician, was the first to dissect and draw human bodies for medical reference, long before the Church sanctioned such blasphemous exploits. His heavier lines delineating of the musculature reminded me of the metal used to separate and secure stained glass. I thought: â€œthat metal is to body like glass is to soulâ€, so here is a joyous figure, radiating out into light.

627 / 686
Vesalius, a 16th century Belgian physician, was the first to dissect and draw human bodies for medical reference, long before the Church sanctioned such blasphemous exploits. His heavier lines delineating of the musculature reminded me of the metal used to separate and secure stained glass. I thought: â€œthat metal is to body like glass is to soulâ€, so here is a joyous figure, radiating out into light.

628 / 686
Al Benkin aka Mutantland is an assemblage artist, woodworker, pop surreal painter and fiber art doll maker. Benkins style varies but she is most interested in pop surreal, old school surrealism and modern folk art. Benkinâ€™s paintings & assemblages are often laden with visual language/iconography inspired by real life & personalized myths. The content varies from political and personal satire to comedies in the absurdity of daily life (often things that might get swept under a proverbial rug).

629 / 686
Al Benkin aka Mutantland is an assemblage artist, woodworker, pop surreal painter and fiber art doll maker. Benkins style varies but she is most interested in pop surreal, old school surrealism and modern folk art. Benkinâ€™s paintings & assemblages are often laden with visual language/iconography inspired by real life & personalized myths. The content varies from political and personal satire to comedies in the absurdity of daily life (often things that might get swept under a proverbial rug).

630 / 686
Al Benkin aka Mutantland is an assemblage artist, woodworker, pop surreal painter and fiber art doll maker. Benkins style varies but she is most interested in pop surreal, old school surrealism and modern folk art. Benkinâ€™s paintings & assemblages are often laden with visual language/iconography inspired by real life & personalized myths. The content varies from political and personal satire to comedies in the absurdity of daily life (often things that might get swept under a proverbial rug).

631 / 686
This is an incredible piece by Mitchell Gaudet. These pieces do not reflect the beauty and work involved until they are placed under a light or sunlight. The reflected image is mesmerizing. Mitch has sculpted glass for over 25 years and founded Studio Inferno.

632 / 686 sold
This is an incredible piece by Mitchell Gaudet. These pieces do not reflect the beauty and work involved until they are placed under a light or sunlight. The reflected image is mesmerizing. Mitch has sculpted glass for over 25 years and founded Studio Inferno.

633 / 686 sold
Creative resin bungee Diver Men Wall Sculptures This resin piece is a great model of a man bungee jumping. They are ideal to hang from a ceiling or wall or in a group with other hanging men.

634 / 686
Creative resin bungee Diver Men Wall Sculptures This resin piece is a great model of a man bungee jumping. They are ideal to hang from a ceiling or wall or in a group with other hanging men.

635 / 686
This is an amazing print depicting New Orleans Voodoo also known as Voodoo-Catholicism. It is a religion connected to nature, spirits, and ancestors. Voodoo queens and kings were spiritual and political figures of power in 1800s New Orleans. The core belief of New Orleans Voodoo is that one God does not interfere in daily lives, but that spirits do.

636 / 686
This is an amazing print depicting New Orleans Voodoo also known as Voodoo-Catholicism. It is a religion connected to nature, spirits, and ancestors. Voodoo queens and kings were spiritual and political figures of power in 1800s New Orleans. The core belief of New Orleans Voodoo is that one God does not interfere in daily lives, but that spirits do.

637 / 686
This is an amazing print depicting New Orleans Voodoo also known as Voodoo-Catholicism. It is a religion connected to nature, spirits, and ancestors. Voodoo queens and kings were spiritual and political figures of power in 1800s New Orleans. The core belief of New Orleans Voodoo is that one God does not interfere in daily lives, but that spirits do.

638 / 686
639 / 686
640 / 686
641 / 686
Banksy is a pseudonymous England-based street artist, political activist and film director whose real name and identity remain unconfirmed and the subject of speculation. It is signed by the Artist who reproduced it.

642 / 686
Banksy is a pseudonymous England-based street artist, political activist and film director whose real name and identity remain unconfirmed and the subject of speculation. It is signed by the Artist who reproduced it.

643 / 686
Banksy is a pseudonymous England-based street artist, political activist and film director whose real name and identity remain unconfirmed and the subject of speculation. It is signed by the Artist who reproduced it.

644 / 686
Banksy is a pseudonymous England-based street artist, political activist and film director whose real name and identity remain unconfirmed and the subject of speculation. It is signed by the Artist who reproduced it.

645 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

646 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

647 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

648 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

649 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

650 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

651 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

652 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

653 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

654 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

655 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

656 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

657 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

658 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

659 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

660 / 686
SINCE 2001, KELLYâ€™S FOCUS AS A SCULPTOR HAS BEEN EVOLVING. Kelly developed a personal style that he refers to as â€œmodern primitive.â€ There are raw honesty and a balance of masculine and feminine elements to his work. Using modern tools, he can aggressively manipulate wood and metal into more delicate shapes and subject matter, which appears heavy-handed yet deliberate and controlled. His sculptures have an openness in which people attach personal meaning, creating work that connects with people in their most positive thoughts and emotions, balanced with smooth, sensual curves and meticulous surface details.

661 / 686
SINCE 2001, KELLYâ€™S FOCUS AS A SCULPTOR HAS BEEN EVOLVING. Kelly developed a personal style that he refers to as â€œmodern primitive.â€ There are raw honesty and a balance of masculine and feminine elements to his work. Using modern tools, he can aggressively manipulate wood and metal into more delicate shapes and subject matter, which appears heavy-handed yet deliberate and controlled. His sculptures have an openness in which people attach personal meaning, creating work that connects with people in their most positive thoughts and emotions, balanced with smooth, sensual curves and meticulous surface details.

662 / 686
SINCE 2001, KELLYâ€™S FOCUS AS A SCULPTOR HAS BEEN EVOLVING. Kelly developed a personal style that he refers to as â€œmodern primitive.â€ There are raw honesty and a balance of masculine and feminine elements to his work. Using modern tools, he can aggressively manipulate wood and metal into more delicate shapes and subject matter, which appears heavy-handed yet deliberate and controlled. His sculptures have an openness in which people attach personal meaning, creating work that connects with people in their most positive thoughts and emotions, balanced with smooth, sensual curves and meticulous surface details.

663 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

664 / 686
Tress Turner is a self-taught artist from New Orleans whose artwork is a kaleidoscope of mixed media, found objects and family history embedded in rusted metal and scraps welded together into a visual translation of the Southern Gothic. The pieces often combine welding, woodworking, acrylic painting, and found objects in a raw style more closely aligned with the folk art and outsider art movements than the products of formal training and mass production. Each piece is a one-off visceral creation.

665 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

666 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

667 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

668 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

669 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

670 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

671 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

672 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

673 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

674 / 686
Gary Oaks is a local artist who has his work in numerous galleries in NOLA including Inferno. This piece was specifically made for the owner and is a one of a kind. Gary Oaks' bound and predetermined pilloried male figures tower above. The aging faces, betraying, betrayed or regretful, perch atop vulnerable, malnourished legs that are both formed and immobilized by the same wrapped material from the neck to the waist. Oaks has released only their legs from the rope wrapping to permit them a stance of meditative repose. Priceless piece.

675 / 686
The original Tau House was located on Governor Nicholls Street in New Orleans from 1976-2013. Tau House New Orleans is a small Catholic faith community in New Orleans. Open to all, especially alienated Catholics. Franciscan spirituality. One of the Franciscan Nuns painted this portrait and it is stunning. It is framed and signed by the Artist. Great addition to any home.

676 / 686
The original Tau House was located on Governor Nicholls Street in New Orleans from 1976-2013. Tau House New Orleans is a small Catholic faith community in New Orleans. Open to all, especially alienated Catholics. Franciscan spirituality. One of the Franciscan Nuns painted this portrait and it is stunning. It is framed and signed by the Artist. Great addition to any home.

677 / 686
The original Tau House was located on Governor Nicholls Street in New Orleans from 1976-2013. Tau House New Orleans is a small Catholic faith community in New Orleans. Open to all, especially alienated Catholics. Franciscan spirituality. One of the Franciscan Nuns painted this portrait and it is stunning. It is framed and signed by the Artist. Great addition to any home.

678 / 686
The original Tau House was located on Governor Nicholls Street in New Orleans from 1976-2013. Tau House New Orleans is a small Catholic faith community in New Orleans. Open to all, especially alienated Catholics. Franciscan spirituality. One of the Franciscan Nuns painted this portrait and it is stunning. It is framed and signed by the Artist. Great addition to any home.

679 / 686
The original Tau House was located on Governor Nicholls Street in New Orleans from 1976-2013. Tau House New Orleans is a small Catholic faith community in New Orleans. Open to all, especially alienated Catholics. Franciscan spirituality. One of the Franciscan Nuns painted this portrait and it is stunning. It is framed and signed by the Artist. Great addition to any home.

680 / 686
Paschal Candles are used at the Liturgy of Baptism. This particular candle was engraved with the child's name on it. Ugo Buonamici lived from 1902 - 1958 in Yearington, Nevada. This candle was found after Katrina in New Orleans. The Buonamici family is originally from Italy. What a mystery how this piece ends up in New Orleans. This piece has a tremendous amount of history waiting to be unlocked. It is solid bras and about 36".

681 / 686
Paschal Candles are used at the Liturgy of Baptism. This particular candle was engraved with the child's name on it. Ugo Buonamici lived from 1902 - 1958 in Yearington, Nevada. This candle was found after Katrina in New Orleans. The Buonamici family is originally from Italy. What a mystery how this piece ends up in New Orleans. This piece has a tremendous amount of history waiting to be unlocked. It is solid bras and about 36".

682 / 686
Paschal Candles are used at the Liturgy of Baptism. This particular candle was engraved with the child's name on it. Ugo Buonamici lived from 1902 - 1958 in Yearington, Nevada. This candle was found after Katrina in New Orleans. The Buonamici family is originally from Italy. What a mystery how this piece ends up in New Orleans. This piece has a tremendous amount of history waiting to be unlocked. It is solid bras and about 36".

683 / 686
Paschal Candles are used at the Liturgy of Baptism. This particular candle was engraved with the child's name on it. Ugo Buonamici lived from 1902 - 1958 in Yearington, Nevada. This candle was found after Katrina in New Orleans. The Buonamici family is originally from Italy. What a mystery how this piece ends up in New Orleans. This piece has a tremendous amount of history waiting to be unlocked. It is solid bras and about 36".

684 / 686
Paschal Candles are used at the Liturgy of Baptism. This particular candle was engraved with the child's name on it. Ugo Buonamici lived from 1902 - 1958 in Yearington, Nevada. This candle was found after Katrina in New Orleans. The Buonamici family is originally from Italy. What a mystery how this piece ends up in New Orleans. This piece has a tremendous amount of history waiting to be unlocked. It is solid bras and about 36".

685 / 686
Paschal Candles are used at the Liturgy of Baptism. This particular candle was engraved with the child's name on it. Ugo Buonamici lived from 1902 - 1958 in Yearington, Nevada. This candle was found after Katrina in New Orleans. The Buonamici family is originally from Italy. What a mystery how this piece ends up in New Orleans. This piece has a tremendous amount of history waiting to be unlocked. It is solid bras and about 36".

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Photos 601 - 686 of 686

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Craigslist Code

Please note that Craigslist has stopped allowing external images as well as most html tags in their "for sale" listings. Your template will still have a full link to your sale and your sale photo gallery.

Preview your Craigslist template

Go to Craigslist and find your city.
Under For Sale, click on the Garage Sale category.
Click on the Post link in the upper right corner of the page.
Choose the Garage Sale category and then select your area. Craigslist doesn't have an Estate Sale category and this is the closest match.
Add the title of your sale and the location.
Add your email address and keep it anonymous to prevent spam.
Copy & Paste the html code below into the Posting Description text box.
Click Continue to add photos and publish your sale. You will receive a confirmation email from Craigslist to verify the sale. Activate your sale by clicking the link in your email and your done!
Craigslist allows you to re-post your ad every 48 hours. Re-post any sooner and your ad may be subject to removal.

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